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Pamphlet Architecture 15: War and Architecture [Paperback]

by Lebbeus Woods
4.5 out of 5 stars  See all reviews (6 customer reviews)

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Book Description

January 1, 1996 1568980116 978-1568980119 5th
Pamphlet Architecture was begun in 1977 by William Stout and Steven Holl as an independent vehicle for dialogue among architects, and has become a popular venue for publishing the works and thoughts of a younger generation of architects. Small in scale, low in price, but large in impact, these books present and disseminate new and innovative theories. The modest format of the books in the Pamphlet Architecture Series belies the importance and magnitude of the ideas within.

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Editorial Reviews

Language Notes

Text: English, Serbo-Croation

Product Details

  • Series: Pamphlet Architecture (Book 15)
  • Paperback: 40 pages
  • Publisher: Princeton Architectural Press; 5th edition (January 1, 1996)
  • Language: English
  • ISBN-10: 1568980116
  • ISBN-13: 978-1568980119
  • Product Dimensions: 8.5 x 7 x 0.2 inches
  • Shipping Weight: 3.2 ounces (View shipping rates and policies)
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #428,335 in Books (See Top 100 in Books)

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Customer Reviews

4.5 out of 5 stars
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12 of 12 people found the following review helpful
5.0 out of 5 stars Truly remarkable little book. April 11, 2000
Format:Paperback
In this work I have seen the necessity for Woods' architecture to exist; where before I had only seen compelling drawings. Lebbeus Woods has dedicated this manifesto to the city of Sarajevo, and to all cities which bear the signs of armed conflict on their walls. He states that the emergence of a new architecture is especially crucial in Sarajevo where the architecture was the target of the attackers (from within) who meant to destroy the culture there in all of its manifestations. The architecture of that culture, the places of worship and of social congregation, became the primary target for the ethnic genocide. As much as the bodies of the people, the architecture was destroyed for its significance as the public body. Therefore it is the architecture which must give a physical presence to these atrocities. Woods makes it clear that it is the responsibility of the architecture to preserve the memory of the destruction- not in a sentimental or memorial manner- but in the same manner as the life of cities has been preserved through use and adaptation throughout history. The war is part of the reality of the place and therefore should not be erased. This work also resists the glorification of war of the Italian Futurists, and the `tabula rasa' erasure of existing conditions of the Modernists. This is a work which acknowledges growth and destruction in the same breath. It is existential in its acceptance of reality and its means of building with it.... not nihilistic. It is existential in that it knows no reality other than what is there, but is not fully convinced by its authority. It revels in the multitudinous nature of the contemporary world, of the present. Unlike the Modernists, Woods does not intend to reinvent the city but to allow the city to be more itself. Read more ›
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2 of 2 people found the following review helpful
5.0 out of 5 stars inspirational September 30, 2001
Format:Paperback
Woods is as much philosopher and urban planner as architect in the traditional sense. His buildings rip open the landscape of the ordered grid, and also open new possibilities about what it means to inhabit a space. The functions of some of his ideas for buildings are obscure even to him. He is constantly trying to deconstruct the politics of architecture and it's place in history. He actively embodies Heidegger's idea that "dwelling means to recieve the sky", except in his dwellings it also means to recieve the ground, and to actively take part in constructing your world.
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1 of 1 people found the following review helpful
4.0 out of 5 stars The Architecture of Catastrophy August 24, 2007
Format:Paperback
The work of Lebbeus Woods has always fascinated me. From the initial shear beauty of his art of alternate built landscapes both familiar and alien to his in-depth commentary.

This small book pulls some big punches, revealing the examined paper architectural propositions expressing the underlying spirit and intent of the buildings within their context, altered, re-revealed to that society's 'catastrophe.'

Well worth a buy for students to Architects to all those wishing escapism back to simple truths, and to delight in the satisfaction gleaned. Only wish the inside images were colour!
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