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Paperboy [Import] [Paperback]

Christopher Fowler (Author)
5.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

March 23, 2010
Christopher Fowler's memoir captures life in suburban London as it has rarely been seen: through the eyes of a lonely boy who spends his days between the library and the cinema, devouring novels, comics, cereal packets - anything that might reveal a story. Caught between an ever-sensible but exhausted mother and a DIY-obsessed father fighting his own demons, Christopher takes refuge in words. His parents try to understand their son's peculiar obsessions, but fast lose patience with him - and each other. The war of nerves escalates to include every member of the Fowler family, and something has to give, but does it mean that a boy must always give up his dreams for the tough lessons of real life? Beautifully written, this rich and astute evocation of a time and a place recalls a childhood at once entertainingly eccentric and endearingly ordinary.

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Editorial Reviews

Review

The book is fabulous, and I hope it sells forever. Entrancing, funny, deeply moving and wonderfully written. Please read it Upbeat and forgiving...Fowler's South London childhood was deeply weird...but the tone is sunny, and anyone who remembers Mivvis, jamboree bags, streets with no cars, Sid James and vast old Odeons will love this Sixties retro-fest. INDEPENDENT ON SUNDAY Paper-dry wit and natural charm...brutally funny. LONDON LITE A wonderfully vigorous read, confident in its total recall and acute in its deft definitions of characters. Delightfully written, this funny and engrossing memoir is a wonderful evocation of a Fifties and Sixties childhood CHOICE 'Book of the Month' Paper-dry wit, natural charm, brutally funny anecdotes - Fowler's likeable memoir unearths the trail that led the schoolboy to become a writer LONDON EVENING STANDARD Beautiful, magical and moving DAILY MAIL Humorously recounted, Fowler's passion for reading is framed by an affectionate description of his London childhood, adding colour to a memoir packed with anecdotes FINANCIAL TIMES His book is an almost Morrissey-like lament, with a similar plangent drollery, for a sixties childhood spent in a backwater of Greenwich. Fowler has both a taste and a flair for the lurid. His mother is lovingly evoked in this memoir. The book has a well-rounded narrative arc, incidentally, and the father is redeemed by some closing revelations. Here are the roots of an author who would become romantically committed to the most romantic forms of storytelling. I wonder whether the computer-driven generation will find the same solace and the kind of energy that drives Fowler NEW STATESMAN Written truthfully and bringing towards its conclusion a moving reconciliation. It also contains one of the best encapsulations of what it is to be a writer THE SCOTSMAN If you were born in the suburbs in 1953, this book has your name on it. Actually, it has Christopher Fowler's, but this memoir is exactly right for anyone who wished they had been born in a less embarrassing time, place and family. Even in the direst of family discords, the laughter lurked INDEPENDENT I loved Paperboy. It took me back to Vesta Chow Mein and the dire warnings that reading would 'hurt my eyes'. The fifties and sixties are represented as a golden age in which to grow up. Christopher Fowler reminds us they were not that great!

About the Author

Christopher Fowler is the acclaimed author of twelve novels, including Roofworld and Spanky, many short stories, and seven Bryant & May mysteries including the award-winning Full Dark House and The Victoria Vanishes. He lives in King's Cross, London. Visit www.christopherfowler.co.uk

Product Details

  • Paperback: 304 pages
  • Publisher: Bantam (March 23, 2010)
  • Language: English
  • ISBN-10: 0553820095
  • ISBN-13: 978-0553820096
  • Product Dimensions: 7.8 x 0.8 x 5 inches
  • Shipping Weight: 9.9 ounces
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #1,056,918 in Books (See Top 100 in Books)

More About the Author

Christopher Fowler was born in Greenwich, London. He is the multi award-winning author of thirty novels and ten short story collections, and the author of the Bryant & May mystery novels. His first bestseller was 'Roofworld'. Subsequent novels include 'Spanky', 'Disturbia', 'Psychoville' and 'Calabash'. His books have been optioned by Guillermo Del Toro ('Spanky') and Jude Law ('Psychoville'). He co-founded Creative Partnership, a company that changed the face of film marketing, and spent many years working in film. His memoir of growing up without books, entitled 'Paperboy', was highly acclaimed.

He has written comedy and drama for BBC radio, including Radio One's first broadcast drama in 2005. He writes for the FT and the Independent on Sunday, Black Static magazine and many others. His graphic novel for DC Comics was the critically acclaimed 'Menz Insana'. His short story 'The Master Builder' became a feature film entitled 'Through The Eyes Of A Killer', starring Tippi Hedren and Marg Helgenberger. In the past year he has been nominated for 8 national book awards. He is the winner of the Edge Hill prize 2008 for 'Old Devil Moon', and the Last Laugh prize 2009 for 'The Victoria Vanishes'.

Christopher has achieved several pathetic schoolboy fantasies, releasing a terrible Christmas pop single, becoming a male model, writing a stage show, posing as the villain in a Batman graphic novel, running a night club, appearing in the Pan Books of Horror, and standing in for James Bond.

His short stories have appeared in Best British Mysteries, The Time Out Book Of London Short Stories, Dark Terrors, London Noir, Inferno, Neon Lit, Cinema Macabre, the Mammoth Book of Horror and many others. After living in the USA and France he is now married and lives in King's Cross, London.

 

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Average Customer Review
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3 of 3 people found the following review helpful:
5.0 out of 5 stars Paperboy: A New Breed of Hero, June 6, 2010
This review is from: Paperboy (Paperback)
First, a confession: I haven't read any of Christopher Fowler's fiction except for an aborted attempt at reading Spanky several years ago. However, his occasional series of fascinating `Forgotten Authors' columns in one of the British Sunday newspapers is one of the week's reading highlights for me. `Paperboy' is his memoir of his early life.

The awkwardness of youth spills onto the pages as the bookish young Christopher finds sanctuary in the local library while his father indulges his own obsession with home improvements. Unfortunately, these DIY projects have more "disaster" about them than "do". Christopher's passion for reading and writing is tolerated up to point. However, the discovery of a book of poetry in his possession incites his father to an explosion of rage that culminates in a shocking act of vandalism.

`Paperboy' is a wittily intelligent book. The writing is wonderfully evocative and the nostalgia factor alone should engage the attention of the (British) baby-boom generation. When the author referred to the horse racing game `Escaldo', I had a "lump in the throat" moment. I played with that game for hours and hours as a child, but I haven't thought about it for years: the course that vibrated at the turn of a handle producing a clackety-clack noise causing the metal horses to move forwards (or sideways, or into each other producing racehorse carnage). Happy times!

Most cultural references are given explanatory footnotes along with some helpfully wry comments. For example, the author explains that his Letts Schoolboy Diary "Listed important calendar dates like `Public Holiday in Tonga'".

But the humor is frequently overshadowed by a home life that seems quite claustrophobic, and the generation gap seems to cause a deal of confusion between father and son. Their lack of understanding is probably not unique, but their relationship, and those of mother and son, and mother and father are given the "warts-and-all" treatment.

Having enjoyed this book so much, I suppose I should have another go at Mr. Fowler's fiction. I wonder if I still have that copy of `Spanky' lurking about somewhere.
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