Amazon.com Review
The heroine of Mary Wesley's latest novel,
Part of the Furniture, is 17- year-old Juno Marlowe, a girl possessed of both extraordinary innocence and remarkable courage. We first meet Juno during the World War II blitz of London; she is suffering the twin effects of rape and having to sleep next to a dead stranger during an air raid. Other novelists might have chosen to plumb these traumatic events for several chapters at least, but Wesley gives them no more time than she thinks they deserve and then moves quickly on to the heart of her story, which takes Juno far away to the western corner of England to deliver a letter from the dead man to his family. Here Juno meets the stranger's father, a man considerably older than herself, and finds her soulmate.
If there's such a thing as a steely-eyed romantic, Mary Wesley is one. On the one hand, she deals with death, rape, and other horrors with unsentimental straightforwardness and humor as black as a coal cellar; on the other, she is a firm believer in love's ability to heal even the deepest wounds. The pleasure of reading Part of the Furniture is observing this surprising marriage of love and pragmatism, as well as the unexpected twists and turns Wesley throws into her tale of loving during wartime.
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From School Library Journal
YA. Set in England during World War II, this story has some of the charm of Maeve Binchy's writing, but with more of a bite to it. Juno Marlowe is an innocent 17 year old. Her cold and remote mother has already fled to Canada and her daughter is to follow, all arrangements made. However, plans change when Juno goes to London with two neighborhood boys to see them off to war. Caught up in the excitement of enlistment departure, they take easy advantage of the teen's affectionate enthusiasm and both make love to her. Then off to war they go, leaving her in the midst of an air raid and, as it turns out, pregnant. A kindly acquaintance provides Juno with a letter of introduction to an estate owner, where she settles into the role of Land Girl. The sketchy, frenetic scenes in London yield to more thoughtfully paced views of a James Herriot-like farm and readers sense in Juno strengths that had not been revealed in her distraught flights and loveless upbringing. Her happy and amusing experiences with the animals and the kindly folk of the village gradually restore her spirits and feelings of self-worth. Change in and development of a strong character, combined with a vital re-creation of the gallantry of the Brits of World War II and a happy romance, make this an appealing historical novel.?Frances Reiher, Fairfax County Public Library, VA
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--This text refers to an out of print or unavailable edition of this title.