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Product Description
From the Manufacturer
Panasonic H-H020 LUMIX G 20mm f/1.7 Aspherical Pancake Lens for Micro Four Thirds Interchangeable Lens Cameras
Photography Pros, Meet A Compact Pancake Lens with Outstanding Brightness
The LUMIX G 20 mm / F1.7 ASPH features a dramatic compactness and light weight despite its F1.7 brightness allowing a beautiful soft focus for photos to be even more impressive. The versatile 20 mm of focal distance (Equivalent to 40 mm on a 35 mm film camera) is suitable for wide variety of occasions, from daily snapshots including scenery like sunsets and dimly lit indoor shots to the deliberately creative shots taking advantage of its beautiful soft focus. When the lens is mounted on the LUMIX G Micro System Cameras, the LUMIX G 20 mm / F1.7 ASPH allows use of the advanced contrast AF system, which includes a Face Recognition function, for more convenient, more enjoyable shooting. The LUMIX G 20mm / F1.7 ASPH utilizes a lens drive system to realize a compact and bright F1.7 lens. As a result, sound and vibration may occur during focus operation, but this is not a malfunction.
Compact, Reliable and Light Weight
The H-H020 pancake lens is comprised of seven elements in five groups. Seven blades give the aperture a rounded shape that produces an attractively smooth effect in out-of-focus areas when shooting at larger aperture settings Circular aperture diaphragm. The LUMIX G 20 mm / F1.7 ASPH camera lens also features a highly reliable metal mount.
Minimized Distortion
The new interchangeable lens system uses two aspherical lenses most effectively to minimize both distortion and chromatic aberrations, achieving super high resolution corner to corner, and uses multi-coated lens elements that minimize ghosts and flare to further enhance its optical performance.
Lens Compatible with All Panasonic LUMIX G Series and Micro 4/3 Cameras
DMC-GH3K BodyPanasonic LUMIX DMC-GH3 16.05 MP Digital Single Lens Mirrorless Camera with 3-Inch OLED
DMC-G5K Body OnlyPanasonic LUMIX DMC-G5 16 MP Digital Single Lens Mirrorless Camera with 3-Inch LCD
DMC-GH2K Body OnlyPanasonic LUMIX DMC-GH2 16.05 MP Live MOS Interchangeable Lens Camera
DMC-GX1KKPanasonic LUMIX DMC-GX1 16 MP Micro 4/3 Compact System Camera with 3-Inch LCD Touch Screen; Black, 14-42mm Kit
DMC-G3KW, DMC-G3KBODY, DMC-G3KK, DMC-GH2HK, DMC-GX1KBODY, DMC-GX1SBODY,DMC-GX1XK,DMC-GX1KS,DMC-GX1XS,DMC-GF5XR,DMC-GF5XK,DMC-GF5XW,DMC-GF5KW,DMC-GF5KK,DMC-GF5KR,DMC-GF3CT,DMC-GF3KR,DMC-GF3KBODY,DMC-GF3XK,DMC-GF3CR,DMC-GF3KW,DMC-GF3KT,DMC-GF3CWDMC-GF3CK,DMC-GF3KK,DMC-GF2CS,DMC-GF2KK,DMC-GF2CK,DMC-GF2CW,DMC-GF2KS,DMC-GF2CR
Lens Comparison Chart
| Lens Construction | 18 elements in 13 groups (2 ED lenses,1 UED lens) | 14 elements in 9 groups (4 aspherical lenses, 1 UED lens, 1 UHR lens) | 15 elements in 11 groups (4 aspherical Lenses, 1 ED Lens) | 17 elements in 13 groups (4 aspherical lenses, 2 ED lenses) | 7 elements in 5 groups (2 aspherical lenses) |
| Nano Surface Coating | Yes | Yes | n/a | No (Multi-coated) | No (Multi-coated) |
| Mount | Micro Four Thirds Mount | Micro Four Thirds Mount | Full Four Thirds Mount | Micro Four Thirds Mount | Micro Four Thirds Mount |
Optical Image Stabilizer | POWER O.I.S. | POWER O.I.S. | MEGA O.I.S. | MEGA O.I.S. | No |
| Focal Length | f=35-100mm (35mm camera equivalent 70-200mm) | f=12-35mm (35mm camera equivalent 24-70mm) | f=14-150mm (35mm camera equivalent 28-300mm) | f=14-140mm (35mm camera equivalent 28-280mm) | f=20mm (35mm camera equivalent 40mm) |
| Aperture Type | 7 Diaphragm blades / Circular aperture diaphragm | 7 Diaphragm blades / Circular aperture diaphragm | 7 Diaphragm blades / Circular aperture diaphragm | 7 Diaphragm blades / Circular aperture diaphragm | 7 Diaphragm blades / Circular aperture diaphragm |
| Maximum Aperture | F2.8 | F2.8 | F3.5-5.6 | F4.0-5.8 | F1.7 |
| Minimum Aperture | F22 | F22 | F22 | F22 | F16 |
| Closest Focusing Distance | 0.85m / 2.8 ft | 0.25m / 0.82 ft | 0.50m / 19.7 in at all Focal Lengths | 0.50m / 1.64 ft at all focal lengths | 0.2m / 0.66 ft |
| Diagonal Angle of View | 34°(W) to 12°(T) | 84°(W) to 34°(T) | 75°(W) ~ 8.2°(T) | 75°(W) ~ 8.8°(T) | 57° |
| Filter Size | 58mm / 2.3 in | 58mm / 2.3 in | 72mm | 70mm / 2.76 in | 46mm / 1.81 in |
| Max. Diameter | Approx. 67.4mm / 2.7 in | 67.6mm / 2.7 in | 78.5mm / 3.09 in | 70mm / 2.76 in | 63mm / 2.48 in |
| Overall Length | Approx. 99.9mm / 3.9 in (from the tip of the lens to the base side of the lens mount) | Approx. 73.8mm / 2.9 in (from the top of the lens hood to the base side of the lens mount) | 3.56 in | Approx. 84mm / 3.31 in (from the tip of the lens to the base side of the lens mount) | Approx. 25.5mm / 1.00 in (from the tip of the lens to the base side of the lens mount) |
| Weight | Approx. 360g / 12.7 oz (excluding lens cap, lens rear cap, lens hood) | Approx. 305g / 10.8 oz (excluding lens cap and lens rear cap) | 1.18 lbs | Approx. 460g / 16.23 oz | 3.53 oz |
| Standard Accessories | Lens front cap, Lens rear cap, Lens hood, Lens storage bag | Lens cap, Lens hood, Lens rear cap, Lens storage bag | Lens Cap, Lens Hood, Lens Rear Cap, Lens Storage Bag | Lens Cap, Lens Hood, Lens Rear Cap, Lens Storage Bag | Lens Cap, Lens Hood, Lens Rear Cap, Lens Storage Bag |
Product Description
The Lumix G 20mm/F1.7 ASPH, a compact and lightweight "pancake" lens, is dramatically compact and lightweight, featuring an outstanding F1.7 brightness which allows consumers to create stunning photos with beautiful, soft focus. Comprised of seven lenses arranged in five groups, the Lumix G 20mm lens actually uses two aspherical lenses to effectively minimize distortion and achieve super high resolution. The versatile 20mm focal length (equivalent to 40mm on a 35mm film camera) is suitable for all applications--from scenery shots to dimly-lit indoor environments.
When mounted on Lumix G Micro System Cameras, the Lumix G 20mm/F1.7 ASPH lens allows for use of the advanced contrast Auto Focus (AF) system, which includes Panasonic's Face Recognition functions. It's comprised of seven blades, which produce an attractive and smooth background blur effect when shooting at larger aperture settings. The lens also features a highly-reliable metal mount, and use multi-coated lens elements to minimize glare and further enhance optical performance.
Available Warranties for This Item
Customer Reviews
Most Helpful Customer Reviews
295 of 297 people found the following review helpful
Amazon Verified Purchase
I recently purchased an E-P2 as a portable option to complement my DSLR setup. I've been very happy with its performance in most respects, however it has no flash and the kit lens is slow; this means that indoor usage results in painfully high ISO and noise that is impossible to clean. That lead me to purchase this lens, which is the fastest thing going for M4/3 currently.
First off, this thing is wonderfully compact. Much thinner than the M.Zuiko 14-42mm kit lens, although a bit bigger in diameter, and it makes the E-P2 even more low profile when it's mounted. It balances well on the E-P2 and it looks right at home to me, even though it lacks the signature PEN silver accents. It has a massive manual focus ring which is a pleasure to use (once you get the hang of the micromotor manual focus mechanism, which it shares with the 14-42).
Unlike the newer, smaller Panasonic Lumix 14mm f/2.5 pancake, this guy has some very large lens caps that make it more bulky than it should be. A lens this size begs to be slipped into a pocket, but the huge caps just get in the way; you might want to look for aftermarket replacements.
As for IQ... well, you can read the charts, but suffice it to say that this is a very good performer. Unlike the M.Zuiko kit lens, this guy is sharp wide open, with perhaps only minor improvements by stopping down. This lens can really show what M4/3 is capable of from an IQ perspective in a way that the kit zooms just can't.
Autofocus is at least as accurate as any other lens I've tried on this body, and low light AF accuracy especially is quite good (thanks, no doubt, to the large aperture). AF speed though is mediocre at best, and it's also a good bit louder than would be ideal. The aperture also makes a very noticeable clicking sound, which is a little obnoxious with the E-P2 (which constantly fiddles with the aperture when you're using live view). Neither focus noise nor aperture noise is a real issue for stills, but they might cause some problems if shooting video with the internal mic.
There is one issue with using this lens specific to Olympus bodies: they don't do the software distortion compensation that Panasonic bodies do with Panasonic lenses. This means that, on Olympus bodies only, light falloff is visible towards the corners when shooting wide open (it goes away by around f/4). In practice it's not much of a problem, and the corners aren't that big a deal in most shots anyway, but if you're a PEN shooter you should be aware of it and stop down accordingly if/when the corners do matter.
I should mention that I also own the Olympus 17mm f/2.8, which many would consider an alternative to this lens. If you're new to photography and you're considering owning only one, I highly recommend the Panasonic, whose aperture advantage and longer focal length combine to give you much better options for DOF control. I still enjoy the Olympus (and indeed, it's even *smaller* than this lens), but I think for most people in most situations this is a better choice.
Bottom line: if you own a m4/3 body without a flash and care at all about low light shooting, stop reading and buy this lens right now. For everybody else, you're presumably here for IQ, f/1.7's narrower DOF, and portability, and on all counts this lens delivers. It's a great all around performer and the cost, although high, is not totally unreasonable for something of this quality.
As a side note, if you're used to 50mm as "normal" from the film era, I think you'll find 20mm quite pleasant; I've shot a lot with my 28mm prime on APS-C, and the Panny 20mm here provides a similar FOV to that.
** Update, 5/21/2010 **
My initial thoughts on this lens have proven to be spot on. This little guy spends much, much more time on my camera than the kit lens; the faster aperture is a godsend, and the smaller size is wonderful for portability. Image quality is impeccable and the light falloff is almost never a problem in real world scenarios. If you only buy one lens for your M4/3 body, make it this one.
** Update, 8/7/2011 **
Panasonic has announced a µ4/3 native version of the Leica-branded Panasonic 25mm f/1.4, which should clock in at about twice the price of this lens. I own (and reviewed) the regular Four Thirds version of that lens, and early accounts imply that the µ4/3 version should be nearly the same optically as its full sized cousin.
The 25mm f/1.4 is certainly better, but not by much; only half a stop faster, barely any sharper, and still suffering from corner softness and vignetting wide open. The focal length is a more traditional normal, which (combined with the aperture advantage) makes it more suitable for isolating your subject, but... at twice the cost and twice the size? Those advantages seem difficult to justify.
As far as I'm concerned, the 20mm f/1.7 here remains the first lens you should buy for a µ4/3 body. It plays to the strengths of the system without breaking the bank.
** Update, 1/23/2013 **
I've finally taken the plunge and purchased both the Olympus OM-D E-M5 and the Panasonic Micro 4/3 25mm f/1.4 to go with it. I can now directly compare this lens to the native 25mm f/1.4.
I can honestly say the 20mm f/1.7 holds up incredibly well. The biggest advantage of the 25mm is probably its autofocus performance, which is both much quieter and somewhat faster than the 20mm (primarily when "hunting," which is when the 20mm slows down). The minor aperture advantage of the 25mm is really not very significant (especially with the E-M5, which has impressive high ISO performance).
Oddly, perhaps, I still end up preferring the 20mm simply due to how much smaller it is. The 25mm is superior, but it's relatively large, which means I'm just less inclined to carry it with me. So if you're considering these two lenses for yourself, you really must decide how much you value portability. The 25mm f/1.4 is "better," but the size difference is real.
First off, this thing is wonderfully compact. Much thinner than the M.Zuiko 14-42mm kit lens, although a bit bigger in diameter, and it makes the E-P2 even more low profile when it's mounted. It balances well on the E-P2 and it looks right at home to me, even though it lacks the signature PEN silver accents. It has a massive manual focus ring which is a pleasure to use (once you get the hang of the micromotor manual focus mechanism, which it shares with the 14-42).
Unlike the newer, smaller Panasonic Lumix 14mm f/2.5 pancake, this guy has some very large lens caps that make it more bulky than it should be. A lens this size begs to be slipped into a pocket, but the huge caps just get in the way; you might want to look for aftermarket replacements.
As for IQ... well, you can read the charts, but suffice it to say that this is a very good performer. Unlike the M.Zuiko kit lens, this guy is sharp wide open, with perhaps only minor improvements by stopping down. This lens can really show what M4/3 is capable of from an IQ perspective in a way that the kit zooms just can't.
Autofocus is at least as accurate as any other lens I've tried on this body, and low light AF accuracy especially is quite good (thanks, no doubt, to the large aperture). AF speed though is mediocre at best, and it's also a good bit louder than would be ideal. The aperture also makes a very noticeable clicking sound, which is a little obnoxious with the E-P2 (which constantly fiddles with the aperture when you're using live view). Neither focus noise nor aperture noise is a real issue for stills, but they might cause some problems if shooting video with the internal mic.
There is one issue with using this lens specific to Olympus bodies: they don't do the software distortion compensation that Panasonic bodies do with Panasonic lenses. This means that, on Olympus bodies only, light falloff is visible towards the corners when shooting wide open (it goes away by around f/4). In practice it's not much of a problem, and the corners aren't that big a deal in most shots anyway, but if you're a PEN shooter you should be aware of it and stop down accordingly if/when the corners do matter.
I should mention that I also own the Olympus 17mm f/2.8, which many would consider an alternative to this lens. If you're new to photography and you're considering owning only one, I highly recommend the Panasonic, whose aperture advantage and longer focal length combine to give you much better options for DOF control. I still enjoy the Olympus (and indeed, it's even *smaller* than this lens), but I think for most people in most situations this is a better choice.
Bottom line: if you own a m4/3 body without a flash and care at all about low light shooting, stop reading and buy this lens right now. For everybody else, you're presumably here for IQ, f/1.7's narrower DOF, and portability, and on all counts this lens delivers. It's a great all around performer and the cost, although high, is not totally unreasonable for something of this quality.
As a side note, if you're used to 50mm as "normal" from the film era, I think you'll find 20mm quite pleasant; I've shot a lot with my 28mm prime on APS-C, and the Panny 20mm here provides a similar FOV to that.
** Update, 5/21/2010 **
My initial thoughts on this lens have proven to be spot on. This little guy spends much, much more time on my camera than the kit lens; the faster aperture is a godsend, and the smaller size is wonderful for portability. Image quality is impeccable and the light falloff is almost never a problem in real world scenarios. If you only buy one lens for your M4/3 body, make it this one.
** Update, 8/7/2011 **
Panasonic has announced a µ4/3 native version of the Leica-branded Panasonic 25mm f/1.4, which should clock in at about twice the price of this lens. I own (and reviewed) the regular Four Thirds version of that lens, and early accounts imply that the µ4/3 version should be nearly the same optically as its full sized cousin.
The 25mm f/1.4 is certainly better, but not by much; only half a stop faster, barely any sharper, and still suffering from corner softness and vignetting wide open. The focal length is a more traditional normal, which (combined with the aperture advantage) makes it more suitable for isolating your subject, but... at twice the cost and twice the size? Those advantages seem difficult to justify.
As far as I'm concerned, the 20mm f/1.7 here remains the first lens you should buy for a µ4/3 body. It plays to the strengths of the system without breaking the bank.
** Update, 1/23/2013 **
I've finally taken the plunge and purchased both the Olympus OM-D E-M5 and the Panasonic Micro 4/3 25mm f/1.4 to go with it. I can now directly compare this lens to the native 25mm f/1.4.
I can honestly say the 20mm f/1.7 holds up incredibly well. The biggest advantage of the 25mm is probably its autofocus performance, which is both much quieter and somewhat faster than the 20mm (primarily when "hunting," which is when the 20mm slows down). The minor aperture advantage of the 25mm is really not very significant (especially with the E-M5, which has impressive high ISO performance).
Oddly, perhaps, I still end up preferring the 20mm simply due to how much smaller it is. The 25mm is superior, but it's relatively large, which means I'm just less inclined to carry it with me. So if you're considering these two lenses for yourself, you really must decide how much you value portability. The 25mm f/1.4 is "better," but the size difference is real.
139 of 142 people found the following review helpful
By Wat
Amazon Verified Purchase
If you own an E-P1, you absolutely owe it to yourself to get this lens right now. I used to own the 17mm and loved its size, but found the image quality lacking. There are plenty of detailed reviews of this 20mm lens out there so I'll spare the tech details.
I've had this for a little over a week and the performance is just amazing. Auto focus speed is very good, not super speedy, but definitely not slow. Images look sharp even wide open with lovely bokeh. It's not quite as nice as the Panasonic/Leica 25mm 1.4 for 4/3, but it is half the price and 1/4 of the size.
I have some good glass like the Olympus 50mm f2 and Olympus 14-52 mark II 2.8-3.5 via the adapter, but those will probably stay on my E-620 since this Panasonic 20mm fits the E-P1 like a glove.
It's amazing how this lens makes the E-P1 come alive like no other lens I've used on it before.
UPDATE 7/12/2010
It's getting close to one year of full use and this lens is still unmatched for native micro four thirds. I now use it on an E-PL1 and it's still working it's magic. With the latest Olympus firmware update for the E-PL1 (available for E-P1 and EP2 as well) the autofocus speed of the 20mm is even faster! As my photographic skill have increased over the month, I've been able to get even better results.
I've had this for a little over a week and the performance is just amazing. Auto focus speed is very good, not super speedy, but definitely not slow. Images look sharp even wide open with lovely bokeh. It's not quite as nice as the Panasonic/Leica 25mm 1.4 for 4/3, but it is half the price and 1/4 of the size.
I have some good glass like the Olympus 50mm f2 and Olympus 14-52 mark II 2.8-3.5 via the adapter, but those will probably stay on my E-620 since this Panasonic 20mm fits the E-P1 like a glove.
It's amazing how this lens makes the E-P1 come alive like no other lens I've used on it before.
UPDATE 7/12/2010
It's getting close to one year of full use and this lens is still unmatched for native micro four thirds. I now use it on an E-PL1 and it's still working it's magic. With the latest Olympus firmware update for the E-PL1 (available for E-P1 and EP2 as well) the autofocus speed of the 20mm is even faster! As my photographic skill have increased over the month, I've been able to get even better results.
112 of 116 people found the following review helpful
By Esaito
Amazon Verified Purchase
I originally bought the Panasonic Lumix GF1 with the 14-45mm kit lens, and then bought this 20mm pancake.
The pancake turns the GF1 into a really compact set, that I enjoy taking together anywhere. I keep the 20mm lens in the camera most of the times, and only when I know I'll need some telephoto I replace it by the 14-45mm lens.
I owned previously only point-and-shoot and superzooms, so I wanted to try some DSLR, but I was afraid I wouldn't take together because of the bulk. With the GF1 + this pancake lens I have a small camera that I don't mind carrying and that takes DSLR-quality photos.
It lacks OIS, but I don't really feel the need as this is a very fast lens. With the f/1.7 aperture, you can also create nice narrow depth-of-field effects, which are impossible on point-and-shoot cameras.
I just wanted it be a bit wider... notice that this pancake is actually a 40mm in a 35-mm equivalent focal length. Probably in the future Panasonic will release a wide pancake. They currently sell a wide zoom Panasonic 7-14mm f/4.0 Micro Four Thirds Lens for Panasonic Digital SLR Cameras, but that's too expensive.
Panasonic has other few lenses, but I believe this pancake 20mm is what makes more sense to use with the GF1 to have a real compact set.
I found this camera bag Lowepro Apex 60 AW (Black) is the smallest to fit only the GF1 + the 20mm pancake lens, if you're trying to have a real portable set like me, and I also recommend to protect your lens with a filter like this HOYA 46mm UV Filter for Camera Use.
Pros:
- fast f/1.7 lens, great for narrow depth-of-field pictures and low light shots
- fast autofocus
- very compact lens. It makes a lot of sense with the GF1 - as a compact set you'll carry with you all the time, as it fits your coat pocket.
- compact set = less obtrusive camera = more natural, candid photos
Cons:
- well, it's not as flexible as a zoom lens. It's fixed 20mm (40mm equivalent). But the pros outweigh the cons, so you'll end up using it more than the larger zoom lens.
The pancake turns the GF1 into a really compact set, that I enjoy taking together anywhere. I keep the 20mm lens in the camera most of the times, and only when I know I'll need some telephoto I replace it by the 14-45mm lens.
I owned previously only point-and-shoot and superzooms, so I wanted to try some DSLR, but I was afraid I wouldn't take together because of the bulk. With the GF1 + this pancake lens I have a small camera that I don't mind carrying and that takes DSLR-quality photos.
It lacks OIS, but I don't really feel the need as this is a very fast lens. With the f/1.7 aperture, you can also create nice narrow depth-of-field effects, which are impossible on point-and-shoot cameras.
I just wanted it be a bit wider... notice that this pancake is actually a 40mm in a 35-mm equivalent focal length. Probably in the future Panasonic will release a wide pancake. They currently sell a wide zoom Panasonic 7-14mm f/4.0 Micro Four Thirds Lens for Panasonic Digital SLR Cameras, but that's too expensive.
Panasonic has other few lenses, but I believe this pancake 20mm is what makes more sense to use with the GF1 to have a real compact set.
I found this camera bag Lowepro Apex 60 AW (Black) is the smallest to fit only the GF1 + the 20mm pancake lens, if you're trying to have a real portable set like me, and I also recommend to protect your lens with a filter like this HOYA 46mm UV Filter for Camera Use.
Pros:
- fast f/1.7 lens, great for narrow depth-of-field pictures and low light shots
- fast autofocus
- very compact lens. It makes a lot of sense with the GF1 - as a compact set you'll carry with you all the time, as it fits your coat pocket.
- compact set = less obtrusive camera = more natural, candid photos
Cons:
- well, it's not as flexible as a zoom lens. It's fixed 20mm (40mm equivalent). But the pros outweigh the cons, so you'll end up using it more than the larger zoom lens.
Most Recent Customer Reviews
5.0 out of 5 stars
Where are we at with "the" lens in 2013
So at long last I own the Panasonic 20mm. After replacing my GF3 with 14mm with a GF5 with 14-42 X, I wanted a fast pancake. And I've long since heard people gush over this lens. Read more
Published 1 month ago by J. Settle
5.0 out of 5 stars
Simply amazing!
Everyone raves about this lens, and they're all absolutely right. I wasn't totally convinced until I used it in a museum. It was pretty dark, but with the f/1. Read more
Published 1 month ago by Nathan
5.0 out of 5 stars
Absolute must-have lens for your M4/3 camera
I bought this little lens to use with my Panny GX1 and I have absolutely no regrets on spending the money I've invested in it. Read more
Published 1 month ago by mchendesign
5.0 out of 5 stars
Best value in a lens I have ever purchased.....
This will be short and sweet. This is a stellar lens. Clear, sharp, good contrast, terrific for making foreground or background out of focus shots. It feels solid. Read more
Published 1 month ago by Paul
5.0 out of 5 stars
Fast and sharp
I bought this lens to go with an E-PL5 body. This thing is extremely fast and quite sharp. It does very well in low light because of the wide open aperture. Read more
Published 1 month ago by Ari
4.0 out of 5 stars
Nice Pancake Design
No frills, fast prime lens that makes almost any micro 4/3 camera into a pocket camera. Really versatile lens if you want something slightly wider than old "normal" lens... Read more
Published 2 months ago by Calvin Lau
5.0 out of 5 stars
I freaking love this lens!
Ok I almost never bother to review products, happy to stay in my bunker like a hermit... but this lens rocks so much that I had to crawl out of the bunker to recommend it to... Read more
Published 2 months ago by that's whack
5.0 out of 5 stars
man - what a lens - changed my GF3 into something to be reckoned with.
The one thing with this lens is the sticker shock. It's a pricey lens, at least to me. With that said, it takes awesome photos and it has transformed how I look at 4/3 cameras. Read more
Published 2 months ago by Bubbles-Desmo
5.0 out of 5 stars
Outstanding Lens
I don't know anything about lab measurements; I just know what is pleasing to my eye, which are pics that are razor sharp throughout, resolve the most detail, contain accurate... Read more
Published 2 months ago by Ralph
5.0 out of 5 stars
As awesome as they say
This baby is awesome. Worth every penny for the following reasons:
1) It's small. Take your camera with you more = less cellphone pics, more awesome m4/3 pics. Read more
1) It's small. Take your camera with you more = less cellphone pics, more awesome m4/3 pics. Read more
Published 2 months ago by A. Pull
