Paris-X: Musica Obscura of Dane Rudhyar and Erik Satie

Dane Rudhyar (Composer), Erik Satie (Composer), Richard Cameron-Wolfe (Performer), Kathryn Philip (Performer) | Format: Audio CD

Product Details

• Performer: Richard Cameron-Wolfe, Kathryn Philip
• Composer: Dane Rudhyar, Erik Satie
• Audio CD (October 28, 2003)
• Number of Discs: 1
• Label: Furious Artisans
• ASIN: B0000DG078
• In-Print Editions: MP3 Download
• Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
• Amazon Best Sellers Rank: #554,854 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

6 of 6 people found the following review helpful:

5.0 out of 5 stars A must-have recording, August 4, 2005

By 

Leroy Lupine - See all my reviews

This review is from: Paris-X: Musica Obscura of Dane Rudhyar and Erik Satie (Audio CD)

First, the pianism, understanding, and sensitivity that Richard Cameron-Wolfe brings to this repertoire is extraordinary. Second, the repertoire itself is equally remarkable. Dane Rudhyar is still amazingly obscure to many music lovers, yet if you are attracted to the piano music of Scriabin, this recording must become part of your library. And the quirky Satie is worth many, many listenings -- each will provide subtle new surprises. Cameron-Wolfe finds the essence of both.

6 of 6 people found the following review helpful:

5.0 out of 5 stars An Ear for Evolutionary Music, October 23, 2004

By 

D. McKinstry-Edwards "Mything Voices" (Sherman Oaks, CA USA) - See all my reviews
(REAL NAME)   

This review is from: Paris-X: Musica Obscura of Dane Rudhyar and Erik Satie (Audio CD)

Paris X, Musica Obscura is Dane Rudhyar and Eric Satie's revolutionary music performed by contemporary pianst and composer Richard Cameron-Wolfe,once mentored by Rudhyar. Paris X is musical territory on the cutting edge of Western sensibilities and hearing. Both Rudhyar and Satie created musical compositions which turned away from the exclusively European musical tradition. Rudhyar especially explored sounds which he felt the modern ear no longer heard, or heard primarily as dissonance. He felt the developement of music was inextricably linked to human consciousness, and that dissonant harmonies needed to be integrated into human hearing. Cameron-Wolfe, sensitive to Rudhyar's and Satie's musical notions and imagination, allows us passage into compelling auditory landscapes of sound and soul. He brings delicacy and depth to this exciting, ear-opening music.