From School Library Journal
Grade 1-4AThompson presents another psychological journey in picture-book format. Peter, an unhappy boy from an unhappy family, longs to escape the noise, dirt, and chaos of contemporary urban life. He tells his mother that he will be traveling with his father and runs away to a fantastical garden filled with beauty, kindness, and peace. As summer ends, he realizes that he must return home, but he has collected enough seeds to grow his own small garden wherever he is. Readers' visual experiences parallel Peter's psychological experiences. The crowded urban world is filled with dark cross-hatching and sharp angles. The colors are muted and dull. In contrast, the garden is bursting with lush watercolors and free-flowing lines. Peter's peaceful moments are portrayed in framed scenes within the large garden, symbolic of his internal state. Many youngsters have felt the need to run from a sense of hopelessness and loneliness. Unfortunately, even those who long for escape won't be comforted by this book. Young children won't understand the symbolic message, while those old enough and experienced enough to empathize with Peter's plight won't be satisfied with the simplistic resolution. A well-intentioned effort that doesn't succeed.AHeide Piehler, Shorewood Public Library, WI
Copyright 1998 Reed Business Information, Inc.
From Kirkus Reviews
Thompson (Tower to the Sun, 1997, etc.) spins elements not so much of escape as solace in his story of a boy who flees the rattle and nonsense of his home life for the pastoral confines of an apparently endless city park. Peter finds urban home life noisy: The ever-present city sounds, the quibbling at his home``He thought about his parents fighting and his father walking out.'' He devises a scheme: He will spend the summer in the park, telling his mother he is going on vacation with his dad (``She was annoyed, but not enough to stop him, not enough to phone his father''). In the park he fashions a world of peace and discovery, learning to fend for himself, getting to know his new haunts, taking measure of the families he watches there. When the seasons turn, when he realizes that he must return home, he takes with him the magic of the place and crafts a little of it in his own backyard. Bittersweet doesn't begin to describe this hard-luck story; Peter's pain is immediate and unavoidable, yet his willing of a more tender life is an equal force. Thompson's illustrations are great pools of imagery that seem to go on forever. Not all children will know how to take their futures in hand as Peter does, but the knowledge that they can try resides within these illuminating pages. (Picture book. 8-13) --
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