Review
"A valuable and entertaining text on the destruction of the radical left in American politics"— Russell Baker
"He was free of the woeful predictability of ideologues of both the left and the right."— Elizabeth Hardwick
"In presenting his segments of history Kempton uses the technique of the novelist—and it comes off brilliantly. He succeeds in evoking the characters of the men and women he writes about, and he does what only the good novelist can do: he re-creates the atmosphere of the time in which they functioned and so forces the reader to inhabit a world which may be alien, dimly recalled, or long forgotten."—
The Nation "Kempton’s book is exceedingly well written. It holds us in some places with a pathos of futility and in others with a drama of achievement….He does much to set in perspective an episode and a period that has been long distorted. The richness and pungency of his style make him easy to read."—
The New York Times "One of our finest journalists, Kempton was always something of a cult writer, revered by his peers but lacking the profile of a Jimmy Breslin or Garry Wills. A tabloid columnist who looked like a classics professor (he was rarely without his pipe), Kempton—first at the
New York Post, then at
Newsday—forged one of the most distinct, if not eccentric, styles in American journalism….His column always promised a strange, pleasurable experience: Pungent yet decorous, invariably teeming with rogues and scoundrels, corrupt pols and indicted capos, Kempton’s pieces often read like a Damon Runyon sketch rewritten by a Victorian man of letters."—
Bookforum
--This text refers to the
Kindle Edition
edition.
From the Inside Flap
First published in 1955, Part of Our Time consists of ten incomparable "novellas" that profile individuals whose lives were transformed by the radical movements of the thirties. The Pulitzer Prize-winning journalist Murray Kempton writes of people who "shared at one time or another the conviction that the most important thing in life was a remorseless effort to throw down the society which had raised and alienated most of them." Included are portraits of Alger Hiss and Whittaker Chambers, Walter Reu-ther, Lee Pressman, Paul Robeson, Edmund Wilson, and James T. Farrell; the writers of the Hollywood left; as well as many now-forgotten labor leaders, politicians, and mobsters--all of whom were caught up in what the author calls "the myth of the thirties."
"Part of Our Time is a striking piece of work," said The New Yorker. "Kempton is a journalist of formidable talent and versatility. He can be serious, he can be funny, he can be evocative. Every phase of life interests him, and he has a novelist's sense of character and change. . . . He is a remarkably rewarding writer, and journalism and political criticism are lucky to have him."
The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foundation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with affordable hardbound editions of impor-tant works of literature and thought. For the Modern Library's seventy-fifth anniversary, Random House
redesigned the series, restoring
as its emblem the running torchbearer created by Lucian Bernhard
in 1925 and refurbishing jackets, bindings, and type, as well as inaugurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at
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This Modern Library edition includes an Introduction by the Pulitzer Prize-winning author David Remnick.