Panasonic Lumix DMC-GH2 16.05 MP Live MOS Interchangeable Lens Camera with 3-inch Free-Angle Touch Screen LCD and 14-42mm Hybrid Lens - Black

by Panasonic

Product Details

• Product Dimensions: 3 x 4.9 x 3.5 inches ; 1.5 pounds
• Shipping Weight: 4 pounds (View shipping rates and policies)
• Shipping: This item is also available for shipping to select countries outside the U.S.
• ASIN: B0043VE27Y
• Item model number: DMC-GH2K-K Black
• Average Customer Review: 4.4 out of 5 stars  See all reviews (31 customer reviews)
• Amazon Best Sellers Rank: #2,451 in Camera & Photo (See Top 100 in Camera & Photo)
  • #57 in Electronics > Camera & Photo > Digital Cameras > Compact System Cameras
• Date first available at Amazon.com: September 22, 2010

Product Description

From the Manufacturer

Panasonic's Lumix DMC-GH2 is the latest member of the New Generation System Camera Lumix G Micro System. Fully compliant with the Micro Four Thirds System standard, the Lumix G Micro System combines a downsized body with advanced functions that achieve both high performance and operational comfort.


Featuring an intuitive touch control, the new DMC-GH2 boasts its world’s fastest^*1 level Light Speed AF of approx. 0.1 second to capture the subject in spur-of-the-moment in sharp focus^*1. The key components, including the sensor and the image processing engine, are totally refined to achieve even higher performance of the camera to render a stunning image with high resolution, beautiful gradation and high sensitivity.

For the compact system camera, recording movie is no longer an additional function but a key feature for saving memories. The DMC-GH2 features full HD 1920x1080/60i smooth, high quality movie recording with powerful 60p output^*2. The cinema-like 24p movie with the bit rate of max. 24 Mbps provides overwhelming image quality with richly expressive afterimage. Furthermore, together with the Cinema mode, which is newly added as an option of popular Film mode, 24p movie enables the movie to have a characteristic superior gradation. The new Variable Movie mode makes it possible to record motion images in variable frame rate creating a fast/slow-feed movie. Activating the newly added EX Tele Conversion function, the user can virtually extend the zoom beyond the original limit to get even closer to the subject. This options is available in both photo and movie modes. The simultaneous HDMI output while recording images is convenient for even professional users to monitor images on a separate screen.

The intuitive touch-control shooting, which is popular with the DMC-G2 for its outstanding usability, also comes with DMC-GH2. Combined with easy-to-see free-angle Intelligent LCD and the newly developed Multi Aspect Wide Screen LVF (Live View Finder), the DMC-GH2 achieves highest ever operational comfort for users to concentrate on the shooting.

Expanding variety of interchangeable lenses is another advantage of the Lumix G Micro System which boasts a total of 11 exclusive lenses including new single focal length lens Lumix G 14mm / F2.5 ASPH (H-H014), telephoto zoom lens Lumix G VARIO 100-300mm / F4.0-5.6 / MEGA O.I.S. (H-FS100300) and 3D lens Lumix G 12.5mm / F12 (H-FT012). The new 3D lens introduced simultaneously is the world’s first 3D interchangeable lens. Now not only seeing in 3D but also shooting in 3D is now available. The popular My Colour mode and the Film mode including new Cinema mode also adds users’ customisation to each photo and movie.

The iA (Intelligent Auto) mode is constantly evolving and the Intelligent D-range Control is newly integrated in the DMC-GH2. The Intelligent Resolution has new "EXTENDED" option for more natural looking shots when printed in large size.

Enforced by the high-performance based on the new components and advanced technologies, the creative DMC-GH2 is now offering even higher level of creative possibility and intuition for every enthusiastic user to explore realms of not only photography but also of videography at the same time.

Panasonic Lumix DMC-G2 Highlights

Crystallisation of advanced technologies to exceed the limit of expressive possibility

Thanks to the high performance, the DMC-GH2 makes the photographic experience even more comfortable and fun. The camera features the world’s fastest^*3 level Light Speed AF of approx. 0.1 second^*3 which is achieved by reducing the detection time for focusing by doubling the drive speed from 60 fps to 120 fps. Not only the accuracy but also the speed excels that of the high-end DSLRs with phase difference AF with the advanced contrast AF system in DMC-GH2. Combined with the Touch AF control, setting and focusing at the subject is incredibly easy and quick, never missing the spur-of-the-moment shot.


The newly developed 16.05-megapixel multi-aspect Live MOS Sensor adopts the high speed digital vMaicovicon. In addition to the high speed, which is an advantage of the CMOS sensor, Panasonic adds its original pixel mix technology. A dedicated process exclusively for vMaicovicon of DMC-GH2 is newly developed by applying the top-class high performance transistor and its interconnection process needed for the high speed operation of digital circuit to make low-noise photodiode and transistor with reduced wiring to achieve both high resolution and high aperture-ratio as in DMC-GH1. The result is both high resolution and excellent S/N with more than 3dB improvement of noise and 200% higher sensitivity in DMC-GH2. Plus, it helps to realize the high speed burst shooting at 5 fps in 16.05-megapixel full resolution using a mechanical shutter and max.40 fps using an electronic shutter.

Capture 5fps at full resolution, or 40fps using an electronic shutter

For the image processor, the new Venus Engine FHD that features exceptionally advanced signal processing capabilities in both photo and movie recording, is incorporated. By separating chromatic noise from luminance noise even more accurately by applying the optimal noise reduction to each, you can capture clear and beautiful images even when shooting at high ISO sensitivity levels. By preventing the colour mixture which tended to occur around the edges, any chromatic noise, not only the in gradation part but also in the edge part, are described clearly. The engine also provides selective noise reduction to the outline part to let it have more naturally-balanced curve without deterioration of the resolution. The Intelligent Resolution technology is another feature of the Venus Engine FHD.

With the Intelligent Resolution technology, 3 areas - outlines, detailed texture areas and soft gradation areas are automatically detected. The outline parts are enhanced effectively to give edges more clearness while giving a moderate accentuation to the texture areas to look more finely detailed. To the soft gradation part, superior noise reduction system of the Venus Engine FHD is applied to make it smoother. Apart from the uniform enhancement of sharpness, the innovative technology Intelligent Resolution precisely performs signal processing pixel by pixel in the most effective way. As a result, images are naturally clear and crisp in both photo and movie recording.

Linking smoothly with the Live MOS sensor, the Venus Engine FHD processes a large amount of signals at high speed, making it possible to record high resolution consecutive shots and full-HD movie recording.




Elevating the potential of movie recording to be a "true-hybrid" digital camera
There are always two options to record spur-of-the-moment scenes--high-quality photos or movies. The user can simply choose the one that saves precious memories most beautifully with DMC-GH2. The AVCHD format features almost twice the recording time in HD quality than the conventional Motion JPEG. A special, dedicated button on the top lets the user instantly start recording movies while shooting photos without having to change any settings. Now the DMC-GH2 can record high-resolution full-HD 1920 x 1080 movies in astonishing smooth 60i, doubling the sensor output from 25p/24p to 50p/60p.*2 The DMC-GH2 also supports 1080/24p native mode with 24 Mbps, the highest in AVCHD format bringing impressive afterimage to the movie. The newly added Cinema mode option (selectable in the Film mode) gives the movie rich, cinema-like gradation. It is possible to choose the suitable frame rate of the movie among 80%, 160%, 200% and 300% according to the recorded contents with the new Variable Movie mode. The Touch AF in movie recording also lets users enjoy professional-like rack focusing. Just by pointing at the subject, the focus is shifted to it.

Now the DMC-GH2 can take a 14 megapixel photo (16:9) while recording movie by just pressing a shutter button, plus you can save a frame of movie as photo during playback.

The Extra Tele Conversion function virtually extends the zoom range up to 2.6x, thus the max.728mm in AVCHD Cinema/FSH mode, max. 1092mm in AVCHD SH mode and Motion JPEG HD / WVGA mode and max.1344mm in Motion JPEG VGA/QVGA mode is available with the Lumix G VARIO HD 14-140mm / F4.0-5.8 ASPH. / MEGA O.I.S. which is developed to be exclusively compatible with movie recording. High quality sound can be recorded with Dolby Digital Stereo Creator, and optional accessory Stereo Microphone (DMW-MS1) can be attached to the camera. A Wind Cut function is also available to block out most of the noise from background wind. The wash-out areas are indicated with lighting highlight when recording movie, too. Image recording is more flexible fun with the DMC-GH2

A new feature of the DMC-GH2 is also capability of image output via an optional HDMI mini cable to the external monitor, which is suitable for the professional image recording that requires serious confirmation of the images.




The intuitive touch-control changes the way of operation with dramatic freedom and comfort
By adopting touch control shooting, the focus is immediately set to the subject by just touching it on the large, 460,000-dot LCD and you can even release the shutter. Once you lock on the subject by a touch, the camera tracks the subject with the AF tracking function even if it moves. Just a touch on the screen lets you select the part and the size of AF area with the 1-area AF. The 1-area AF in Face Detection even allows you to set finer focus on the eyes while capturing human faces bright and clear. The Multi-area AF with 23 AF areas allows the user to set a group of AF points according to the composition. With the Intelligent Scene Selector in the iA mode, the camera automatically switches to the appropriate mode according to the subject touched. For example, a touch on a human face switches to the portrait mode and a touch on the background or scenery to the scenery mode.

In the manual focusing, you can enlarge the part by just a touch to select 1x, 5x or 10x and smoothly move the part by dragging it on the screen. The touch operation dramatically shortcuts the action of setting in the menu. The touch-screen operation excels not only for shooting but also for playing back images with outstanding visibility. You can play back the image you want out of hundreds of stocks by touching in the thumbnails. To play back images one by one in order, you can drag the image over the screen with a finger to browse the collection of photos as you flip over the pages of the book. Max. 16x of enlargement is also operated easily with touches.


The large, high resolution with wide-viewing angle rotates 180° to the side and tilts 270° up and down offering approx. 100% of field of view. Both LCD and LED backlight are newly designed to realize vivid, impressive colour reproduction by 25%^*4. The primary colors-red, blue and green- are reproduced more clearly and truer to the original natural colors.

The Lumix G Micro System's large, bright 1,440,000-dot equivalent LVF (Live View Finder) retains the outstanding viewability of an optical viewfinder and can also display information about camera settings that the user can see without taking his or her eyes off the subject. Now the LVF is newly designed to be Multi Aspect Wide Screen LVF for the DMC-GH2. Increasing the display area to 1,530,000-dot equivalent resolution, the new Multi Aspect Wide Screen LVF boasts the 0.71 x magnification and 100% field of view. Reducing the colour breakup by half in principle, the new LVF assures stunning image view for any subject in any scenes. Achievement of 60 fps Live View is made possible by the Live MOS sensor, which takes signals directly from the image sensor and sends them continuously to the LCD, in real time. This allows the user, when composing a shot, to check the framing accurately from corner to corner. The image output between the LVF and the LCD is switched automatically with the eye sensor on the LVF, which features options of sensitivity - high, low and off - to reduce false operation during touching on the LCD.

Pursuing operational comfort, now the number of function button of DMC-GH2 is increased to directly shortcut to the frequently-used settings and also refined externally with various improvements of parts pursuing ergonomics including newly designed easy-to-hold grip.

A pallet of options for both photo and movie to stimulate photographers' creativity
With the introduction of the world’s first^*5 3D interchangeable lens to make 3D shooting possible with an interchangeable lens system camera, Panasonic offers users the chance to enjoy high-quality shooting in 3D with DMC-GH2. This new compact 3D-capable interchangeable lens allows easier handling and instant 3D shooting with cameras without a special structure for 3D shooting. It produces 3D images without distortion or time lag between left and right images, even for moving objects. The 3D images, even close-up shots, taken with this lens are easy on the eyes when viewed on 3D VIERA televisions.

The DMC-GH2 provides an array of features that let users capture precisely true-to-life images and create their own beautifully expressive images. The DMC-GH2 features the My Colour mode with a total of 7 preset effects--Expressive, Retro, Pure, Elegant, Monochrome, Dynamic Art, and Silhouette while inheriting the previous Custom mode, which lets users manually, set the colour, brightness and saturation levels. With the Full-time Live View function, users can see how these settings will affect the images before they shoot, which makes it easier to capture the exact mood or atmosphere desired. For even more elaborate effects, users can choose from a total of 10 Film modes including the new Cinema mode, and set the contrast, sharpness and saturation levels for each. A custom function lets users store their favourite settings in memory.

The exposure meter can be displayed in the P/A/S/M shooting modes. The correlation between shutter speed and aperture is shown, with a colour-coded warning that alerts users when the settings are not in the proper range. For newcomers to system camera photography, this makes it easy to learn proper settings both visually and logically, enhancing their photography skills. The exposure compensation can now be set in ±5 steps and the white balance settings can be memorized in 4 patterns for finer control according to the wider range of shooting situations. Auto bracket mode can be set within ±3 steps and the Multi Aspect Bracket is also available.

Advanced iA (Intelligent Auto) mode to enhance the operability and potential of the camera
The DMC-GH2 has advanced functions that will satisfy experienced photographers, yet is easy enough for beginners to use comfortably. It's ideal for compact camera owners who want to step up to higher-quality photos--but without having to worry about the need of technique. Panasonic achieved this superb ease of use by continuing to improve iA mode--with its shooting assist functions that have proven extremely popular in Lumix compact cameras--and adding it to the advanced imaging technologies of the Lumix G Micro System. The iA mode is available not only in photo but also movie recording.

This iA mode is further advanced to include Intelligent D-range Control and new Intelligent Resolution for DMC-GH2. The new Intelligent D-range Control offers even more natural looking by optimizing the exposure for each part of an image, preventing blocked shadows and blown highlights and helping ensure that gradation and details are reproduced beautifully including the blue colour of the sky. An automatic backlight compensation function is activated whenever the camera detects the subject in backlight.

The new Intelligent Resolution technology allows for even more natural-looking images with better-balanced sharpness to the detail part and the edge part, suitable for printing in large size.

With AF Tracking, the DMC-GH2 can lock onto any subject and keep it in focus even if it moves--making it easy to get beautiful, clear shots when a great photo opportunity suddenly arises. Simply aim, lock, and shoot. The Face Recognition function remembers registered faces to give an appropriate AF/AE on the people. In playback, you can choose to display only photos that contain a specific registered face using Category Playback.


In addition to the advanced functions mentioned above, the iA mode inherits fundamental functions users need in a good digital still camera. These include MEGA O.I.S., which helps prevent blurring from hand-shake, and Intelligent ISO Control, which reduces motion blur by adjusting the ISO sensitivity if the subject moves as the shot is taken. Intelligent Scene Selector automatically detects the most common shooting situations--Portrait, Night Portrait, Scenery, Night Scenery, Close-up and Sunset--and switches to the appropriate Scene mode. The user can activate all of these useful, convenient shooting-assist functions by simply selecting the iA mode.

Some functions in iA mode may not be available depending on the lens that is mounted.

Enjoy watching high quality photos and movies on large HDTV--VIERA Link networking even in 3D
Both still images and motion images in AVCHD recorded on SD Memory Cards are easy to view on a Panasonic VIERA TV with dynamic HD resolution. The user simply inserts the card into the VIERA Image Viewer (SD Memory Card slot) on a VIERA TV or DIGA Blu-ray Disc Player^*6 to play the content. Alternatively, an optional HDMI mini cable can be used to output still and motion images recorded with the DMC-GH2 directly to the TV for easy VIERA Link operation. This makes it possible to take maximum advantage of the camera's playback functions, including slideshows in which both still and motion images are played sequentially, or calendar displays and so on. All control is possible using only the TV's remote control. Especially, the pictures taken with the interchangeable 3D lens Lumix G 12.5mm / F12 can be viewed in 3D via the 3D Image Viewer offering users a whole new exciting experience.

In addition, with the included software PHOTOfunSTUDIO 6.0 BD Edition, it is easy to view and edit your recorded contents. You may also choose to upload your videos to YouTube or burn them onto a Blu-ray or DVD disc for archiving.

Rich options for further expandability
The Micro Four Thirds System products are joining today's Four Thirds System products to provide customers with even higher levels of performance in a digital interchangeable lens camera. In addition to Lumix G lenses, the Lumix DMC-GH2 and Lumix G Micro System can use any interchangeable lens that complies with the Four Thirds System standard via an optional mount adaptor DMW-MA1 and with the prestigious Leica M/R Lenses via DMW-MA2M or MA3R. This gives the user access to the unlimited number of lens properties.

With the Lumix G Micro System and the growing assortment of lenses becoming available, the expressive possibilities are unlimited. The Lumix DMC-GH2 system camera offers a wide variety of options to choose from to match every shooting situation and shooting style.

Just shooting is not the goal - Included Software
With the DMC-GH2, PHOTOfunSTUDIO 6.0 BD Edition for easy organization of photos and movies, the SILKYPIX Developer Studio 3.1 SE for RAW file development and Super LoiloScope (trial version) come bundled. The PHOTOfunSTUDIO 6.0 BD Edition makes it possible to sort and organize photos not only of those newly taken but also of those stored in your PC with quick start-up and fast read-in of images. The Face Recognition function that recognizes the faces in the picture automatically sorts the photos by the registered faces without picking out each photo one by one when you only want pictures of a specific person. You can also enjoy slideshows with a variety of effects and use your iTunes music library as background music and burn it onto a Blu-ray or DVD disc in MPEG2. Motion pictures can be uploaded directly to YouTube. The original image data in RAW file format recorded with the DMC-GH2 allows images to be developed according to your intention using highly advanced functions of the SILKYPIX Developer Studio 3.1 SE software utility. It features unique combination of high resolution and extraordinary colour separation performance. The Super Loilo Scope lets you experience high speed HD movie editinng.

_{*1 The time for focusing on the subject is measured with the DMC-GH2 attaching Lumix G VARIO HD 14-140mm / F4.0-5.8 ASPH. / MEGA O.I.S. (H-VS014140)* to move the lens to "2m" from "infinity" position. The zoom position is in wide range. Panasonic measurement method.
*The firmware must be updated to Ver. 1.3 or later.
*2 Full-HD (1,920 x 1,080) movies are recorded at 60i (NTSC) / 50i (PAL). HD (1,280 x 720) movies are output and recorded by the image sensor at 60p (NTSC) / 50p (PAL).
*3 The time for focusing on the subject is measured with the DMC-GH2 attaching Lumix G VARIO HD 14-140mm / F4.0-5.8 ASPH. / MEGA O.I.S. (H-VS014140)* to move the lens to "2m" from "infinity" position. The zoom position is in wide range. Panasonic measurement method.
*The firmware must be updated to Ver. 1.3 or later.
*4 In-house comparison with the previous model based on the CIE 1976 UCS Colour Temperature Coordinate
*5 For a digital interchangeable lens of September 21, 2010
*6 AVCHD motion images recorded onto an SD Memory Card or a DVD cannot be played on a device that does not support the AVCHD standard.}

Product Description

Panasonic's Lumix DMC-GH2 is the latest member of the New Generation System Camera Lumix G Micro System. Fully compliant with the Micro Four Thirds System standard, the Lumix G Micro System combines a downsized body with advanced functions that achieve both high performance and operational comfort.The cinema-like 24p movie with the bit rate of max. 24 Mbps provides overwhelming image quality with richly expressive afterimage. Furthermore, together with the Cinema mode, which is newly added as an option of popular Film mode, 24p movie enables the movie to have a characteristic superior gradation. The new Variable Movie mode makes it possible to record motion images in variable frame rate creating a fast/slow-feed movie. Activating the newly added EX Tele Conversion function, the user can virtually extend the zoom beyond the original limit to get even closer to the subject. This options is available in both photo and movie modes. The simultaneous HDMI output while recording images is convenient for even professional users to monitor images on a separate screen.

Customer Reviews

Most Helpful Customer Reviews

205 of 212 people found the following review helpful:

5.0 out of 5 stars Best All Around Camera On The Planet, December 17, 2010

By 

B. Fuller (United States) - See all my reviews
(TOP 500 REVIEWER)    (REAL NAME)   

This review is from: Panasonic Lumix DMC-GH2 16.05 MP Live MOS Interchangeable Lens Camera with 3-inch Free-Angle Touch Screen LCD and 14-42mm Hybrid Lens - Black (Camera)

Now I know that is a bold statement and I intend to back it up. However, before I do I need to explain what I mean. I am not saying this camera is the best at everything or even anyone thing. Cameras that are the best at something are usually specialized beasts that can really only do that one thing well. What I am talking about is a camera the is so good in so many categories that it can joyfully be used for just about and photographic or video graphic purpose you may have. The GH2 is that camera.

Now that is out of the way we can get to the meat and potatoes of the review. I shoot mostly Nikon and Panasonic and I primarily shoot stills. I dabble in Video but do not proclaim myself any sort of an expert. I can say if you are looking for the best handling combo/cam with the most features then the GH2 is the one you want. Panasonic went out of its way to make this a video camera so that was its primary focus with this camera. However, there are lots of payoffs for the stills part of this camera so this is the best m4/3 stills camera by a long shot also. I will also say that the hard core video market is a niche market compared to the stills market because shallow depth of field video is hard to shoot properly and hard to edit. The average home user has neither the time nor inclination to properly storyboard and shoot this type of video. However, with that said, it is really nice to be able to shoot stills and video. And basic home videos are a snap to shoot with this camera; much more so than any other DSLR with the exception of the Sony SLT A55/33 which at least has a fast auto focus also. To shoot nice home movies, put the mode dial to iA, press the red button, and you are shooting video.

This camera is the next generation of cameras as it successfully blends the advantages of Point and Shoot cameras with the benefits of DSLRs and creates and incredibly small and powerful camera. Listed below are some of the benefits and weakness you get from this next gen camera.

What's Hot

The handling on the GH2 is bar none the best handling "DSLR" on the market. WIth smart controls, great layout, fast autofocusing, swivel screen, full time double live view, etc. Even with how good the D7000 is, it still feels clunky after using the GH2. I get into most of the details of this down below so I don't want to repeat the info here. What I will say here is that you can do things with this camera you couldn't hope to do with DSLRs and you can generally set up your photo parameters much faster with this camera. The menus on the GH2 are not very good. However, the actual camera controls are so good you will rarely even need to use the menus.

Program Shift - Forget using Aperture priority with this camera. You can leave the camera in Program mode. With program shift you can change the aperture setting and thus the shutter speed while in program mode. To do this you press the shutter release button down half way to set the exposure. Then if the numbers are in yellow you just rotate the rear dial switch to change aperture. Want a shallower depth of field or faster shutter speed, then dial in a bigger aperture (smaller number). If the numbers are not in yellow then you are currently in exposure compensation mode. All you have to do is click the rear dial switch and then rotate it. Snap. What a neat feature.

Extra Tele Convert (ETC) Mode in Video - If you shoot video you are going to love this. This is even great for home/casual video shooters. The GH2 has a 16mp sensor but like every other consumer combo/cam shoots 2K video. That means the picture is usually down-sampled to make it 2K. This has some pluses and minuses. Enter the GH2. With the ETC mode the camera uses only 2K of the sensor. This gives you an extra 2.6x crop factor. Which means your total crop factor is now 5.2x. So that brand spanking new 100-300mm you just got is now 520-1560mm with no light loss. If you put a Nikon 135mm f2 then you now have a 702mm f2! lens for video. There are some drawbacks for using ETC also but they are pretty negligible.

Auto focus - the auto focus on the GH2 is twice as fast as the GH1 and the GH1 was the fastest of previous generation. I have seen some very knowledgeable photographers saying it is as fast as mid-level DSLRs. While I think it is supposed to be a complement I don't think it is a very good comparison. I find the focus speed of DSLRs has most to do with what lens you have on. There are some lenses that focus slowly on even a D3. All of the lenses I have used on the GH1 focus very quickly except the 45-200mm. That lens tends to be my slowest. Non of the lenses I have focus as fast as a 70-200mm f/2.8 but the rest of them focus as fast if not faster than any of the other Nikon lenses I own. The best I can say about this is that you won't notice the focus speed on the GH2 as it is fast enough to get out of your way.

Smaller lighter camera - I recently went on a trip to Egypt and carried nothing but my Panasonic gear. Two camera bodies, 5 lenses, 1 flash, an iPad, and camera bag. Total weight 10lbs (3lbs of that was the bag itself). My Nikon D300 and 14-24mm lens would have weight more just by themselves (I was carrying the Panasonic 7-14mm so I did have wide covered)

Swivel Screen with full-time live view - You won't know what you are missing until you become used to this and how well it works. Want to reach up as high as you can and shoot down; No problems. Want to get as low as possible but can't lay down in the mud or water; No problem. Want to take a picture of you and your daughter but there is nobody around; No problem. Turn the screen around aim the camera at you and use the screen to frame. Something that makes photos interesting is showing the viewer something from a perspective they don't often see. The swivel screen actively encourages this. The other thing the swivel screen does is make shooting from a tripod a joy. Because of how small and light this camera is you can use a much smaller tripod. I have a 3lb tripod that can support 7lbs. Also, you can now set you camera up in all sorts of whacky positions and just rotate the screen to be able to frame and focus. Very nice. Also, with no mirror to flip up you don't have to worry about any vibrations.

Touch Focus implemented as slick as on the iPhone. As I mentioned above you can shoot from many strange angles because you can swivel the screen to almost any angle. However, if the camera did not focus on what you wanted it would be hard to change it. Now you can simply touch the screen on what you want to focus and presto it will focus on that. The GH2 is worth the price just for that.

WYSIWYG - What you see is what you get. Since you are looking at either the screen or the beautiful EVF, you are seeing what the sensor sees. With a DSLR you are seeing what the lens sees. This is an important difference. If you forgot to reset your WB or Aperture or any camera setting, you will see it before you shoot. On a DSLR you would have no idea until you looked at the pictures. Also, if it is a low light situation, the EVF will start to noise up and start to lose some of its smoothness. This is a warning to you that you need to use flash or a tripod. With a DSLR the viewer becomes darker but you don't get a very good visual cue of how your camera is seeing it. For me the most brilliant thing with WYSIWYG is setting exposure. Because I can see what the camera is doing with exposure, I usually leave the camera in P mode. Then I change the exposure by changing where I aim the camera, lock the exposure and then reframe for the subject. It works something like this. I am trying to take a picture of a person but the exposure is picking up to many bright objects, thereby dimming my subject. So, I aim the camera to include more dark areas while keeping my subject in the shoot. Then I press the shutter release button down half way to lock the exposure and focus. Then I reframe back to the original photo. This works so quickly you can try several exposures in less time than you could set one with the exposure compensation dial (which is actually exceedingly well executed on this camera also.) In a DSLR, since you don't see the exposure, you are just basically guessing at what you want and then shooting, view the photo and fix. Much slower.

Shoot about any lens you want - The distance from the lens to sensor is so short, that with the appropriate adaptor, you can put just about any lens you want on this camera. Canon, Nikon, Leica, Voigtlander, Pentax, Sony, you can use them all. Generally you need to use lenses which have aperture rings. Additionally, you do lose autofocus but there are many instances where this just doesn't matter. Macro photography is a good example. You can fit a Nikon 200mm f/4 onto the GH2 and then either get a 2:1 reproduction or a 1:1 reproduction with twice the depth of field. It is like putting on a teleconverter without the loss of light and depth of field. Brilliant.

Great for Newbies - All DSLRs are easy for anyone to use and the GH2 is no exception. The great handling makes the GH2 better for newbies in my opinion. Anyway, all you have to do is put the camera into iA mode and start shooting. This camera gets the subject correct more often then not and will make you look good. In dynamic situation, I actually use the iA mode quite a bit. I do this because the camera is good a recognizing as scene as a person, flower, scenery, etc. The camera then instantly sets numerous setting to make that scene look as good as possible. If you tried to do it yourself it could take a few minuets to set and then a few to set back. Or even worse you forget to reset it and you next pictures look bad. If I have time,... Read more ›

55 of 56 people found the following review helpful:

5.0 out of 5 stars Best M4/3 camera yet., January 11, 2011

By 

Wyobookman (Wyoming, USA) - See all my reviews

This review is from: Panasonic Lumix DMC-GH2 16.05 MP Live MOS Interchangeable Lens Camera with 3-inch Free-Angle Touch Screen LCD and 14-42mm Hybrid Lens - Black (Camera)

**First off, I have given the GH2 five stars because of its general excellence and how much I love using this camera, but that is not to say it's without fault.**

I am a huge fan of the micro 4/3 format. Point & shots are fine as such, but the lack of manual controls frustrates me as does image quality beyond a 5"x7" print. On the other hand, a full size DSLR feels too bulky in my hand and to carry around often. I learned basic photography using a 70's vintage Nikon FM, so the G-series size is more familiar to my hands than today's full size DSLRs. And with taking candids and street shots, it doesn't feel nearly as intrusive as a 1.5+lb DSLR kit does to me.

So this is my third G-series Panasonic camera. Without a doubt, this is the best one yet. The G1 & G2 are great cameras in their own right, but the GH2 advances the M4/3 format to whole new level. I wanted a faster camera but had too much invested in this format to look elsewhere. The GH2 is faster in every respect over the G2. AF is noticeably quicker, and better yet, very accurate. I've yet to see it really tripped up. Shooting rate is very quick; much, much faster than the G2. Unfortunately it seems Panasonic didn't bump up the buffer size to keep up with the frames per second the camera's capable of. So after about 10 shot burst, the camera freezes up for 5-10 seconds or more, especially if you're shooting RAW -- and I'm using a class 10 8g card. Shooting in jpeg helps some. Don't think of using anything less than a class 6 card, even shooting jpeg. This is a shame as it keeps the camera from being a decent sports/action shooter

Handling is one of my favorite things about the GH2. It feels good in my average-sized guy hands. If you're used to a DSLR, it may feel too light and lacking heft. Coming from point-and-shoots, it feels pretty solid and stable in hand. The thumb grip, while adequate, could be a bit bigger and stickier. The body does have a little too much of a plastic feel and sometimes seems a shade too light. Still, I never have the feeling of it slipping or squirting out of my hand.

The ergonomics are very good. Frequently used settings have manual adjustments. If not, there are now 3 function buttons to customize, as well as 3 custom modes. Or you can drive through the menus. The touchscreen initially struck me as kind of superfluous: I could adjust everything without it. But after awhile, I found myself using the touchscreen much more than I thought I would. It adds another level of control. Sometimes I can't remember where to find setting, but often within two taps of the screen I'm adjusting what I want. It's very helpful in getting the focus point(s) just so on a tricky composition, setting white balance (see below) and reviewing shots.

I always will miss an optical viewfinder, but the GH2's EVF is about as good a substitute as it gets. Smearing and rainbow effect are negligible and only appear in very poor light conditions, as does, not surprisingly, a lot of noise. Otherwise it does fine, even during a fast pan.

I've never been much interested in shooting video, but in the little experimenting I've done, the image quality is absolutely amazing. A number of GH2 owners have posted vids on youtube. Some of these really got me salivating, even though I'm not a video guy. I suspect this may be the camera's better/stronger half.

As for still images, Panasonic is closing in on DSLR quality. The dynamic range and low light speed are much, much improved since the G1, especially daylight, high contrast scenes. Blown highlights are just about a thing of the past. Low light image quality is now quite good at ISO 1600. I can get usable shots up to about ISO 3200, at which point noise is really becoming prevalent. Image stabilization is fine, I suppose: I've not noticed it one way or the other. The new Venus engine seems to render colors closer to their true values than earlier G-series were able to. Images out of the camera (once the WB is properly set, see below), seem sharper and more vivid than the slightly soft look Panasonic cameras I've owned tended to produce.

However, there are two image related issues. First is the auto white balance. It's the camera's greatest weakness. AWB does a pretty good job in ordinary outdoor light, if on occasion a little bit off. Indoors, it's middling at best. In general, inside AWB is too warm, yellow actually, for indoor photos. Moreover, the preset modes, ie, cloudy, incandescent, etc, are quite off and are all but useless. I either set the balance myself -- this is where the touchscreen is very handy -- or use my custom presets. This bothers me less than it sounds. I've learned what to expect and adjust accordingly.

The second issue is really more an issue of preference than a problem. When I'm feeling slow on the draw or just lazy, I'll select the full-on point-and-shoot mode, aka intelligent auto. Shots are consistent and just fine. However, here again, AWB can be a little off. ISO 400 seems to be the default daylight speed when 100 or 200 would be much better, and images once in awhile are little underexposed. Most of which can be addressed post process. But in semi-auto modes where the camera selects the ISO, having it default to ISO 400 when 100 or 200 is warranted, is annoying. But to be fair, in full iA mode, the camera will almost always choose the correct scene -- portrait, children, landscape, etc -- that you're trying to capture and produce pleasing results. Perhaps a firmware update will correct the WB issues and have a better algorithm for the auto ISO.

I can't say I'm enamored of the the kit lens. It's the same lens my G2 came with. I didn't care for its particularly plasticky feel and look. One good bump and it looks like the plastic casing will crack. In operation I think it felt a little cheap too. Given I already had several M43 lenses, I had no need for a kit lens so I ordered the body only. BTW, if you're thinking of a zoom, skip the Pany 45-200mm --it's slow without giving that much zoom -- and go for the 100-300mm. Also, I highly recommend either of the Pany pancake lenses: the 14mm f2.5 or the 20mm f1.7. Both bring out a little something extra from the camera that I can't describe. Images just seem to have a depth, clarity, and tone that other lenses seem to miss. Plus fitted with a pancake lens the camera is small enough to fit in a large coat pocket.

Print-wise, this is where the camera really rewards effort. The rare times I've gotten everything just right have yielded a large print or two I'm proud of. The focus modes and various metering modes are spot on, that is, of course, if the dummy at the controls has configured the camera properly.

The issues with the white balance and the small buffer keep me from giving the GH2 an unqualified 5-star rating. 4 stars is too few for its overall excellence, so read the 5 stars as being 4.5.

On a final note, I wouldn't say this format is for everyone. There are compromises, which become less with each new model, but you pay extra to lose the weight and bulk of a full-size DSLR. For less money you can buy a DSLR with better specs -- on paper at least. I get a kick out of using this camera, in a way like none other I've owned. Its size, its good handling and ease of use, and the way it rewards when you put it to work all justify the extra dollars out of my wallet.

30 of 30 people found the following review helpful:

5.0 out of 5 stars Best all around Camera? Yes!, April 10, 2011

By 

A Kent Lester (Atlanta, GA) - See all my reviews
(REAL NAME)   

This review is from: Panasonic Lumix DMC-GH2 16.05 MP Live MOS Interchangeable Lens Camera with 3-inch Free-Angle Touch Screen LCD and 14-42mm Hybrid Lens - Black (Camera)

I was fortunate to have the GH2 very early in its distribution cycle in the US, so I've had time to get used to its quirks and abilities, and frankly the "Best all around camera" title is well deserved IF put into context.

As with most pro and semi-pro cameras, the quality of output is mainly due to the PHOTOGRAPHER not the camera. I've been a pro photographer for 30 years, but gave up the craft for the past ten years or so, moving back to simpler point and shoot cameras for vacations. When it's your "job" taking photos, vacation pictures can seem too much like work. :-) The convergence of digital photography and videography finally prompted me back into the semi-pro field. And I've got to say, the GH2 has me totally excited about photography again!!

A few points to add to the other reviews made here:

1) Yes, the auto white balance is the GH2's one achilles heel. It's just not that good indoors. This can be completely fixed through RAW file conversion (more on that later) but is more of a problem with video. Just make sure to use the indoor white balance modes instead of AWB. They work fine.

2) The GH2 viewfinder is WORLDS better than most digital DSLR's, except for the full frame pro cameras that weigh and cost tons more. The APS-C DSLRS have pathetically small viewfinders. It's like looking through a toy periscope. Not so with the GH2. As an old film camera photographer, I had no problem getting used to the wysiwyg digital viewfinder, and it really helps indoors to see more detail than your naked eye can see.

3) JPG output straight from the camera can look a bit soft and muddy, but this is totally due to image settings, not the inherent data of the image. Panasonic uses a much more conservative "film like" setting, with low sharpening and contrast. It's always easier to add these items in post processing. Many newer digital cameras crank saturation, sharpening, noise reduction, and contrast up to ridiculous levels to give that "punch" so many amateurs seem to like. But remember, jpgs are "lossy" images. Every time you tweak the settings of a jpg in post processing, you reduce the quality a bit. The solution? Experiment with the in-camera settings (and there are plenty) to get the perfect image values you prefer. By altering the contrast, saturation, and sharpening settings from the menu, you can achieve a punchy shot to rival any other semi-pro camera.

4) If you're a point and shoot amateur looking for a simple camera that requires no thought or creativity to crank out mildly decent photos, then the GH2 may not be for you. In fact, stay away from digital SLR's altogether. You'll be happier. On the other hand, if you want SUPERIOR photo quality, then start shooting with RAW files. I love setting the GH2 to JPG+RAW. That way, I can punch up the jpg settings to get that "amateur" punch straight out of the camera for viewing while on vacation with friends, but I have the excellent RAW files to tweak to my heart's content later, when I want the best quality possible. And since RAW is a lossless format, you can tweak anything and everything. That's when you will really start to appreciate the professional quality possible with the GH2.

One software package I HIGHLY RECOMMEND for the GH2 is DXO Optics Pro. This post processing software is close to a miracle and has tuned modules for the GH2 and lenses. It automates most of the post processing of images, in both jpg and RAW formats. Take a RAW image and run it through DXO, and you will get an almost perfect combination of noise reduction, contrast enhancement, highlight recovery, lens distortion correction, and white balance. I find most of the images turn out perfect with the default settings. It's the "lazy mans" Photoshop without all the tweaking. Check it out at dxo.com.

5) The addition of video makes the GH2's "world's best all around camera" claim a reality. If you've never done video, like me, the option to capture 1080i video right from my digital camera is truly enlightening! The secret to good vacation (or pro) photography is to be ready for the perfect shot whenever it occurs. Having ONE camera with a 14-140 zoom (28-280 35mm equivalent) that can also take breathtaking video, ensures that you won't be fumbling around with lenses and camcorders while the action passes you by.

6) Low light capability with this camera is amazing! Just make sure to set ISO to automatic, and set the upper limit to 3200. (from the menu) You will get perfectly usable images, especially if you post process RAW files through Photoshop or DXO. But remember, a 14-140 lens on a sensor this large is never going to be a fast indoor lens. Get the 20mm 1.7 for excellent indoor images. It also makes the camera much more like a point and shoot for those indoor parties and children shots.

7) Depth of field: This may be one area where amateurs get confused and disappointed. Smaller sensor point and shoot cameras have inherently greater depth of field, making it easier to keep a video or quick photo in focus. The shallower depth of field of the GH2 and other DSLR's takes some getting used to, but it is also why the videos will look so professional when done right. Most movies use shallow depth of field as a key technique in focusing the viewer's attention. You can literally take movie quality videos with the GH2, which is why the amateur film movement has embraced it.

8) Lens interchangeability: This is great feature, especially for video! I have many old manual Nikon lenses that work wonders on the GH2. Yes, you lose autofocus and aperture control, but if you put the camera in aperture priority mode, and turn on auto-ISO, the camera will still expose images properly and automatically. The lack of autofocus is not that big of a deal. I've taken plenty of excellent photos during my career with manual focus. The REAL advantage comes with video though, where manual focus is an ADVANTAGE, not a liability.

So is the GH2 perfect? Of course not, any more than any other digital camera, but its flaws can be easily circumvented with post processing. You simply will not find any other camera on the market that combines so many different professional features into one, small, inexpensive package.