Paramount Pictures 90th Anniversary: Memorable Scores [SOUNDTRACK]

John [1] Barry (Composer), Elmer Bernstein (Composer), Michael Convertino (Composer), Aaron Copland (Composer), Patrick Doyle (Composer), Danny Elfman (Composer), Harold Faltermeyer (Composer), Jerry Goldsmith (Composer), Jerry / Goldsmith, Joel Goldsmith (Composer), Michael Gore (Composer), Dave Grusin (Composer), James Horner (Composer), James Newton Howard (Composer), Mark Isham (Composer), Maurice Jarre (Composer), Krzysztof Komeda (Composer), Francis Lai (Composer), Henry Mancini (Composer), Giorgio Moroder (Composer), Ennio Morricone (Composer)

Product Details

• Composer: John [1] Barry, Elmer Bernstein, Michael Convertino, Aaron Copland, Patrick Doyle, et al.
• Audio CD (July 2, 2002)
• Number of Discs: 2
• Format: Soundtrack
• Label: Sony
• ASIN: B000068TN9
• In-Print Editions: MP3 Download
• Average Customer Review: 3.3 out of 5 stars  See all reviews (6 customer reviews)
• Amazon.com Sales Rank: #9,095 in Music (See Bestsellers in Music)

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  #71 in	Music > Soundtracks > Television Soundtracks

Editorial Reviews

Amazon.com

Granddaddy of the Hollywood studios, Paramount Pictures is rightfully proud of its century of contributions to both American cinema and the art of film scoring. But the first disc of this 43-track double-CD anthology merely hints at the studio's musical peaks, blithely skipping through its first seven decades in just 17 tracks. Indeed, the package as a whole seems more interested in marketing its post-'70s catalog of hits and blockbusters than it does in paying real homage to history and roots. Even rarities like Double Indemnity and The Lost Weekend are served up via modern budget-line rerecordings, as is Ennio Morricone's epochal Once upon a Time in the West). Contemporary recordings of Aaron Copland's rare score to The Heiress and Franz Waxman's great Sunset Blvd. fare better, but soundtrack fans may miss the originals. The studio's rich pop-crossover successes in the '60s are documented via Breakfast at Tiffany's "Moon River" and excerpts from Romeo and Juliet and Love Story, while successful franchises like Star Trek and Raiders also get their due. Too often the '90s-focused second disc only underscores some uncomfortable trends in contemporary scoring--orchestral nervous tics punctuated by booming crescendos, treacly piano Muzak--and makes one wonder if the music of The Rugrats Movie and Lara Croft: Tomb Raider are really film music milestones. --Jerry McCulley

Customer Reviews

Most Helpful Customer Reviews

16 of 16 people found the following review helpful:

2.0 out of 5 stars Only Disc 1 Is Worth Anything, July 19, 2006

By	Joshua Chipman (Shelby, IA USA) - See all my reviews

Normally I have a lot to say in my reviews, but not this time. The main problem with this collection is that all the most memorable film scores are just on one disc, with the second used mostly to play out stuff from the last ten years that, really, musically isn't very memorable and only includes three pieces anyone will recognize just because, like the movies they come from, they're based on old TV shows - The Addams Family, Star Trek, and Mission: Impossible.

And that brings up another problem. With all due respect to the late Jerry Goldsmith, who has provided some truly great classic movie scores, was it REALLY necessary to include TWO versions of the SAME Star Trek march in this collection? This seems evocative of the milk-it-for-all-its-worth attitude Paramount has had lately toward its now-tarnished crown-jewel franchise. Where's James Horner's theme music from Star Trek II and III? If they're gonna put Star Trek on here twice, they should have provided a little diversity. It wouldn't have taken much, I'm sure.

I'm sure that Paramount's had other films with far more memorable music (even Harold Faltermeyer's Top Gun Anthem could have helped on Disc 2). This just seems like a lazy attempt at something that really could have been great.

15 of 17 people found the following review helpful:

2.0 out of 5 stars More of a propaganda CD, October 29, 2002

By	Braum (somewhere in Canada) - See all my reviews

There are some really great songs on this 2 CD set. However, those really great songs seem to be lightly interspersed amongst a large number of forgettable songs whose main purpose seems to be to remind you of those movies you enjoy(ed) so much.

It seems a little odd to me that out of 90 years of film making the most memorable scores have been largely released within the last few years. I was pleased to find themes from the Godfather, Indiana Jones and Witness. I was perplexed with the inclusion of songs from Rugrats, both Mission Impossible movies (one would have been more than enough) and Tomb Raider (memorable???).

This is my own personal bias, but I do prefer movie soundtracks that evoke a feeling of excitement. With this collection I just couldn't get excited. I kept finding myself being let down by songs that didn't in some way complement the preceeding song.

There are certainly some great tracks here, but overall I was disappointed. My advise would be to look elsewhere.

12 of 15 people found the following review helpful:

2.0 out of 5 stars Older recordings, main themes only, August 26, 2002

By	John Bartelt "JB3" (L.A., CA USA) - See all my reviews (REAL NAME)

This is a great album concept, but I really wish Paramount had re-recorded these scores as they deserve to be heard. The tracks range from 1944 to the present, and the older recordings sound just like the cleaned-up older recordings that they are.

I would also personally have enjoyed more "secondary" music themes (otherwise it becomes like reading book summaries that always only quote the opening paragraph), and I could easily have done without the "pop" tunes (like Baby Elephant Walk and the Rugrats theme). In fact, it would have been very nice to listen to an album comprised of tracks chosen for their strong musical value rather than apparently for their box office and/or hit song popularity. But, to be fair, that may be precisely what draws some people to this CD set.

Film score music constitutes the single most significant body of classical music of our time. I hope some of these tracks will entice listeners to buy entire soundtracks and listen to some of these works as a whole.