ncluding interviews with three of the world's best writers for the stage, all of them Pulitzer Prize winners, the winter issue of The Paris Review is devoted to playwrights and the theater. A series of one-act plays from some of the leading emerging playwrights in America and Britain, as well as interviews with Sam Shepard, Wendy Wasserstein, and David Mamet, completes the theater issue. Photos.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars
fantastic read,
By A Customer
This review is from: The Paris Review (Paperback)
The Paris Review is the best literary magazine around (even though they've rejected all of my stories). But anyway, the interview and stories are top notch. I love the blend of unknown writers and famous writers. This issue is especially good, for it's a concept issue, "New British Writing." The forum is excellent, with each author asked to give their opinion on, of course, the state of "British" literature. Furthermore, George Plimpton is very inspiring. Just reading an issue wants to make you write better or start your own magazine.
4.0 out of 5 stars
Intro to Paris Review,
By PITA48 (Chicago) - See all my reviews
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This review is from: The Paris Review # 141 Winter 1996 (Paperback)
Purchased for Elizabeth Gilbert's short story but enjoyed all the short stories. Not a big poetry fan but read a bit of that, also. Though I was aware of the Review, I had not had an opportunity to indulge until now. So glad I did.
0 of 2 people found the following review helpful:
5.0 out of 5 stars
Does anybody know?,
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This review is from: The Paris Review (Paperback)
If it is possible to secure The Paris Review - Interview with writers published by Penguin through the 1970's and 80's
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