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8 of 8 people found the following review helpful:
5.0 out of 5 stars
A Smashing Surprise, December 18, 2000
This review is from: Paris Trance: A Romance (Paperback)
I read this book not expecting much. It seemed to be an example of someone trying to recreate the books of the lost generation in post-modern dress. I thought it would fail to be something new. I was astounded at how wrong I was. This book has some major faults but they are sandwhiched between large segments of the novel that are amazingly brilliant. This is, perhaps, the best look at the feelings of early love Ive ever read. The book is a deep look at beauty and happiness, asnd the degree to which moments of happiness survive the passage of time. Dyer brilliantly uses a second person narrator who admitedly tells the reader mental thoughts of the characters that he could not know. He has decided that since the main character will not tell his story, he must do it for him and he must fill in the holes. He does so in brilliant fashion. He captures what it is like to be twentysomething and in love, he captures what it is like to be in love in Paris, and he manages to capture the spirit of lawrence, Hemingway, Fitzgerald, and Dos Passos WITHOUT it feeling like a retelling of modernism. The book is definitively post-modern both in style and message, but still manages to update the tropes founded by The Sun Also Rises. A must read for any fan of post-modernism OR the lost generation. Dyer may well be Britain's most promising young writer. This is a life-affirming novel.
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4 of 4 people found the following review helpful:
3.0 out of 5 stars
A BLEAK RATHER INCOHERENT TALE, July 5, 2004
This review is from: Paris Trance: A Romance (Paperback)
Just as a drunk's jokes fall flat before those who are sober, so drug induced experiences are surreal to those whose awareness has not been chemically altered. Such is often the case in Paris Trance, the seventh novel by English author/journalist Geoff Dyer. One wishes to empathize with the characters, but finds it difficult to relate. This puzzling rather incohesive tale of misspent youth set in the City of Light covers several years in the lives of four twenty-something expatriates who trade arch remarks, go to many movies (Cassavetes films being a special favorite), are often strung out on Ecstasy, and have non-stop sex. Luke arrives in Paris from England with the announced intention of writing a book, but he never sets pen to paper. He is lonely, yet neglects to learn French, and wanders aimlessly until he finds work at the Garnier Warehouse overseen by Lazare, who seeks contentment in "whipping himself into a froth of anger and irritation." It is at the warehouse that Luke meets Alex, a fellow Britisher and film buff with whom he becomes fast friends as "there was an immediate ease and sympathy between them." "They flourished in each other's company, their intimacy increased as they met more people. Things Alex said in groups were always addressed implicitly to Luke; other people were used as a way of reflecting back something Luke intended primarily for Alex." Shortly thereafter Luke meets and becomes involved with Nicole, a Belgrade, who came to Paris on a scholarship and now works as a translator. Alex partners with Sahra, an interpreter from Libya. The foursome become inseparable, sharing meals, holidays, and dancing the nights away with drug fueled energy. In a year or so the two couples go their separate ways - Sahra and Alex stop taking E and "Saying no to E - or anything else for that matter - was like saying no to Luke," whose "happiness had begun to have a desperate edge to it." As abruptly as he had arrived on the scene Luke leaves Paris. He goes first to America, later Mexico, then finally returns to London. Some eight years later when Alex is in London for a relative's funeral, he again finds Luke. He is living in a dismal flat where, as Alex writes, "As soon as I stepped inside I could feel the loneliness, could smell the life he led..." Mr. Dyer is a capable, gifted writer. He has a keen ear and exhibits a deft knack for innovative, colorful phrasing. Nonetheless, with Paris Trance he has painted a bleak landscape littered with wasted lives. - Gail Cooke
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3 of 3 people found the following review helpful:
3.0 out of 5 stars
Ceaselessly into the past: F. Scott, intimacy & ecstasy, March 9, 2000
Paris Trance is both a novel and an elegy about romance, destiny, intimacy, and the rise and fall of an intense, short-lived friendship between two couples living an expatriate existence in 1990's Paris. The main character, Luke Barnes, arrives in Paris animated by a half-formed desire to write a novel, or perhaps make a film and live in a world of possibilities where one can move towards the center of one's own life; rapture, intimacy, consuming and discarding each moment. Luke forms a strong, brotherly bond with Alex, another Brit expat for whom Luke becomes one part of a vicariously lived whole. The two men hook up with girlfriends, and far too much time is spent on the humdrum details of each relationship/romance, which seems to slow the novel down considerably. But this problem is more than made up for by the strong focus on the bonds of friendship and intimacy between the two couples, deepend by the shared experience of tripping on ecstasy while being blasted by loud, house music until six o'clock in the morning; "They were still full of chemically engendered expectation but that anticipation was gradually coming to refer to the past, to something that had already taken place. They were wide wake, distracted, glowing." But Luke's quest to reach the peak of happiness, to "move to the center of one's own life" is seen by Sahra, Alex' girlfriend and Luke's friend, as a destructive flaw; "He doesn't really have emotions. Just appetites. At the moment he's as happy as a sandboy because there's so much still to gobble down. But what's he going to be like when he's tried it all ? " The emotional void/greed of Luke is further explored by his desire to hang on to, for a moment longer, a "tantalizing echo" of an experience lived just seconds ago; "And at that moment you glimpse the Eternal Recurrence as a potential fact, as a mechanism, rather than a metaphor. That is the solution contained in the riddle of deja vu. All memories are premonitions, all premonitions are memories". The novel also explores what one might call an expat view of existentialism, of seeing one's destiny not from the perspective of the positive will to achieve, but from that of failing so absolutely that one embraces it as one's true self, true destiny, the triumph of negative possibilities; "By letting things occur as they did he believed he was penetrating more deeply into himself, getting closer to the core. "All of the things he associated with happiness came to be lodged absolutely in his past. "his falling short was a kind of triumph; he was being faithful to some part of himself, to his destiny". One can't help but be reminded of the main character in Albert Camus' The Stranger, and of the "Black winds" of one's negative destiny. Luke never writes his novel, never makes his film, breaks up with Nicole, a woman he loves deeply, and separates himself from everything that makes him happy in an effort to confront his true self, his blighted destiny; "there are all sorts of propensities in people-but there are other kinds of negative potential: the potential for wasting the talents we are given, for blighting our prospects of happiness". Geoff Dyer is as close as Gen-X will get to reading their own version of F. Scott Fitzgerald, and Paris Trance is an excellent, if extreme, example. This novel is not spectacularly well written, but it does (or should) strike a powerful chord with nearly anyone in late twenties or early thirties who have ever lived to eat up whatever happiness they could grab, and wondered if there was anything worthwhile beyond rapture.
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5.0 out of 5 stars
A work of eroticism, romance, youth, humor and originality.
Luke moves to Paris and, with his new love and another expatriate couple from whom they become inseparable, wanders the Eleventh Arrondissement, where clubs, cafes, banter, and...
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Published on June 6, 2000 by Midwest Book Review
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