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9 of 9 people found the following review helpful:
5.0 out of 5 stars
An excellent score for listening to a Wagnerian masterpiece, February 21, 2003
This review is from: Parsifal in Full Score (Dover Vocal Scores) (Paperback)
Wagner's Parsifal, his "last" opera, is also in many ways his most moving on an intellectual and spiritual level. Full of Schopenhauerian resignation which rises beyond the pessimism of The World as Will and Idea into the world of Buddhist renunciation, Parsifal uses Christian metaphor to show the futility of striving and the peace to be gained from release.
However, this review will obviously be of the Dover edition of the full score, not the opera itself. Also, I won't comment on the previous negative review, except to add that the reviewer should do Wagner and the world a favor and read Macgee's The Tristan Chord: Wagner and Philosophy, and give the slanderous and bizarre Wagner-Hitler link a well-deserved rest. Wagner was an anti-semite, but to somehow link this to Hitler is a classic example of the genetic fallacy (where did this idea ever come from, anyway? The Nazis loved Beethoven far more than Wagner's left-wing revolutionary aural madness,it never really fit with their style....)
The Dover editions of Wagner's full scores are the most useful editions available for actually listening to and studying Wagner's Gesamtkunstwerken, and are a bargain at twice the price. Professional musicians will of course recognize that the G. Schirmer editions are the ones most often used for actual performances and rehearsals, particularly the Schirmer piano reductions (either the good old green hardbacks or the orange paperbacks). But even professionals make good use of the Dover editions, since they are ideal for sitting down with a good set of headphones and a cup of coffee to take in the brilliance that was Wagner.
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3 of 3 people found the following review helpful:
5.0 out of 5 stars
Excellent score of another great work (also Wagner's virtual foray into oratorio as well as opera)!, December 8, 2007
This review is from: Parsifal in Full Score (Dover Vocal Scores) (Paperback)
The same comments of my review for Dover's reprint of Peter's full-score of Wagner's second opera of his "Ring" cycle" hold for the equivalent reprint of that publisher's edition of "Parsifal" (though NOT for "Tristan und Isolde", alas...):
Unlike Schott's editions (which Dover uses for its reprints of the other 3 operas of the cycle "Der Ring des Nibelungen" {"The Nibelung's Ring"}, the Peters version reprinted here DOES have the voice and instrumental staves mostly arranged in proper order, making things a great deal easier to follow. [Alas, there's one exception - having the voices and stage-directions (though not stage instruments - that part at least is already in proper order) between the violas and the 'celli (harking back to Baroque "basso-continuo" usage) - at least they're consistent with it which helps...] Also the fonts used by the Peters engraving are a fair bit clearer than those of Schott in their first editions (their current edition of the complete works of Richard Wagner is SUPERLATIVE but no doubt fantastically expensive!!!).
This score is not only a steal at the price, it's an excellent score, period (though I could visualise it using fewer pages if the engravings were done differently whereby the systems would have been somewhat smaller but done for a larger paper-size). No qualms about my recommendation - GET IT!!!!
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3 of 3 people found the following review helpful:
5.0 out of 5 stars
To really understand Parsifal, March 1, 2006
This review is from: Parsifal in Full Score (Dover Vocal Scores) (Paperback)
Even if you're not a musician, it's pretty easy to follow the music on the full score while listening to a cd (of course you have to be able to read a score!); you then can understand much of Wagner's technique and effects (the violin arpeggios e.g.), recognize the leit-motivs and their variants.
The price of this 800 page book is a bargain, and it's really enjoyable to go deep inside the music.
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