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Paris, Texas (The Criterion Collection)
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Audio commentary featuring Wenders
Interview with Wenders by German journalist Roger Willemsen
Excerpts from the 1990 film Motion and Emotion
New interviews with filmmakers Allison Anders and Claire Denis
"Wim Wenders Hollywood April '84"
Deleted scenes and Super 8 home movies
Gallery of Wenders' location-scouting photos
Behind-the-scenes photos by Robin Holland
PLUS: A booklet featuring an essay by film critic Nick Roddick
Top Customer Reviews
The first disc features an audio commentary by filmmaker Wim Wenders. The director talks about how he and Ry Cooder decided to use the music that is in the Paris, Texas. Wenders also talks about the origins of the film and working with Sam Shepard on the screenplay. The director talks about the genesis of the film's title and how it relates to Travis. Wenders tells many filming anecdotes on this informative track.
Also included is a theatrical trailer.
The second disc starts off with an interview with Wenders from 2001. He had wanted to make a film about America but hadn't done it to his satisfaction with his previous films. It wasn't until Paris, Texas that he felt like he had achieved this goal. It was also the first time he worked in a spontaneous fashion without a pre-planned shot list.
"The Road to Paris, Texas" is a collection of interviews with key collaborators of Wenders over the years. They all speak admiringly of the man. Wenders talks about the influence of rock `n' roll and road movies on his work.Read more ›
I remember first viewing this at the cinema in the 80s. To be honest, I found it a bit gruelling. At that time I hadn't seen much in the way of European cinema, and the American setting and actors had me expecting a film with not just a different pace but a different emotional world.
Now I find 'Paris, Texas' makes me think of a strange mix of other films.
Firstly, classic Westerns; most notably, 'The Searchers' - primarily for the mood evoked by the vast expanse of landscape, but also for the ultimately unfathomable motivations of the characters - however much you learn about Travis (or Ethan Edwards) the story behind their actions remains incomplete.
Terrence Malick's 'Days of Heaven' also comes to mind - again there is ravishing cinematography, and the overwhelming sense of immense space; there is also the direct connection with Sam Shepherd writing for Wenders and acting for Malick; the characters too share a terrifying vision of love, a vision that seems embodied in their physical surroundings - the superficial beauty is tied to an emotional emptiness, a kind of directionlessness, where ordinary morality is limited in its powers. It's as if both films speak of a freedom, intoxicating and full of promise, but which is also frightening, in that anything is possible and everything feels insecure.Read more ›
"Paris, Texas" comes across as the visual equivalent of a tone poem; Travis (Harry Dean Stanton) mysteriously shows up after 4 years in the desert. Travis would claim to remember nothing about his past if he would speak--everyone assumes he's mute until they are able to contact his brother Walt (Dean Stockwell) who with his wife has been raising Travis' son Hunter (Hunter Carson) as his own. Travis has returned to rediscover his life and undo the past as best he can including locating his estranged wife Jane (Natassja Kinski)who disappeared sending Travis on his own lost journey into Hades.
Based on stories written by actor/playwright Sam Shepard, adapted by L. M.Read more ›
Most Recent Customer Reviews
It doesn't work in all blu-ray players. It's an early Criterion blu-ray with worst qualityPublished 17 days ago by Eng Goncalo S P Costa
*** This review may contain spoilers ***
Wim Wenders's love for Americana propelled him to collaborate with famed playwright Sam Shepard and the result was the visually... Read more
Great film, even better on Criterion's Blu-Ray. Robby Müller's cinematography and Wim Wenders direction are impeccable.Published 12 months ago by D. Chang
Slow-paced to the point of a two hour twenty minute yawn. Maybe it had some deep meaning when it came out--this tantalizing, vacuous plot development--and maybe it plays well to... Read morePublished 13 months ago by Elmo B.
Of course. you're already aware that the German director, Wim Wenders was part of the German "new cinema" movement back in the 80's and that this film is a prime example. Read morePublished 13 months ago by Karl Weaver
I was scanning through the TV guide when I was bored one night, and saw that TCM was running a marathon of Nastassja Kinski (whose work I really like) films. Read morePublished 13 months ago by Carlisle Wheeling