From Publishers Weekly
In this prodigiously researched, eloquent work, history professors Rosenzweig (George Mason University) and Blackmar (Columbia) have written an outstanding study of the evolution of Manhattan's Central Park, from its early days as a carriage promenade for the rich to its development as a haven from urban stress for all classes of people. Construction of the park, which was conceived by the wealthy both as a boon to the public and as a means to enhance real estate values, began in 1856. The project displaced 1600 park site residents, including Seneca, an African American community; exploited the laborers who cleared the land; and was rife with disputes between Frederick Law Olmsted and Calvert Vaux, the architects who won the design competition. Although the emphasis is on the first 50 years of the park's development, Robert Moses's reign as park commissioner from 1934 to 1960 is adequately covered, as is the current controversial dependence on the private sector to finance this beautiful, democratic public space. Illustrated.
Copyright 1992 Reed Business Information, Inc.
From Library Journal
What took 166 tons of dynamite, six million bricks, 19,000 cubic yards of sand, 20,000 men, and $5 million to build? If you answered New York's Central Park, give yourself a perfect grade. The same is awarded this magnificent public works history, a masterpiece combining the story of the park, the history of New York, city and state politics, and the people of the city. Central Park was conceived in the 1840s, built in the depression era of 1857, and renovated during the Great Depression. The authors have exhausted primary and secondary sources to produce this definitive work, which surpasses an earlier photographic history, Circle of Seasons . From the work of park designers Frederic Law Olmsted and Calbert Vaux to New Deal park commissioner Robert Moses to the administration of Elizabeth Barlow Rogers, the volume is a rare combination of scholarship and readable text. The emphasis is on the 19th century and the park's formative decades, including design, property acquisition, and the men whose labor created the world's best-known park. Ignoring neither the vested interests of the propertied class who stood to benefit from the park nor the fear of crime in Central Park, Rosenzweig and Blackmar produce a model history--not just of the park but of the city and people who turn to it for amusement, recreation, relaxation, and more.
-Boyd Childress, Auburn Univ. Lib., Ala.Copyright 1992 Reed Business Information, Inc.