Industrial-Sized Deals TextBTS15 Shop Women's Handbags Learn more nav_sap_plcc_6M_fly_beacon $5 Albums Storm Fire TV Stick Off to College Essentials Find the Best Purina Pro Plan for Your Pet Shop Popular Services Home Theater Setup Plumbing Services Assembly Services Shop all tmnt tmnt tmnt  Amazon Echo Fire HD 6 Kindle Voyage The Walking Dead\ Shop Now Deal of the Day
Parallels and Paradoxes: Explorations in Music and Society and over one million other books are available for Amazon Kindle. Learn more
  • List Price: $16.00
  • Save: $2.45 (15%)
FREE Shipping on orders over $35.
Only 3 left in stock (more on the way).
Ships from and sold by
Gift-wrap available.
Parallels and Paradoxes: ... has been added to your Cart
Used: Very Good | Details
Sold by Orlian's
Condition: Used: Very Good
Comment: Very good condition with no writing or highlighting. Minor wear to cover. Eligible for Free 2-day Prime or free Supersaver shipping. All orders ship fast from the Amazon warehouse with tracking number. Amazon's hassle free return policy means your satisfaction is guaranteed!
Have one to sell? Sell on Amazon
Flip to back Flip to front
Listen Playing... Paused   You're listening to a sample of the Audible audio edition.
Learn more
See all 2 images

Parallels and Paradoxes: Explorations in Music and Society Paperback – March 9, 2004

6 customer reviews

See all 6 formats and editions Hide other formats and editions
Amazon Price New from Used from
"Please retry"
"Please retry"
$1.99 $1.99

Allen Klein by Fred Goodman
Check out the newest book from Fred Goodman.
$13.55 FREE Shipping on orders over $35. Only 3 left in stock (more on the way). Ships from and sold by Gift-wrap available.

Frequently Bought Together

Parallels and Paradoxes: Explorations in Music and Society + Music Quickens Time + A Life in Music
Price for all three: $40.54

Buy the selected items together

Editorial Reviews

From Publishers Weekly

Renowned pianist and conductor Barenboim, currently general music director of the Deutsche Staatsoper Berlin, comes from a Russian Jewish family transplanted to Argentina and Israel. Said (Orientalism), Columbia professor of English and comparative literature and an accomplished amateur pianist, is a Palestinian who grew up largely in Cairo in an anglicized Christian Arab family. Their differing but entwined histories have led to friendship and a number of public and private conversations about music, culture, politics and "the parallels as well as the paradoxes" of their lives. Edited by Guzelimian, Senior Director and Artistic Adviser of Carnegie Hall, these stimulating discussions-written in the form of three-way Q&A interviews-touch on the nature of sound, some of the similarities and differences between music and literature, performances and audiences, and the authenticity movement. The two agree on the importance of music in uniting people of conflicting political views, and in 1999 they collaborated in setting up the Weimar workshop, which brought together Arab, Israeli and German musicians to form an orchestra. The importance of setting aside national identity in favor of a larger ideal is stressed throughout the book. Barenboim shows himself to be unfazed by the recent controversies surrounding his work in Berlin and his determination to perform Wagner in Israel. Said remarks that in today's world, it has "become quite rare to project one's self outward, to have a broader perspective." These enlightening conversations show that Said and Barenboim are able to do just that.
Copyright 2002 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Library Journal

In 1995, during a Wagner conference at Columbia University, pianist/conductor Barenboim and literary scholar Said joined in a discussion before a live audience that touched on both Wagner's anti-Semitism and his pivotal position as a composer. The two, already good friends, so enjoyed the experience that they continued taping conversations privately and eventually brought in Carnegie artistic adviser Guzelimian to give some shape to the proceedings. The result is a thought-provoking book that ranges from the intricacies of performance (in which music is described arrestingly as a means of defying silence) to the need for an "artistic solution" to the Middle East crisis. Readers would probably benefit from some sense of the history of Western music, but the authors are successful in their aim to reach a larger audience and have done splendid job of reinvigorating the delicate task of talking about music. If, as Said observes, "[classical] music is losing its authority," perhaps the failure to discuss it both bracingly and embracingly is a main reason. This stimulating and enjoyable little book, the most underlined this reviewer has read since college, goes a long way toward redressing the balance. Highly recommended.
Barbara Hoffert, "Library Journal"
Copyright 2002 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

See all Editorial Reviews

Best Books of the Month
Best Books of the Month
Want to know our Editors' picks for the best books of the month? Browse Best Books of the Month, featuring our favorite new books in more than a dozen categories.

Product Details

  • Paperback: 208 pages
  • Publisher: Vintage; Reprint edition (March 9, 2004)
  • Language: English
  • ISBN-10: 1400075157
  • ISBN-13: 978-1400075157
  • Product Dimensions: 5.2 x 0.4 x 8 inches
  • Shipping Weight: 8 ounces (View shipping rates and policies)
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #408,648 in Books (See Top 100 in Books)

More About the Authors

Discover books, learn about writers, read author blogs, and more.

Customer Reviews

5 star
4 star
3 star
2 star
1 star
See all 6 customer reviews
Share your thoughts with other customers

Most Helpful Customer Reviews

30 of 34 people found the following review helpful By Grady Harp HALL OF FAMETOP 100 REVIEWERVINE VOICE on December 16, 2002
Format: Hardcover
If there is a book that presents valuable and valid lessons in how to resolve differences, be they in attitudes towards the arts, the lack of music in our educational system, the etiology of the Israeli/Palestinian dichotomy, and so much more, then this collection of conversations between Daniel Barenboim and Edward W. Said as edited and synthesized by Ara Guzelimian is it. This powerful but too brief book reaches for the Nobel Peace Prize in its courage, exploration of the state of man and the possibilities for the future, and in its tremendously accessible format that makes the workings of these three great minds available for us all. Each of the extended conversations taped betaween 1995 and 1999 addresses an interesting topic that serves to open vistas that go far beyond the crux of the topic. Hearing Barenboim expound on the fact that no one can exactly interpret a composer's score because the spirit is not on the page but in the making and experiencing the 'sound' that happens in a live performance rather obliterates all critics who descry individual interpretation of the great composers as "not the composer's intention!" Said carries this into the realm of literature, suggesting that contemporary writers are where they are because of the giants of the past and that we, as readers, are influenced in our interpretation of new work dependent upon our exposure and digestion of works by the old masters. Contemporary music by composers such as Carter, Schoenberg, and Birtwistle are discussed in a way that assists our concept of listening and learning in the concert hall. Similar parallels and similar paradoxes in the international political arena are given the same level of inspiring dialog and paths to understanding.Read more ›
Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again
12 of 13 people found the following review helpful By Alessandro Bruno on January 24, 2004
Format: Hardcover
I was very excited to read a book written by one of my favorite 20th century intellectuals and one of my favorite pianists. This is not a musicology text; it is perhaps, something more valuable than that. Edward Said, who died recently, was a pianist himself; this fact combined with his explorations into the meaning of democracy and social culture made reading this book a very interesting proposition alone. The book did not disappoint and offered many surprises both in terms of exploring what classical music can offer to contemporary culture and what music - especially Beethoven's music - means in political terms. The book is organized as a series of conversations in which Baremboim and Said discuss topics that include the apparent detachment that classical music has today from the rest of culture as opposed to the time when an understanding and admiration for it was deemed indispensable for the educated and higher classes. However, what makes the book a pleasure to read is one one level Said and Baremboim clealry love music passionatley, on the other Baremboim is an Israeli citizen, who was the first to perform in the occupied Territories with a palestinian orchestra and also sponsored a Palestinian orchestra to play inn Germany. Edward Said was an intellaetcual that argued passionatley for the Palestinian cause. Their firendship and coomon interest in music offers an undeniable sense of hope for those of us, like myself, who are troubled by the ongiong Arab-Israeli conflict that appears to worsen ebery day. That this hope should be nunaced and coloured with the music of Beethoven seems to be not only fascinating and beautiful, but a tribute to a composer who saw and used music to shake the world and argue for freedom. In so doing baremboim and Said discuss the possibility that music can serve as a model or for undertsanding between peoples and global citizenship. They are both idealists in this sense, but their vision makes beautiful sense nonetheless.
Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again
7 of 8 people found the following review helpful By A Customer on June 17, 2003
Format: Hardcover Verified Purchase
Having heard Barenboim and Said interviewed on NPR I rushed to Amazon to acquire this book. I was not disppointed! These are highly literate men, wise men, who see music in a social context. Although their roots are Israeli and Palestinian, their exposure to other cultures has broadened their perspectives so that their opinions are informed by their experiences in Egypt, Argentina, America, Germany, Israel, etc. The continuing theme is music, especially that of Beethoven and later Wagner, but in the context of their societies and ours. It may be that the hope forpeace in the world is shared music!
Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again

Set up an Amazon Giveaway

Amazon Giveaway allows you to run promotional giveaways in order to create buzz, reward your audience, and attract new followers and customers. Learn more
Parallels and Paradoxes: Explorations in Music and Society
This item: Parallels and Paradoxes: Explorations in Music and Society
Price: $13.55
Ships from and sold by

What Other Items Do Customers Buy After Viewing This Item?

Want to discover more products? Check out this page to see more: adorno wagner