When Amos Tutuola's first novel, The Palm-Wine Drinkard, appeared in 1952, it aroused exceptional worldwide interest. Drawing on the West African Yoruba oral folktale tradition, Tutuola described the odyssey of a devoted palm-wine drinker through a nightmare of fantastic adventure. Since then, The Palm-Wine Drinkard has been translated into more than 15 languages and has come to be regarded as a masterwork of one of Africa's most influential writers. Tutuola's second novel, My Life in the Bush of Ghosts, recounts the fate of mortals who stray into the world of ghosts, the heart of the tropical forest. Here, as every hunter and traveler knows, mortals venture at great peril, and it is here that a small boy is left alone.
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Customer Reviews
Most Helpful Customer Reviews
47 of 48 people found the following review helpful
Format:Paperback
Fairy-tales? Hah! See if your kid will go to sleep after hearing one of Tutuola's mad hallucinatory (not my word) yarns.
A seldom-discussed aspect of cultural anthropology is the metamorphosis of our fairy-tales--the imaginative currency of early youth which are passed on through family and social structures alike. In America, characters like witches, ghosts, and other creatures have their genesis in Europe, or can be traced even further back to ancient Indo-European cultures (of course, we have our own indigenous tales as well). These characters and stories have become so diluted over the years, that they've lost a lot of their original cultural meaning or relevance. What does this have to do with Amos Tutuola?
"My Life in the Bush of Ghosts" and "The Palm Wine Drinkard" are African tales in their pure unadulterated form. And they're not something you'd want to hear before bedtime! Amos Tutuola writes an English which lends the narration a wide-eyed, almost childlike voice--yet in the face of wild, horrific imagery (eg. armies of dead babies) the words are unflinching.
Tutuola is not for everybody, but for the adventurous reader I could not recommend this highly enough.
28 of 31 people found the following review helpful
By Cornelius
Format:Paperback
What an experience. Accompanying the narrator, "Father of the gods who can do everything in this world," the reader escapes the difference between real or unreal, into where the two are the same. A book like none other i've ever come near, and i am not sure what i'd do if i did. There is no explanation, no need, just a story: creatures, trees, an alive bush, walking backward deads, menacing babies - one of which explodes from a thumb, trees within which lives "Faithful mother" who is faithful to all things - alive and dead, an egg that grants all wishes, much dancing, much music... So many things. This book is required reading for especially this, but every other, generation, for all "races" of folks, a book for which there can be no substitute. Purchase it, check out your local library, whatever, just read it. Then reread it.
14 of 14 people found the following review helpful
By A Customer
Format:Paperback
Amos Tutuola died earlier this year (June), when he died he was one of the most appreciated authors of the African continent. At first he was not accepted by the African intellectualist community because his work was considered to confirm the prejudices of African literature as primitive. This book was first printed in 1952 by the english publisher 'Faber and Faber' and have with a few exceptions never been out of print since then, Dylan Thomas wrote a delighted review of the book and called the language Tutuola wrote in "young english", for Tutuola did not write in his native tounge, Yoruba, but in a very primitive form of english. Tutuola barely had any education and he has been accused of only writing down the myths and folklores of the Yoruba people, though he never claimed he made up all these stories himself. Into the tale of the Palmwinedrinkard he's woven a lot of the Yoruba folktales, these are new myths for the people of the west, which means that the stories he wrote seems new to us. The written storytelling of the african continent is still young, their storytelling tradition has always been oral, so what we're confronted with here is not only a new kind of stories that we're unfamiliar with, but also another kind of storytelling, another kind of flow, which, I'm convinced will have a major influence on future literature as the western literature of the 90's have stagnated and have not been able to produce anything new and groundbreaking in years, western literature needs new blood and african literature is one way of getting that injection. Read Amos Tutuola, read Dambrudzo Marechera, read Muhammed Mrabet (translated by Paul Bowles) and discover the beaty of the african literature...
14 of 15 people found the following review helpful
Format:Paperback
Since 1980, when I was only 16, I have not read a book as fantastic as this one. Its pages are so dense you may even spend hours through one single paragraph in order to feel all images created by the author and taste all its delicate and, at the same time, intricate constructions. A book I will never forget.
12 of 13 people found the following review helpful
Format:Paperback
Reading them evoked similarities with fairy tales of Western culture: supernatural forces, shape-shifting, "monsters," battles between good and evil, etc.
At the same time, however, I was struck at how dissimilar these stories were to any fairy tale I'd ever read, or any other tale I'd read for that matter.
There is a tone of ease to the stories, of a casual approach to danger. It is though our "heroes" understand the significance of the crises they face, but they throw off the challenges with a shrug, since in their world, the "natural" and the "supernatural" interact all of the time b/c they live in close proximity with one another. After all, what's the worst that could happen? Death, in both of these stories, is a relative term at best, and is usually correctible.
This casual approach gives the stories a freer feeling of adventure, and allows one to accept anything that happens in these stories, no matter how wild it gets, since Tutuola's imagination in these stories is by turns hilarious, psychedelic, grotesque, and even frightening, but at all times unique.
At the same time, one gets a small taste of the mysticism, culture, and psychology of the West African Yoruba, from which Tutuola in part derives his tales. That taste filled me with a feeling of an entirely different world, one about which I knew nothing, but at the same time, one to which I could relate, as Tutuola's themes of redemption and devotion are common to us all.
The results are two stories that I adored, with no reservations whatsoever. They are simply two of the most wonderful stories I've ever read.... Read more ›
At the same time, however, I was struck at how dissimilar these stories were to any fairy tale I'd ever read, or any other tale I'd read for that matter.
There is a tone of ease to the stories, of a casual approach to danger. It is though our "heroes" understand the significance of the crises they face, but they throw off the challenges with a shrug, since in their world, the "natural" and the "supernatural" interact all of the time b/c they live in close proximity with one another. After all, what's the worst that could happen? Death, in both of these stories, is a relative term at best, and is usually correctible.
This casual approach gives the stories a freer feeling of adventure, and allows one to accept anything that happens in these stories, no matter how wild it gets, since Tutuola's imagination in these stories is by turns hilarious, psychedelic, grotesque, and even frightening, but at all times unique.
At the same time, one gets a small taste of the mysticism, culture, and psychology of the West African Yoruba, from which Tutuola in part derives his tales. That taste filled me with a feeling of an entirely different world, one about which I knew nothing, but at the same time, one to which I could relate, as Tutuola's themes of redemption and devotion are common to us all.
The results are two stories that I adored, with no reservations whatsoever. They are simply two of the most wonderful stories I've ever read.... Read more ›
Most Recent Customer Reviews
4.0 out of 5 stars
Excellent Read
Tutuola's sometimes inaccurate English (as he wrote it originally in his non-native English) lends itself to a very mystical, child-like quality, while still maintaining a very... Read more
Published 2 months ago by Griffin Candey
4.0 out of 5 stars
Genuine!
Although it is a little rough to read due to the translation I find that the stories capture my imagination.
Published 2 months ago by msparks73
4.0 out of 5 stars
Interesting book
This book has aspects of folklore and voodoo (juju). Very different from western novels. I enjoyed it. Showed me a new perspective on how stories can be told. Read more
Published 3 months ago by Venus Project
2.0 out of 5 stars
Didn't Really Care for It
The book was advertised as a collection of classical African fairytales told in a more traditional style. Read more
Published 12 months ago by Matt
5.0 out of 5 stars
school
I needed to get this to my son who was in school in Mass. I live in MS. He got it on time and was able to complete his assignment.
Published on May 16, 2011 by mcdanik51
5.0 out of 5 stars
TOWARD AN INTERLANGUAGE IN TUTUOLA'S FICTION
In attempting to convey the imagination and experiences lived by his people, Amos Tutuola wrote a novel, The Palm Wine Drinkard and My Life in the Bush of Ghosts(1954),that earned... Read more
Published on November 26, 2010 by Vakunta
5.0 out of 5 stars
Great.
This book came to me new and in very good condition. I recommend this seller to everybody. I love Amos Tutuola books.. They are the best!
Published on August 30, 2010 by yaneenah
5.0 out of 5 stars
GREAT BOOK!
I read this book in my English class and I was a little hesitant to read it at first but once I got into the book I loved it. Read more
Published on February 1, 2009 by Asmaa Mourad
5.0 out of 5 stars
Too sui generis to be labeled magical realism...
Too sui generis to be labeled a work of magic realism: the author is more like a medium channeling the collective dreams of his people into an English that has absorbed the rhythms... Read more
Published on December 14, 2008 by W.W.
5.0 out of 5 stars
Amos Tutuola, Curse of the Spell-Checker
"The Palm-Wine Drinkard and his dead Palm-Wine Tapster in the Deads' Town" was Amos Tutuola's first book, for which he invented an African-English dialect, the most extreme... Read more
Published on December 5, 2008 by Lawrence
