In 1963, Helmut Hochhuth's play "The Deputy" sparked controversy about Pius XII's role during the genocide and the general responsibility of previous popes and the Catholic Church in bringing it about. Some have argued that Pius XII's "silence" can only be understood in the context of centuries of Christian "disparagement" of Jews, seeing the differences between Christian anti-Judaism and Nazi anti-Semitism as one of degree not of kind, with both contributing to the Holocaust. Others have denied the Christian roots of anti-Semitism, noting the difference between clerical anti-Judaism, motivated by religious considerations, and modern anti-Semitism, based on a racial ideology. Coppa explores both contentions in examining the Vaticans response to modern anti-Semitism.
This work not only examines Romes reaction during the fascist period but delves into the broader historical development and the impact of theological anti-Judaism. Coppa contends that developments are seldom, if ever, driven by a single force but flow from a multiplicity of factors. While some considerations are more important than others, their significance is to be determined by historical inquiry rather than imposed by preconception. He untangles these developments in this masterful work.
