"Offers an intensely filmic description of the events that countless artists have sought to visualise" The Times "Milton represents the English imagination at its most organised, disciplined and sublime" -- Tom Paulin Guardian "Never was a work of literature so imbued with the visual. He creates a universe that never existed, and paints it so you see it and are overwhelmed by its immensity, its magnificent splendour at the top end, the great dark plains and huge rocky mountains, the fires and storms at the other - and the horror of the void between" -- Julian Rathbone Independent "I read Paradise Lost when I was 11, and it made me suddenly realise that the Devil was sexy, which was quite muddling at that age and had disastrous consequences in that I then lusted after unsuitable men for the rest of my life" -- Jilly Cooper Daily Mail "When the blind John Milton came to retell the story of Genesis in book seven of Paradise Lost he dwelt with understandable poignancy on the sheer visual loveliness of the newly created world. Anyone who thinks Milton is a pedantic old bore should peruse the lines that celebrate the wonder and beauty of birds' flight, migration and song" Financial Times
--This text refers to the Unknown Binding edition.
About the Author
John Milton was born in London on December 9, 1608, and studied at the University of Cambridge. He originally planned to become a clergyman, but abandoned those ambitions to become a poet. Political in his writings, he served a government post during the time of the Commonwealth. In 1651, he went completely blind but he continued to write, finishing Paradise Lost in 1667, and Paradise Regained in 1671. He died in 1674.
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Christopher Ricks is professor of humanities at Boston University and most recently author of Dylan’s Visions of Sin.
Susanne Woods is a Provost nad Professor of English at Wheaton College in Massachusetts, and Chair of the professional Northeast Milton Seminar. Her doctorate is from Columbia University and she has taught at the University of Hawaii, Franklin & Marshall College, and at Brown University, where she maintains an affiliation. Her books include Natural Emphasis: English Versification from Chaucer to Dryden (1984), and Lanyer: A Renaissance Woman Poet (1999), and she has published numerous articles on Milton and other English renaissance poets.