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The Pariah, The Parrot, The Delusion
 
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The Pariah, The Parrot, The Delusion

DredgMP3 Download
4.4 out of 5 stars  See all reviews (40 customer reviews)

Price: $9.99
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Album Savings: $7.83 compared to buying all songs

  • Original Release Date: June 9, 2009
  • Format - Music: MP3
  • Compatible with MP3 Players (including with iPod®), iTunes, Windows Media Player
 
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  Song Title Time Price  
Play   1. Pariah 4:07 $0.99 Buy Track  - Pariah
Play   2. Drunk Side 1:27 $0.99 Buy Track  - Drunk Side
Play   3. Ireland 3:41 $0.99 Buy Track  - Ireland
Play   4. Stamp Of Origin: Pessimistic 0:50 $0.99 Buy Track  - Stamp Of Origin: Pessimistic
Play   5. Lightswitch 3:30 $0.99 Buy Track  - Lightswitch
Play   6. Gathering Pebbles 4:59 $0.99 Buy Track  - Gathering Pebbles
Play   7. Information 5:45 $0.99 Buy Track  - Information
Play   8. Stamp Of Origin: Ocean Meets Bay 0:30 $0.99 Buy Track  - Stamp Of Origin: Ocean Meets Bay
Play   9. Saviour 3:56 $0.99 Buy Track  - Saviour
Play 10. R U O K? 2:12 $0.99 Buy Track  - R U O K?
Play 11. I Don't Know 3:45 $0.99 Buy Track  - I Don't Know
Play 12. Mouring This Morning 5:41 $0.99 Buy Track  - Mouring This Morning
Play 13. Stamp Of Origin: Take A Look Around 0:58 $0.99 Buy Track  - Stamp Of Origin: Take A Look Around
Play 14. Long Days And Vague Clues 1:52 $0.99 Buy Track  - Long Days And Vague Clues
Play 15. Cartoon Showroom 4:18 $0.99 Buy Track  - Cartoon Showroom
Play 16. Quotes 6:04 $0.99 Buy Track  - Quotes
Play 17. Down To The Cellar 3:41 $0.99 Buy Track  - Down To The Cellar
Play 18. Stamp Of Origins: Horizons 2:20 $0.99 Buy Track  - Stamp Of Origins: Horizons
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Customer Reviews

40 Reviews
5 star:
 (28)
4 star:
 (6)
3 star:
 (3)
2 star:
 (1)
1 star:
 (2)
 
 
 
 
 
Average Customer Review
4.4 out of 5 stars (40 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

16 of 21 people found the following review helpful:
5.0 out of 5 stars Too long overdue, but still outstanding, June 9, 2009
The follow up to 2005's stellar "Catch Without Arms" is finally here, and while "The Pariah, The Parot, and The Delusion" won't be winning over any non-believers, it certainly shouldn't be a disappointment for current fans.

The band takes little risks with this release, undoubtedly in light of their obvious predicament. After releasing one conceptual masterpiece, "El Cielo," and the more straight-forward but equally as satisfying "Catch Without Arms," the band must have been concerned with how one finds balance between both albums while keeping everyone happy.

The new album manages to find that balance. Fans of the earlier work will be relieved to know that dredg hasn't gone in a more commercial direction; which, if I remember correctly, was a big concern for some after the last release.

The songs on the record should get better with age, unlike the immediately good but quick staling ones off of "Catch Without Arms." Also, the experimental edge missing from the last release is back in full-swing; Indeed, "The Pariah, The Parrot, and The Delusion" is perhaps dredg's most experimental record to date.

Of course, there's a flipside. Despite sharing a "Brushtrokes" type interlude technique (here, they're called "Stamps of Origin"), the conceptual aspect seems to be existent only on the surface. The album never reaches the conceptual heights of "El Cielo," and if there's some deeper theme to delve into here, it's blown right past me. You won't find the diversity of the previous albums here, either. For the most part, the songs all carry the same moods and move at the same tempos.

The album isn't bad by any means. It's just not the aesthetic statement fans are likely waiting for after four years of vacationing. Still, there's something here for everyone- U2's-esque soundscaping guitar solos, more experimentation with different sounds than the last Radiohead album, and a more heartfelt aesthetic approach than that of--well-- any Tool album. It could be that the album takes to few risks; low points are as few and far between as ever, but the highs aren't nearly as high as on previously releases. It may also just be that dredg just isn't the sort of band that can afford to wait almost half a decade between albums.

I give "The Pariah, The Parrot, and the Delusion" an 90/100, or 4.5/5; rounding up to 5/5.
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8 of 10 people found the following review helpful:
5.0 out of 5 stars "To sacrifice one's self never made sense to me.", June 15, 2009
Amazon Verified Purchase(What's this?)
After four years of waiting, Dredg's fourth studio album can be yours for only a reasonable sum of money! This recording of music by one of Matt Jacobs' favorite bands is finally here, and well worth the price of entry! It's not as great as their last two albums, but this music is so good you'll be completely puzzled at how no major review outlet will give this band the time of day! Marvel at how despite the radical shift in the band's sound over the last decade, they've never failed to make something interesting. Tremble before the might of the rocking bass lines. Be slightly disappointed at the continued lack of lyrics in the accompanying booklet. Ignore the fact that the band members are probably really pretentious because you like their music anyway. It can be yours, today!

Included among this album's 18 tracks are:
- 3 catchy singles
- 7 more full songs
- 4 instrumental interludes of varying length
- 4 "Stamp of Origin" tracks, bite-sized musical nuggets to round out the experience
- And more!*

If you can't enjoy the thrills to be found in songs like "Pariah", "Ireland", "Information", "I Don't Know", "Quotes", and others, then I don't know what the hell's wrong with you and frankly I don't want to talk to you anymore! Act now!

*There is no more.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars Their best album, August 8, 2009
By 
This album contains the refined essence of Dredg--focused, smart, and hard-hitting modern rock fronted by a passionate singer and backed by an incredible group of musicians. The drums, especially, are creative without being busy, and add a beautiful rhythmic dimension to the songs. I am blown away by this record, basically. The production is very tasteful--you will hear strings, keyboards, the works, but it doesn't detract from the Dredg sound. The vocals are more present and harmonious than ever, understated and simple, with mature melodies that eclipse anything on the prior albums. This album seems to signify a happier band. The lyrics and mood combine to give the impression that they have learned certain realities about the world, and they are now comfortable with who they are. And this is really the fundamental difference from past Dredg albums. Before there was an agonizing, yearning, almost depressed quality to the music. Here we find the band set free, a band comfortable with themselves and their music. The result is possibly the best album of 2009.

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