Most Helpful Customer Reviews
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20 of 20 people found the following review helpful:
5.0 out of 5 stars
Changing the name of your favourite song..., February 28, 2002
This is an irresistible package for anyone tracing (or revisiting) Harry Nilsson's sadly under-rated and neglected catalogue. The "Pandemonium Shadow Show" album is a 1967 charmer, introducing Nilsson's unique and brilliant singing/songwriting talents. It features classics like "1941" and "Without Her". It could be accused of being overly in the thrall of the Beatles, but that would be to deny the charm of "You Can't Do That", which manages to cram much of the Beatles stylistic repertoire into one arrangement. At least he's wearing it on his sleeve. This playfulness remained one of Nilsson's many endearing characteristics. The "Aerial Ballet" album is a real revelation; an achievement on equal terms with the Beatles, rather than standing in their shadow. With only one non-original song on the album ("Everybody's Talkin'", the one Nilsson song I guess everyone's familiar with), the strength of the songwriting ("Good Old Desk", "I Said Goodbye To Me", "One", etc) would stand alone even without the often breathtaking vocal performances. Most of the songs dissolve into Nilsson's inimitable "scat" vocalising in the final verse, which adds a level of poignancy and poetry beyond language. Running out of lyrics was an opportunity for such a talent! The vocal multilayering is very effective, and, I guess, technically advanced for its time. The "Aerial Pandemonium Ballet" remix album is an interesting addition for the sake of completion. It was more successful saleswise than the original two albums, but I find myself sticking more with the original versions of the songs.
The bonus tracks are all very worthwhile, particularly the spine-tingling "Wasting My Time". The sound quality appears to be fine, although I have my doubts about the "remastering" on these BMG reissues. I have nothing to compare "PSS" and "AB" to, but the reissue of "The Point" (double with "Skidoo") sounds markedly inferior to my original CD of that album.
Now, speaking of reissues, what about the post "Pussycats" albums?
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17 of 18 people found the following review helpful:
5.0 out of 5 stars
Everybody should be talking about it..., November 2, 2000
The original mastertapes were in shambles. When BMG went back to Harry's original masters for his first two albums for the Personal Best Anthology they found that the tapes needed tender loving care to bring out the best sound. Like lots of recordings from the same time frame, the tapes hadn't aged well.
This 2 disc set gets things right at least as far as keeping the original albums in tact AND also including the remixed version combining the tracks. Yes, there is still a significant amount of hiss but, trust me on this, it's better than having BMG reissue these classics using sonic solutions no noise (which was used on the Badfinger reissues from Apple--it's one of the reasons they sound so bad). The bad news is that this clearly wasn't taken from the original mastertapes (at least that's my impression).
Of the three albums included here APB sounds the best. Harry went back and remixed many of these tracks reducing many of the overdubs and, hence, improving the sound quality in many cases. Fans should note, however, that the bonus tracks on APB here are different from those found on the US edition.
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18 of 20 people found the following review helpful:
5.0 out of 5 stars
THIS PREVIOUSLY BEST-AUDIO VERSION NOW SUPERCEDED BY NEW '07 JAPAN REMASTER, August 16, 2006
In 2006, after painstakingly purchasing and comparing all the Nilsson domestic, European and Japanese CD versions, I posted a review on the best-audio edition of each title. That was split between four UK, one domestic and six Japan CD's, and this CD was one of those titles.
However, time and technology have marched on. In Q307, the entire Nilsson pre-1978 catalog (except "The Son Of Dracula", announced but subsequently canceled), were remastered anew and released in mini-sleeve format by BMG Japan.
So, what was slightly confusing before, with all the different international and domestic versions, has now been simply resolved: In terms of the best audio available, the fifteen new BMG remasters are head-and-shoulders superior to any pre-existing Nilsson CD. While the older versions were no slouches, these new BMG's are absolutely GLORIOUS. And, finally, there's complete, matched-mastered sound through the entire catalog, in contrast to the dynamic range variations in the older releases from varying remastering schemes.
In A/B comparisons between the new and older versions, it is also obvious different masters were availed of, because there are snippets of additional audio on the BMG's that never appeared elsewhere.
In addition, there are now approximately seventy bonus tracks spread out through the new BMG set; demos, alternate takes, singles and non-album tracks. Only one previously-available track is not in residence on the BMG set: "Waiting", which is found only on the "Harry/Nilsson Sings Newman" UK 2-fer.
If you are a true Nilsson fan, then don't delay in getting these, as all mini-sleeve releases are limited edition. It is possible, of course, that BMG will release these as less expensive jewel-case releases down the road. However, as the original Nilsson LP jackets were often wonderfully imaginative affairs, having these exact replicas only heightens the joy of ownership.
Amazon only allows 10 product links per review, so below are the first ten titles. The remainder, you'll have to find on your own (TIP: look for the 2007 release date when searching):
Pandemonium Shadow Show
Aerial Ballet
Skidoo
Harry
Nilsson Sings Newman
The Point!
Nilsson Schmilsson
Aerial Pandemonium Ballet
Son Of Schmilsson
A Little Touch of Schmilsson In The Night
P*ssy Cats
Duit It On Mon Dei
Sandman
That's The Way It Is
Knnillssonn
Just in case you find this review after the `sleeve versions have sold out, here is a list of the previous best-in-audio jewel-case CD versions. I will re-post this review on each of the previous editions:
Pandemonium Shadow Show/Aerial Ballet/Aerial Pandemonium Ballet (2CD) (2000) UK BMG/Camden Deluxe (catalog number) 74321 757422
The Point (2000) UK BMG/Camden Deluxe 74321 757432
Harry/Nilsson Sings Newman (2000) UK BMG/Camden Deluxe 74321 757442
Schmilsson (2004) RCA 82876 572652
Son Of Schmilsson (2000) UK BMG/Camden Deluxe 74321 757462
A Little Touch Of Schmilsson In The Night (2002) Japan K2 BVCM-37249
P*ssy Cats (2002) Japan K2 BVCM-37251 (the UK has one extra track not on the K2)
Duit On Mon Dei (2002) Japan K2 BVCM-37252
Sandman (2002) Japan K2 BVCM-37253
That's The Way It Is (2002) Japan K2 BVCM-37254
Knnillssonn (2002) Japan K2 BVCM-37255
WHAT IS A JAPAN "MINI-LP-SLEEVE" CD?
Have you ever lamented the loss of one of the 20th Century's great art forms, the 12" vinyl LP jacket? Then "mini-LP-sleeve" CD's may be for you.
Mini-sleeve CDs are manufactured in Japan under license. The disc is packaged inside a 135MM X 135MM cardboard precision-miniature replica of the original classic vinyl-LP album. Also, anything contained in the original LP, such as gatefolds, booklets, lyric sheets, posters, printed LP sleeves, stickers, embosses, special LP cover paper/inks/textures and/or die cuts, are precisely replicated and included. An English-language lyric sheet is always included, even if the original LP did not have printed lyrics.
Then, there's the sonic quality: Often (but not always), mini-sleeves have dedicated remastering (20-Bit, 24-Bit, DSD, K2/K2HD, and/or HDCD), and can often (but not always) be superior to the audio on the same title anywhere else in the world. There also may be bonus tracks unavailable elsewhere.
Each Japan mini-sleeve has an "obi" ("oh-bee"), a removable Japan-language promotional strip. The obi lists the Japan street date of that particular release, the catalog number, the mastering info, and often the original album's release date. Bonus tracks are only listed on the obi, maintaining the integrity of the original LP artwork. The obi's are collectable, and should not be discarded.
All mini-sleeve releases are limited edition, but re-pressings/re-issues are becoming more common (again, not always). The enthusiasm of mini-sleeve collecting must be tempered, however, with avoiding fake mini-sleeves manufactured in Russia and distributed throughout the world, primarily on eBay. They are inferior in quality, worthless in collectable value, a total waste of money, and should be avoided at all costs.
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~ Harry Nilsson
~ Harry Nilsson
~ Harry Nilsson
~ Harry Nilsson
~ Harry Nilsson
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by Harry Nilsson 
