Palestrina: Missa Pro Defunctis & Motets

Giovanni Pierluigi da Palestrina (Composer), Joseph Jennings (Conductor), Chanticleer (Performer) | Format: Audio CD

Product Details

• Performer: Chanticleer
• Conductor: Joseph Jennings
• Composer: Giovanni Pierluigi da Palestrina
• Audio CD (October 4, 1994)
• Number of Discs: 1
• Label: Teldec
• ASIN: B000000SNJ
• Also Available in: Audio Cassette
• Average Customer Review: 5.0 out of 5 stars  See all reviews (11 customer reviews)
• Amazon Best Sellers Rank: #196,142 in Music (See Top 100 in Music)

Track Listings

1. Work(s)

2. Missa Pro defunctis, for 5 voices: Requiem aeternam

3. Missa Pro defunctis, for 5 voices: Kyrie

4. Missa Pro defunctis, for 5 voices: Offertorium

5. Missa Pro defunctis, for 5 voices: Sanctus

6. Missa Pro defunctis, for 5 voices: Agnus Dei

7. Missa Pro defunctis, for 5 voices: Salve regina

8. Missa Pro defunctis, for 5 voices: Pange lingua

9. Missa Pro defunctis, for 5 voices: O bone Jesu

10. Trahe me post te, motet for 5 voices (from Motets Book IV from Canticis canticorum)

11. Nigra sum, motet for 5 voices (from Motets Book IV from Canticis canticorum)

12. Surge propera amica formosa mea, motet for 5 voices (from Motets Book IV from Canticis canticorum)

13. Surge propera amica formosa mea, motet for 5 voices (from Motets Book IV from Canticis canticorum)

14. Quam pulchra es, motet for 5 voices (from Motets Book IV from Canticis canticorum)

15. Veni, veni dilecte mi, motet for 5 voices (from Motets Book IV from Canticis canticorum)

16. Gaude, Barbara, motet for 5 voices (from Motets Book II for 5, 6, & 8 voices)

Customer Reviews

Most Helpful Customer Reviews

20 of 20 people found the following review helpful:

5.0 out of 5 stars heaven sent, September 13, 2001

By 

richard mullany (waynesville, north carolina United States) - See all my reviews

This review is from: Palestrina: Missa Pro Defunctis & Motets (Audio CD)

There is little to add, this music is an example of musics "inner life"; it would be good done by any competent group of singers. Chanticleer comes along,like Prince Charming and kisses it to life. I have had this recording for years now; it joined a collection of requiems, glorias, te deums, psalms, cantatas and other choral works that I really like. That this cd, twelve voices, should take precedence, in my mind, over some of the greatest liturgical pieces in the catalog amazes me until I realise what it is that makes such a powerful impression. It is the difference between a glass of crystal clear cold water and a tin cup of lukewarm water. It is alive. I'm an old coot; I've been collecting records for 60 years and like mosr people I'm opiniated enough to reject some things out of hand- things like a capella singing for instance. When I heard the first piece on the cd, "Gaude Glorioso" I was bamboozled. I played it several times trying to find something wrong with it. As it progressed I capitulated upon the requiem. I hesitate to bandy words like "greatest" but it's tempting to hang that banner on this music. Of a couple of thousand cd's this is the one I return to over and over. It is,to me, the very apotheosis of music in the service of spirituality. I have serious reservations about religion but this stuff speaks to me with a loud voice. I have the pleasure of having met and talked with the singers and I asked one of them whether or not he ever felt aware of just how good they were and he shook his head. Evidently the requirement is humility before the music and to rehearse until you get it right. This they do. Listen to the "Sanctus". No organ, no orchestra, only twelve voices to fill the musical heavens.

13 of 13 people found the following review helpful:

5.0 out of 5 stars Very good program, June 9, 2000

By 

Guy Cutting - See all my reviews

This review is from: Palestrina: Missa Pro Defunctis & Motets (Audio CD)

The choice of pieces to record here is various. Chanticleer puts to disc not only Palestrina's Requiem, but also various motets, a number from the Canticum canticorum (the sensuous texts of which are allegorical for love for Christ). O Bone Jesu (one of Palestrina's most popular and most recorded pieces) is here. The hymn Pange Lingua (the verses of which alternate between plainchant and polyphony) is a favorite of mine as well. The chant itself is one of those treasures of the chant tradition. Furthermore it is the basis for some stunning vocal parts in the polyphonic verses. Another setting of the Tantum Ergo text (a section of the Pange Lingua hymn), which uses this same chant as a basis, is one of my favorite Palestrina pieces... but that's another story. The singing here is of the highest quality. Chanticleer produces a smooth, warm, slightly bright tone which is most pleasing. They sing with excellent balance and as a result the symmetry and elegance of the individual vocal lines comes through clearly. In interpretive terms, I'm not sure if I completely agree with their approach. The requiem at times seems to lack a sense of the profundity of the context the piece was written for. Admittedly Palestrina's requiem is not a dark piece, but is also not a Canticum canticorum motet (I make that comparison because the singing in the Reuquiem and the joyful motets often sound the same). But don't get me wrong - the singing of O Bone Jesu demonstrates clearly that Chanticleer is capable of sobriety and supplication. The program here is not as unified as some, but it seems that Chanticleer has chosen a wide variety of pieces intentionally - they highlight the wide range of feeling contained in Palestrina's pieces. Highly recommended...

12 of 12 people found the following review helpful:

5.0 out of 5 stars Out of the Hall and into the Church, September 22, 2002

By 

David C. Grondz (Kalamazoo, MI United States) - See all my reviews

This review is from: Palestrina: Missa Pro Defunctis & Motets (Audio CD)

In the context of the somber austerity of the Funeral Rites of the Catholic Church, Palestrina illustrates that even sorrow can be made into a thing of beauty. He has taken the simple melodies of the chanted Requiem and encrusted them in lush tonalities, without making an overblown production and turning the whole event into a concert (q.v. Verdi "Requiem"). The Requiem is precisely not that...it is to be a comfort and a solace...something familiar and comfortable...someday it will be our turn in the box. For the student of Gregorian Chant the familiar chants can be easily discerned throughout and indeed served as the basis of this setting. In this instance Palestrina shows that he is willing to follow the decrees of the Council of Trent regarding the clarity of the text, while his selections from the Canticle of Canticles (also on this recording) is in the more florid (and less wod-based) style. This recording illustrates how such a knowledge of Chant is vital to the correct interpretation of this genre of music...without an understanding of the ancient sources the performance can become muddled and operatic.Unlike Verdi, Palestrina is a believer and this colors his music. He has understood that music is one of the tools which can elevate the mind towards God...music is the means, not the end.
Oddly enough, the true gem in this recording is not the Requiem. Palestrina's setting of the "Pange Lingua" shows how polyphony can be used with chant. The verses alternate between chant and polyphony, but even the polyphony is based upon the chant...just listen to the First verse "Pange" in ployphony and then the second "Nobis" and listen closely...you will notice what I mean. The first time that I heard this version (and being both a student of music and now a student of theology, I have heard many ... renditions of this poetic hymn) I was overcome and had to listen to it again, precisely because the use of chant is incorporated so perfectly by the composer. It was one of those moments where you know stop and say "wow". The goal in our day is to use these settings for their intended purpose...to remove them from the concert hall and to reinstate them in church. Hats off to Chanticleer for another well-executed disc.