Panasonic DMC-FZ50 10.1MP Digital Camera with 12x Optical Image Stabilized Zoom (Black)

by Panasonic

• 10.1-megapixel CCD captures enough detail for photo-quality 18 x 24-inch prints
• 12x image-stabilized optical zoom; 2.0-inch free-angle LCD display
• Intelligent ISO Control (I.I.C.) reduces image blur from subject movement and low light
• Records full-size movies in wide-aspect VGA (848 x 480) at 30 frames per second
• Stores images on SD memory cards (32MB card included); powered by li-ion battery pack (battery and charger included)

Product Details

• Product Dimensions: 5.6 x 5.6 x 3.4 inches ; 1.5 pounds
• Shipping Weight: 5 pounds
• Shipping: Currently, item can be shipped only within the U.S. and to APO/FPO addresses. For APO/FPO shipments, please check with the manufacturer regarding warranty and support issues.
• ASIN: B000GHVZQ0
• Item model number: DMC-FZ50K
• Average Customer Review: 4.6 out of 5 stars  See all reviews (174 customer reviews)
• Amazon Best Sellers Rank: #2,645 in Camera & Photo (See Top 100 in Camera & Photo)
• Date first available at Amazon.com: November 30, 2006

Product Description

Color: Black

From the Manufacturer

The new 10.1-megapixel Panasonic Lumix DMC-FZ50, successor to the popular DMC-FZ30, features a powerful f2.8 Leica DC lens with 12x optical zoom. The lens focal length is equivalent to 35-420mm on a 35mm film camera and is enhanced by Mega O.I.S., Panasonic's exclusive Optical Image Stabilizer system.

The DMC-FZ50 boasts a 10.1-megapixel high resolution CCD for its image sensor and Venus Engine III for the image processing LSI, making it possible to record a image at maximum ISO 1600 high sensitivity setting at full resolution. Furthermore, by dramatically reducing the noise levels that challenged its predecessor, the DMC-FZ50 is able to capture 10.1-megapixel full resolution images even in high sensitivity recording.

To fight against the major cause of blurred images, Panasonic invented the Mega O.I.S. system taking advantage of its superior lens technology to compensate for handshake--a feature which has long been incorporated into the Lumix range of cameras. In addition, to also compensate for the other major cause of blurred images--movement of the subject--the FZ50 is also equipped with the world's first Intelligent ISO Control (hereafter I.I.C.) and maximum ISO 1600 high sensitivity recording capabilities within the advanced image processing LSI Venus Engine III. When set to the I.I.C., the Venus Engine III detects the subject's movement and adjusts the ISO setting and shutter speed to best suit the subject movement and the light condition automatically. Panasonic's excellent image stabilizing system allows users to take clear, crisp images in any situation automatically, leaving everything to the camera.

From a point of view of further improving the usability of its predessor, the DMC-FZ50 is equipped with a new Function Button which serves as a shortcut to quickly set frequently-used settings such as recording image size, light metering, AF area, white balance, and ISO sensitivity. Also, thanks to the newly incorporated custom setting function, your frequent setting patterns can be memorized and it can be instantly applied by simply selecting this function with the mode dial. The 2-inch LCD flips out to 180 degrees, making it easier to view even when shooting from high or low angles. As for optional accessories, the DMC-FZ50 is now compatible with TTL external flashes. Finally, the battery life is greatly extended by approximately 29% compared with its predecessor allowing the FZ50 to shoot approximately 360 images on one charge (CIPA).

The Lumix DMC-FZ50 faithfully inherits the well received basic specifications from its predecessor FZ30 such as the manual focus ring and manual zoom ring, yet enhances the image sensor up to 10.1-megapixel. Noise is drastically reduced with this new FZ50 achieving a rendition of even higher quality images.

10.1-Megapixel CCD and f2.8 12x Optical Zoom Leica DC Lens
The DMC-FZ50 includes a 10.1-megapixel high resolution CCD and the f2.8 Leica DC Vario-Elmarit 12x optical zoom (equivalent to 35mm to 420 mm with a 35mm film camera) lens. The lens unit is comprised of fourteen elements in ten groups including three aspherical lenses and an ED lens, All these are incorporated to generate low distortion and high optical performance while preserving the compactness of the unit. The Extended Optical Zoom, made possible by using the center part of the 10.1-megapixel high resolution CCD, further extends the powerful 12x optical zoom to up to 21x for 3-megapixel image recording (17.1x for 5-megapixel and13.4x for 8-megapixel recording). High resolution images with richer gradation are always assured with these Leica DC 12x optical zoom lens and the 10.1-Megapixel CCD.

Lumix's Image Stabilizing System Evolves
Taking advantage of its superior lens technology, Panasonic invented the Mega O.I.S.(Optical Image Stabilizer) system to fight against the major cause of blurred images. It compensates for handshake and is now featured on the entire Lumix range, and has been highly evaluated and appreciated by the users across the world. Every slight hand-shake movement is detected accurately with the sampling frequency at 4,000 times per second and will be compensated to render clear, sharp images. In addition, movement of the subject, the other major cause of blurred images, is suppressed by the advanced image processing LSI Venus Engine III with the Intelligent ISO Control (hereafter I.I.C.) and maximum ISO 1600 high sensitivity recording capabilities. The world's first incorporation of this I.I.C. allows the automatic adjustment of the suitable ISO setting and shutter speed that best suits the situation by analyzing the speed of subject movement. If the subject is moving, the ISO setting would automatically rise to allow high shutter speed. On the other hand, if the subject is still and no movement is detected, you can take beautiful natural images with a low ISO setting.

Accordingly the new Lumix automatically takes the best countermeasures against any causes of blurred images with Mega O.I.S. compensating for hand-shake and the I.I.C. compensating for movement of the subject. Image stabilizing system is further evolving with Lumix.

Dramatically Reduced Noise with Venus Engine III
The DMC-FZ50 adopts the Venus Engine III to realize high sensitivity recording at maximum ISO 1600 at full resolution. The noise reduction system is greatly improved by removing noise at the processing stages in series. First, critical noise is roughly undraped and the chromatic noise and the luminance noise are separated to respectively go through the supplemental noise reduction process so that the remaining noise is appropriately minimized. In addition, chromatic aberration is also reduced so beautiful images are assured even in telephoto shooting.

Despite the significantly increased performance of the camera, the Venus Engine III consumes only 80% of the power utilized by the Venus Engine II and is able to achieve a longer battery life of approximately 360 pictures (CIPA) on a single charge. With its multi-task image processing capability, the Venus Engine III also boasts outstanding response time with an industry-leading level of shutter release time lag of as short as 0.009 seconds. minimum and the shutter interval of 0.8 seconds. Together with the fast startup time of approximately 0.7 seconds, the quick response of DMC-FZ50 enables easy capture of those spur-of-the-moment shots. The DMC-FZ50 also allows unlimited consecutive shooting up to the capacity of the SD/SDHC memory card.

In Pursuit of Full Manual Control
The DMC-FZ50 succeeds the high operational ease and the good design that have been highly acclaimed with its predecessor DMC-FZ30. Two exclusive rings on the lens barrel provide manual control of zooming and focusing, allowing quick and fine control that cannot be achieved with button or lever operation. This feature will be highly valued by high-end users not only for its precise controllability but also for the feeling of manual operation. With the two dials located under the index finger and the thumb, you can compensate the exposure directly in addition to the shutter speed and the aperture smoothly and naturally. The newly added Function Button serves as a shortcut exclusively for the commonly used settings such as recording image size, light metering, AF area, white balance, and ISO sensitivity, allowing them to be set easily.

For further improvement, your frequent setting patterns can be memorized and can be instantly applied by just selecting the newly incorporated custom setting function. White balance now can be finely adjusted with a reference to the horizontal axis for amber to blue and vertical axis for green to magenta. Furthermore two composition guideline patterns can be overlaid on the normal shooting screen.

Free-Angle LCD and High-Resolution EVF to Extend Shooting Potential
The 2.0-inch flip-out 207K high-resolution LCD is adjustable to 180 degrees both vertically and horizontally. This assists smooth shooting even in high- and low-angle shooting positions. The pixel-mixed readout method performed at the CCD achieves high sensitivity to offer sufficient brightness for easy shooting even in low-light situations. The Power LCD function boosts the brightness level by 40% to secure clear view even in sunny outdoors. The DMC-FZ50 is also equipped with a 235K-pixel high resolution EVF to encourage active shooting. EVF can provide the benefit of being able to check white balance, real-time histogram, and the DOF (depth of field) before shooting.

Faster Autofocus
The AF mode can be selected according to the shooting situation: 9-point, 3-point high speed, 1-point high speed, 1-point normal speed, and spot. In the 1-point and 1-point high speed AF mode, the AF area is selectable from the nine focusing areas with the joystick to best fit the composition of the subjects. Also, the AF assist lamp facilitates quick, accurate focusing in situations where focusing is difficult due to the lack of light.

Clear, Bright, Wide VGA Motion-Image Recording for Viewing on a Wide-Screen TV
In addition to standard VGA (640 x 480) at 30 frames per second (fps) motion image recording, the DMC-FZ50 also records stunning full-size movies in wide-aspect VGA (848 x 480) at 30 fps. Shooting is one thing but viewing is another, and you will be suitably impressed by the 16:9 moving image when it is displayed on a wide screen TV. The brightness level of these motion images is also enhanced as a result of the pixel-mixed readout method performed by the CCD. Zooming in while recording motion images is also possible with the manual zoom ring, while image clarity is secured by the Optical Image Stabilizer.

Included Software and Optional Accessories
To edit and develop RAW files, the Silkypix Developer Studio 2.0SE software application is bundled with the DMC-FZ50. Using this software, you can freely adjust various setting such as exposure, white balance, and so on afterward with the RAW files.

The DMC-FZ50 is compatible with all the same accessories as the FZ30. In addition to those, the DMC-FZ50 is also compatible with the TTL external flash GN50 or GN36 (not included--must be purchased separately). This expandability enhances the potential of shooting to make DMC-FZ50 a true high-end camera.

Product Description

The DMC-FZ50 includes a 10.1-megapixel high resolution CCD and the f2.8 Leica DC Vario-Elmarit 12x optical zoom (equivalent to 35mm to 420 mm with a 35mm film camera) lens. The lens unit is comprised of fourteen elements in ten groups including three aspherical lenses and an ED lens, All these are incorporated to generate low distortion and high optical performance while preserving the compactness of the unit. The Extended Optical Zoom, made possible by using the center part of the 10.1-megapixel high resolution CCD, further extends the powerful 12x optical zoom to up to 21x for 3-megapixel image recording (17.1x for 5-megapixel and13.4x for 8-megapixel recording). High resolution images with richer gradation are always assured with these Leica DC 12x optical zoom lens and the 10.1-Megapixel CCD. Taking advantage of its superior lens technology, Panasonic invented the Mega O.I.S.(Optical Image Stabilizer) system to fight against the major cause of blurred images. It compensates for handshake and is now featured on the entire Lumix range, and has been highly evaluated and appreciated by the users across the world. Every slight hand-shake movement is detected accurately with the sampling frequency at 4,000 times per second and will be compensated to render clear, sharp images. In addition, movement of the subject, the other major cause of blurred images, is suppressed by the advanced image processing LSI Venus Engine III with the Intelligent ISO Control (hereafter I.I.C.) and maximum ISO 1600 high sensitivity recording capabilities. The world's first incorporation of this I.I.C. allows the automatic adjustment of the suitable ISO setting and shutter speed that best suits the situation by analyzing the speed of subject movement. If the subject is moving, the ISO setting would automatically rise to allow high shutter speed. On the other hand, if the subject is still and no movement is detected, you can take beautiful natural images with a low ISO setting.

Most Helpful Customer Reviews

316 of 320 people found the following review helpful

5.0 out of 5 stars Superb point 'n shoot is just a notch below a DSLR August 29, 2006

By Jerry Saperstein HALL OF FAMETOP 500 REVIEWERVINE™ VOICE

Color Name:Black|Amazon Verified Purchase

In the past, I've owned or used several Panasonic Lumix models. All were good digital cameras. The FZ-50, however, is something very special.

The Leica approved lens design is, as always, superbly sharp. From a butte with a 50+ mile view, landscapes of wheat fields were crisp and highly detailed and the 10 megapixel images withstood enlargement well. Color fidelity is also excellent though a bit on the muted side: easy enough to quickly correct in any image editing program.

The new optical image stabilization (OIS) algorithm which compensates for both hand shaking and subject movement is absolutely brilliant and works incredibly well.

The ability to shoot at ISO values up to 1,600 goes hand in hand with the new OIS abilities. No one could resist testing a handheld digital camera in a dim environment at ISO 1600. Needless to say, the images are noisy. But at ISO 1600, what would you expect? Handheld photos shot at 1/20th of a second at ISO 1600 in a dim restaurant were filled with both detail and noise. Remarkably the color balance was very well-handled: the incadescent restaurant lights were recorded faithfully along with the neon and halogen lamplight streaming in through the blinds from outside. Very, very impressive.

Much of the noise could be ameliorated in Photoshop or similar programs with appropriate plug-ins. The high-speed capability is well worth the trade for noisy images. Purists may want noiseless images at ISO 1600, but it's unlikely they will ever get it. Practical photographers, on the other hand, will definitely appreciate the capability and undoubtedly will exploit it.

Ergonomically, the FZ-50 is practically a work of art. All of the frequently used controls are accessible with the right hand.... The enlarged hand grip is just perfect for my large hands and the shutter release is perfectly positioned, something I am not able to say about most of the digital cameras I've used. The electronic viewfinder is sharp and is boosted for low-light focusing. (There is also an AF-assist lamp.) The flip-out LCD may be positioned for high and low angle shooting or reversed for self-portraits.

At about 1-1/2 pounds, the FZ-50 is a joy to carry for long periods.

The menu system is very accessible and quick and easy to adjust.

The few scene modes I tried worked well. Shooting pictures from a car moving at 60 miles per hour worked surprisingly well in the sports action mode.

Shutter lag is remarkably slight: the Panasonic Venus III engine lives up to its billing. Response is not up to the level of a Nikon or Canon DSLR, but it is certainly faster than any other midlevel digital camera I've used. Burst rate of about one frame per second are routinely attainable.

The FZ-50 will do RAW, but it is on the slow side. Either use an extremely fast SD card or avoid RAW where you need to be prepared for one exposure after another. JPEG files at full resolution (3,648 x 2,736 pixels) are quite good and will withstand, in my opinion, enlargement of about 4 - 5x.

I think SD card compatibility may be an issue with 4GB cards. I tried one and the camera refused to boot. A variety of 2GB cards worked without a problem.

The battery is rated for 360 shots between images. The test used by manufacturers uses one shot every 30 seconds, I believe. My experience with the battery didn't allow for more than 300 shots before the warning indicator started flashing. I don't know how many more shots I could have gotten, but I would definitely advise having a second battery for this camera.

I did not try the movie mode, so I can't comment on that.

Overall, the FZ-50 is more than satisfactory in every way. It is not a replacement for a Canon or Nikon DSLR, but is in many ways more satisfying to use. It is lighter than either a Canon or a Nikon; its 12x Leica approved designed lens covers 35 - to 425mm. Image quality is superb and the OIS is fantastic. I would highly recommend the FZ-50 as a travel camera or just for everyday use.

Jerry Read more ›

297 of 303 people found the following review helpful

5.0 out of 5 stars Superb with Fantastic Ergonomics September 8, 2006

By P.Broadnax VINE™ VOICE

Color Name:Black|Amazon Verified Purchase

Perhaps you've heard: one of the most difficult targets for photography = birds-- super small **and** super frisky. Most texts urge you to buy a dSLR, with a VERY long AND fast zoom. Such lenses are heavy, big, 4-figure expensive AND require stabilization. To outfit yourself accordingly, you're looking at a minimum 2 grand outlay (camera body, walk-around lens, fast super-zoom lens, tripod, etc)...........................

On the other hand, this 10mp all-in-one camera STARTS with a built-in 12x zoom. This yields the 35mm equivalent of a 35mm to 420mm lens, WITH an aperture of f/2.8 to 3.7. In English: fast, and with serious reach. Yet, there's a delightful surprise: you can EASILY drop down to 5mp, getting in return a 17x OPTICAL zoom. Bird still too far away? Drop the camera's resolution down to 3mp--- now you've got a 21.4x OPTICAL zoom. This is NO software-based gimmick, folks, as the quality of the image remains incredible throughout. The camera simply hones in on the central image (i.e., the central 5mp or 3mp area), cropping out the excess sides, thereby effectively increasing the optical zoom with NO image deterioration. As I already have Panasonic's LT55 telephoto 1.7x converter lens (used with my now-old FZ7 camera), I can just screw that directly onto the FZ50 lens, for still more reach. And again, none of this is "digital", so we're still talking super optical quality throughout the reach. Keep in mind-- this is all **with** image stabilization! It's so very good / crisp/ detailed, that I now **keep** it at 3mp whenever I'm shooting birds, so I can enjoy that mind-blowing extra optical zoom.

Now, if some of the technical jargon in the preceding paragraph spooks you, know this: I purchased my first digicam (FZ7) a few months ago.... I knew nadda, photographically speaking. But I added "PCPhoto Digital Zoom Camera Handbook" to my cart, enjoyed the easy but super-informative read during a weekend, and was shooting up a storm in no time, actually KNOWING what the different options are all about. Later, when I started wondering about actual "technique," a quick trip to my local bookstore introduced me to a UK monthly magazine, "Digital Camera" --- truly useful info in every issue, not to mention the included teach-me CD with videos.

If you prefer to just point and shoot, there's a "auto" mode for you. If you like scene modes, you'll find plenty here from which to choose, including night scene, fireworks scene, and party scene. There's a zoom ring, instead of a moving lens jutting in and out. If you prefer to sometimes indulge manual focus, you'll love the new focus ring on the lens. Nice touch: the system auto-magnifies the target as you rotate the focus ring, encouraging maximum sharpness.

That's the thing about this ultra sweet package: nice touches abound, making for an marveloously smooth and easy user experience. There are two dial rings, which you manipulate with your third finger and thumb (as index finger sits in shutter release). Both dial rings are to the right of the camera, one in front and the other in the back. Ergonomically, this means that your eye need never leave the electronic viewfinder (or LCD) in order to tweak exposure. These can be customized, allowing one to no-think change aperture and exposure compensation on the fly, with a simple, quick twirl of a dial ring (the selections/result are visible on the EVF/LCD). A "function" button allows equal ease in tweaking white balance, flash, bracketing, ISO sensitivity and more. Read: no hunting thru the system menu!

Want to add an external flash? No problem-- there's a hot shoe. Like to crop pics within the camera itself? Do it in "playback" mode-- it's your option as to whether to retain or trash the original. Want to save your tweaking settings as an "option"? Use one of the 3 personal customization slots available. Prefer an EVF? Got it. Want a move-it-around sharp LCD? Wish granted. Wanna zoom your pics during playback, to doublecheck for sharpness? Also dirt easy, via a max 8x zoom. Wear glasses? So what, there's a diopter adjustment dial next to the EVF. You can even get an optional shutter release cord.

55mm filters, as well as the LT55 teleconverter for the FZ7, work fine here without a special converter-- just screw the add-on to the FZ50 lens itself. But it's an either-or proposition, i.e., can't use a circular polarizer with the teleconverter lens. Small loss, given the series of optional built-in optical zooms you can get from this beauty.

Third party batteries work just fine. Just look for a CGR-S006A equivalent. (I got cheapie DynaMax-- works great.) The charger is ultra-convenient. Not quite the size of a deck of cards, it just plugs into an outlet -- no cords. I always have one battery in it at home, so switching is a no sweat/delay deal (pop in and out). Very healthy battery life also (more than 300 pics, despite keeping the system at "10 minutes")!

One negative: while there is a burst mode, it's rather slow. That irked me, but everything else is so profoundly sweet, that I've opted to live with it. Just too much incredible goodness here for me to elevate this one item to deal-breaker status.

One special note: if you just start shooting when you get the camera, you might be disappointed. The pics may appear softer than you anticipate. Go into the menu, select "Picture Adjustment", and tweak saturation, contrast, sharpness and noise reduction until you get a personally satisfying result. Worth the extra effort!

Still not sure about coughing up your hard-earned dough for the FZ50? Yes, it's a little cheaper elsewhere, but check out Amazon's return page (Help >> Return Policy >> Product Specific Policies >> Camera & Photo) -- it confirms a very generous 30-day return policy, from date of receipt. My bet is that, like me, you'll quickly adopt this baby as your own, tossing the Amazon box long before that 30 day period expires. And, you'll never look back.

-------------In the Box
camera (duh!)
32mb SD card
battery
battery charger
USB connection cable
AV cable
CD-ROM
Shoulder strap (nice!)
lens cap
lens hood Read more ›

93 of 94 people found the following review helpful

4.0 out of 5 stars Superior advanced digicam October 19, 2006

By antaylor

Color Name:Black

This is my first Panasonic camera so I am coming to this completely objectively. People seem to be divided into two groups regarding the FZ50 (and by extension, most of Panasonic's recent digicams) - those who find it's image quality impressive despite it's limitations and enjoy it's superiority in most other areas and those who feel the FZ50 should have been a lot more than it is, lacking the output to back up it's DSLR stylings and not being a revolutionary upgrade over the FZ30. I stand somewhere in the middle but leaning more towards the first view.

The fact is, the FZ50 is a great bridge / mega zoom all-in-one digicam. The huge 12x focal range really is liberating and I just could not go back to a measly 3x zoom ever again. The superior quality of the Leica lens, which really is the main selling point is not to be underestimated - it's very sharp, producing next to no chromatic aberrations with truly effective stabilisation and I think is far superior to the lens of current competition. As everyone points out, to get this quality of (stabilised) lens over such a huge focal range for a DSLR would usually require more than one bulky lens and would probably cost well over a $1000, so you can't really find anything to grumble about here.

I absolutely love the manual zoom and focus, which means you can fine tune to a degree that you just couldn't with a mechanical zoom - it's also silent and saves valuable battery power. I've found colour representation in the photos to be realistic although I must say that on every digital camera I've used, photos have never appeared quite how my eyes saw the original scene colour wise. I've found auto white balance to do a good job in most situations so far and this can also be fine tuned when in manual mode.... The flash output can also be set to varying degrees, which is useful when you want to retain a more natural look in dimly lit conditions. The ergonomics as everyone points out are also great, the FZ50 feels comfortable and your hand position will feel natural around it.

The flexibility of the twist out and swivel LCD screen is also not to be underestimated, allowing more versatile shooting angles than a fixed screen would give you. I really wish the screen could have been bigger though - I'm sure Panasonic could have extended it to 2.5" as there is a border around the screen which could have possibly been used up with extra pixels. However, the screen is great. At 207K pixels, everything is nice and sharp and there is no ghosting unless in very dim light. I am a little confused though as even though the EVF has a higher resolution than the LCD screen at 235K pixels, it is very noticeably less detailed in both colour and sharpness - can anybody enlighten me by leaving a comment?

And so we come to image quality - the real bone of contention between the two camps. I have to say that I agree with a lot of those who complain about Panasonic's decision to up the pixel count from the FZ30 to 10mp whilst still using the same sized sensor, which is a fraction of the size of a DSLR. The (now infamous) Venus 3 engine covers the noise well but as others will point out, at the cost of smudging out fine detail. Unfortunately, when Panasonic in their FZ50 press release said that high ISO noise levels were much improved over the FZ30, they didn't quite mean they had made a breakthrough with sensor technology, they simply meant they had developed a better way to hide the noise!

Having said that, my photos have really impressed me with great clarity and colour and the main digicam review sites have pointed out that the image quality is above average in this anyway superior class of consumer digicam, and you can see this from their test shots. Also, if you go onto some of the Panasonic forums such as at dpreview you'll find some great examples of what can be achieved with the FZ50 and I'm sure you'll be really impressed. And at low ISO 100, some comparison tests show the FZ50 to give lower end DSLR's like the XT a good run for their money! But you do have to ask what is the point of putting in 10 megapixels if you have to print and view at sizes that a lower megapixel count would give you because when viewed at 100%, the effects of the heavy noise reduction can look pretty ugly. I would have much preferred a 6mp FZ50 if that would have resulted in less noise for the Venus 3 to work with. If I'm right in saying that a larger sensor would then result in a smaller focal range then Panasonic have probably tried to get the best from all angles and successfully so - however, Fuji have shown that great strides in sensor technology can be achieved.

To conclude, the FZ50 is a great advanced digicam and really impresses in all areas. It's a lot of fun to use because it's so comfortable and makes such a wide range of shots possible not to mention being extremely responsive and quick. The effects of the heavy noise reduction will only be an issue if you plan on viewing and printing large and using the high ISO's but otherwise image quality is great. For the advanced consumer who wants the best there is before the expense and bulk of a DSLR, then the FZ50 is the one to choose. Read more ›