From Publishers Weekly
Along with peace, V-Day introduces a host of new worries for Dot, a young Londoner. After the death of her sickly infant brother, Dot and her flighty mother, Gloria, leave the bomb-scarred city for the country home of the genteel (and aptly named) Mrs. Hollidaye. As much a British stereotype as Dot's vaguely tarty, Cockney mother, the pearl-and-tweed-clad Mrs. Hollidaye could easily be the original English Rose. Though she is by far the most nurturing and imaginative person Dot meets, a stiff upper lip keeps the gracious matron from openly acknowledging her protegee's worst fears. Instead, she slowly and subtly helps Dot muster up the strength to cope with her own confusion, Gloria's immaturity and the return of Dot's father, whose activities during the war have somehow earned Gloria's contempt. Although Anderson ( The Bus People ) never quite offsets the melancholy, distancing tone of this story, she shows enormous skill in imagining a child's perspective on events bewildering even to adults. Ages 9-12.
Copyright 1993 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
Gr. 6-12. Like Wolff's
Make Lemonade , this story gives a human face to childhood poverty. The child this time is preschooler Dot who has spent her life huddled in the London slums with her mother during the Blitz. As World War II finally ends, Dot dreads one thing--change. She can't remember her father and doesn't want him to come back and disrupt things. She tries to be a "good girl," to stay safe, even as she feels herself breaking into pieces. Anderson's great achievement is to remain true to Dot's bewildered point of view. Occasionally she's too articulate, but we see what she sees. Her images are of flames, of rescue workers struggling in rubble, of shattered glass and gaping craters. Dot's mother is drawn with humanity: She's young, ignorant, overwhelmed, dreaming of the movies and the royal princesses. When Dot gets a chance to spend time in the country, she dreads the change, but she finds not only food and space, but also beauty--a whole outdoors world of color, movement, animals, and flowers. She also discovers a loving mentor who talks to her and teaches her to read. When Dot must go back to London, the memories of the country help her be brave. Her father finally does come home, and the anticlimax is shattering: No hero, he's ordinary; he had a breakdown in the war. Dot understands that, and she'll stay with him; he needs her. "We have to live where we live." This is a YA novel in which the hero who goes on a journey and returns home transformed is a small child. Anderson adds depth to the unusual World War II adventure in which the kid gets a chance to be heroic. The last thing Dot wants is adventure. She finds the courage of ordinary life.
Hazel Rochman
--This text refers to an out of print or unavailable edition of this title.