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Parsifal on Record: A Discography of Complete Recordings, Selections, and Excerpts of Wagner's Music Drama (Discographies)
 
 
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Parsifal on Record: A Discography of Complete Recordings, Selections, and Excerpts of Wagner's Music Drama (Discographies) [Hardcover]

Jonathan Brown (Compiler)

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Book Description

August 30, 1992 Discographies (Book 48)
The first comprehensive discography on one of Wagner's music dramas, this volume lists all complete performance recordings, all major selections recorded, and hundreds of individually-recorded excerpts, both vocal, and instrumental, from the earliest acoustic recordings to recent laser discs. Many excerpts have never appeared in discographies or other works on Wagner, and pirate recordings have been identified. Precise information is given as to date and place of recording and record numbers as well as performers, choruses, orchestras, and conductors. Musical incipits introduce each excerpt. The index provides access to more than 230 singers of the principal roles and over 130 conductors. A lengthy introduction provides a lively and provocative commentary on the recordings. Written in Australia where Parsifal has never been fully staged, the discography was researched in major libraries and archives of Europe and the United States as well as old record shops in New York, London, Paris, and Sydney. The result is an important resource for the discographer and record collector, the student of opera and vocal art, and all lovers of Wagner in performance.

Editorial Reviews

Review

“His criticism of the various recordings and performances is concise, well-considered, and often witty, without being the work of a show-off. Also admirable is Mr. Brown's enthusiasm for the task he has undertaken, as well as his obviously sincere enjoyment of good singing and conducting. Rarely does one come across a volume of opera criticism so devoid of mean-spirited attacks on one or another artist as this one.”–Wagner Notes

“In fact Brown's detective work has been tireless, and he has himself heard most of the titles he lists. This also bears fruit in his 28-page introduction which amounts to a review, brief but sharply opinionated, of the recordings that constitute the material of the book. The work is, as it must be, a labour of love.”–Opera

“This work is a must for diehard Wagnerians, music librarians, classical music stations, and performing arts organizations. For research purposes it is more than intriguing; it is valuable.”–ARBA

About the Author

JONATHAN BROWN is an Australian government lawyer and opera lover, currently living in Paris.

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Inside This Book (learn more)
First Sentence:
Sadly, the earliest complete performance of Parsifal to have survived, and the only one with the fabled Flagstad-Melchior duo recorded live, comes from a radio broadcast in New York in 1938 recorded in the most primitive conditions (1). Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Bayreuth Festival, New York, Act Three, Berlin Philharmonic, Act Two, Act One, Deutsche Grammophon, Good Friday, Court Opera Classics, Orchestra of the State Opera House, Vienna Philharmonic, Karl Muck, Josef Greindl, Hans Hotter, Ludwig Weber, Max Lorenz, Frieder Weissmann, Gotthelf Pistor, Leopold Stokowski, Metropolitan Opera, Bayreuth Festspielhaus, George London, Herbert Janssen, Knights of the Grail, Lauritz Melchior
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Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
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