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13 of 13 people found the following review helpful:
4.0 out of 5 stars
Brillant, but culturally challenging to grasp, June 12, 2005
It's a challenge to really get into the heart of this book. It is easy for critics to praise it as a book that accurately portrays the effects of communism in Vietnam, however one must look far beyond that. The book comments much more on the evolving modern world clashing with traditional customs, or the struggle of family loyalty, then it is a political commentary on communism.
In fact, much of Huong's novel could easily be placed in any other setting and still be able to offer us the same thematic value. While I will not deny that here lies a book that gives us outsiders a wonderful glimpse into Vietnamese culture, something tells me that this was not the intential intention of Huong. The style of the book, and the portrayal of the narrator's mother and sister are all much to realistic for me to believe that this book is souly a commentary on the changing Vietnamese, and I look to all the readers to ask themselves if they cannot identify with the basic human nature portrayed ever so beautifully in this novel. Though it made be hard for the readers to relate, we can at least acknowledge that there is soul in this piece of literature,.
The story itself is quite a complex one. The book seems to take place in the past, the further past, and the even further past, and lets all of the stories grow and mature until in the end when they weave their way into one.
The book is completely worth reading and the insight gained from it will be well worth every minute you spend on it. However, the book is slightly distant and not quite so easy to connect to. I'll assume this has to do with the cultural differences between myself and the author and the result of the book being translated to English. However, the book is a must read. It will leave you with a hunger and thirst for life and an appreciation for living.
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16 of 18 people found the following review helpful:
5.0 out of 5 stars
An Uncomprising Critique of "Revolutionary" Vietnam, August 29, 2006
A short response to any book by Duong Thu Huong is a good deal like a short response to the Bible--it will be lacking. This is especially the case with Huong's 1988 work Paradise of the Blind, the story of a young Hanoi woman, Hang, forced to give up her university studies and work in the Soviet Union in order to support her mother. This is only half the story though. Hang reached adulthood after the heroic period of the twentieth century in Vietnam, namely the wars for independence and reunification, as well as the revolution. These events led to colossally momentous experiences in the lives of Hang's family--her mother and aunt whom she loves and the uncle she hates--so profoundly shaping were the experiences of these times that there consequences for Hang's family have nearly as deep consequences for her own life. Ultimately the only way that Hang is able to escape the chains bind her family members to the past is by abandoning her connection to the it.
Hang's troubles actually began a decade before she was born when Uncle Chinh returned triumphant from the war against the French to introduce land redistribution to his own and her mother's village in the middle 1950's. The approach Chinh took to land reform essentially ensured that he was going to be less than beloved by any person in the village--finding the most depraved and degraded of the village's lumpen proletariat and elevating them to the status of rural working class heroes. The paternal side of Hang's family has their property ruthlessly expropriated and her father is forced into internal exile. Chinh does not just acquiesce to their impoverishment and humiliation, but his own belief in the socialist millennium being just around the corner impels him, quite happily, to fanatically push for it and treat his sister harshly for continuing to even care about dispossessed husband and in laws. Chinh thus violates loyalty to kin in order to serve his own ideological pretensions and a poorly articulated form of class solidarity. At the novel's close when we see him waiting hand and foot on smugglers half of his age in order to better his material circumstances, it is truly pitiful, but is justice through history's cunning--one that was not likely to have been lost on the government authority that decided to withdraw the book from circulation.
Considering the pain he has caused, Chinh is not worthy of pity, but it is hard to argue that his situation is not pitiful. Hang's Aunt Tam is the surviving victim of Chinh's fanaticism, but she is not a character that could easily be described as pitiful, though she is worthy of pity in a way Chinh simply is not capable of being. Kept warm at night by the hate she has for Chinh and the contempt she holds all Communists in, this fanatically hardworking capitalist has grown absurdly rich by Vietnamese standards, without having to employ another person; thus making her a walking and talking reminder that not every rich person is rich by dint of exploiting the labor of the poor. Where Chinh is a fanatic who ultimately gives in to the system's endemic corruption, making a hypocrite out of himself, Tam is perfectly willing to use her money to subvert the system when it is convenient to do so and she makes no bones about where her power and influence come from and where her loyalties lie. Her riches and the influence that she wields are the product of an absolutely implacable sense of indignation at the injustices her own family suffered at the hands of the Communists in general and Chinh in particular.
Once Hang is old enough to form an opinion of her Uncle it is overwhelmingly negative and overtly hostile, though she is not capable of despising her uncle with the intensity that her Aunt--a Herculean task even without trying to grow richer with every passing day purely through hard labor. Que, Hang's mother, would seem to have as much justification to despise Chinh as Tam, because he certainly ruined her marriage through his ideological pretensions and career considerations. Instead she slavishly and thanklessly provides for his and his family's needs to her own and Hang's physical detriments. Que's dedication to Chinh's well being is repellant to Hang for the same reasons that it is repellant to most American readers; is a moral weakling incapable of admitting he performed a massive injustice. What makes it truly disgraceful, in Hang's eyes, is that Que's work is an attempt to maintain a link to a past that did nothing but bring pain to herself, her aunt, and Hang during her childhood where she was deprived of a father. Familial piety is an honorable and comprehensible value to Hang, one which she is filled with enough of to send her abroad to support her mother after she is crippled, and indefinitely put her own ambitions on hold; but it is so distorted and so pathetic in Que, that it invites at best pity and at worst contempt.
The fanaticisms of ideology, wealth and revenge, and continuity with a bucolic past that is a part of the three adults who had the greatest influence Hang could have consumed her had she not decisively broken with that past. Hang's own liberation will come only with that unforgiving war of attrition that finally kills all passions of memory and replaces it with largely dispassionate and impersonal history. The difficulties and Hang's life were almost wholly the cause of her kin living life's passions at extremes that could do nothing but cause her further distress were she to try to honor any of the values that they found to be so important--even gave their lives meaning. All of their lives have tragic elements to them, and it is precisely for that reason that Hang refuses to be imprisoned by their collective pasts. That past has to be down graded in importance if she is to be free to make a future for herself.
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7 of 7 people found the following review helpful:
3.0 out of 5 stars
Paradise of the Blind, May 19, 2002
This review is from: Paradise of the Blind: A novel (Paperback)
The book Paradise of the Blind describes the hardships of three young Vietnamese women. Paradise of the Blind is a very interesting and truthful book that allows readers to understand what Vietnamese go through daily. Written by Dyong Thu Huong, Paradise of the Blind goes in great depths describing the Vietnamese's idealistic hope and betrayal of Communism. This book focuses on the life of a young lady, Hang, and her relationship with both her mothers and fathers relatives. Hang is a twenty-year-old exported worker in Russia, who has a series of flashbacks. On her train ride to Moscow, Hang recalls how her uncle Chinh tore her family apart and destroyed the relationship between her and her mother. Her mother Que moved to Hanoi and became a street vendor because of the land reforms. Hang blames her uncle Chinh for her father's departing, her Aunt Tam becoming poor, and her mother becoming a street vendor. She realizes that she can only move on with her life and succeed only if she distances herself from her family and their history. "I can't squander my life tending these faded flowers, the legacy of past crimes," (Huong 57). Her Aunt Tam is convinced and determined that her hard work will benefit Hang someday. Hang is forcefully torn between her mother Que and her Aunt Tam. Overall, Dyong Thu Huong expresses a great deal of description of both the characters and their thoughts and feelings. One fact that really shocked and surprised me was that Paradise of the Blind was one of the first books written under Vietnamese Communist Regime ever translated into English. This book is well translated and is an easy read. It makes you think and appreciate how lucky you really are. If you truly want to understand the history of Vietnam and what life is like under communism, this is a must read.
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