Part One [Original recording reissued]

West Coast Pop Art Experimenta | Format: Audio CD

Product Details

• Audio CD (June 12, 2001)
• Number of Discs: 1
• Format: Original recording reissued
• Label: Sundazed Music Inc.
• ASIN: B00005JY2G
• In-Print Editions: MP3 Download
• Average Customer Review: 4.5 out of 5 stars  See all reviews (11 customer reviews)
• Amazon Best Sellers Rank: #114,367 in Music (See Top 100 in Music)

Editorial Reviews

With their soaring psychedelia, achingly pure folk-rock and Zappa/Beefheart strangeness, these seminal underground gems from the West Coast Pop Art Experimental Band--Part One, Vol. 2 and A Child's Guide To Good & Evil-can be seen as encyclopedic primers of the late-'60s Los Angeles musical experience. These long-awaited legit CD debuts come direct from the original analog master tapes, with 2 bonus tracks CD, interviews with key band members, and never-before-seen photos from the band's personal archive! 13 tracks. 2001 reissue.

Customer Reviews

Most Helpful Customer Reviews

14 of 16 people found the following review helpful:

5.0 out of 5 stars Stunning debut for a relatively unknown band, April 24, 2002

By 

Phil Rogers (Ann Arbor, Michigan) - See all my reviews

This review is from: Part One (Audio CD)

A bunch of seventeen-year-olds made a first record. At times they sounded a like the Byrds, a little like the Beatles, Moby Grape, the Charlatans, the Chocolate Watchband, and so on. They were very inventive, solidly in the rock category, as their name would seem to indicate, very progressive. I always worried their sound was going to be kind of cold, so never bought their albums until 15-20 years after their 'heyday'. I was wrong. Actually, their music comes off warm and friendly, even when the mood may be sad, dark, etc.

Note that the "old" guy in the band [early 30's or so] didn't play an instrument, and in fact, was tone-deaf. The only reason he was in the band was because he was independently wealthy, and so paid for all the equipment; what he got in return was the new [for him] ability to "impress chicks". He stood in front of the band at performances, shaking a tambourine with his vocal microphone turned off. Moreover, any band member who was out of favor with him at the time of a new release wouldn't have their picture on the album cover. Ultimately, he was responsible for the band's breakup by driving the others crazy with his power trips.

"Shifting Sands" The album starts out with a bang, and I don't mean a noisy one. Poetic, moody song about one whom is 'born to wander'. Interesting when juxtaposed with the opening cut from their third album. [5 stars]

"I Won't Hurt You" Pretty, moody, moving song about innocence, love and protection. Check out the percussive use of guitar "chukkas" in place of the drum kit. [5 stars]

"1906" Hollies-style vocal harmonies with a spoken lead vocal, which is however mixed rather poorly (the lead needs to assert itself more in the mix, not be so subordinate to the backing tracks). The subject of the 'discourse' is somewhat of a surreal complaint. Has a long middle-eastern sounding bridge section. [5 stars].

"Help, I'm a Rock": Not many people would deign to cover a Mothers of Invention tune, but the youngsters [the Mothers used to open for them at gigs] did a very palatable job, all things considered. Very tastefully done. [5 stars]

"Will You Walk With Me?" Textually, continues along a rather similar tack as "I Won't Hurt You". [4 stars]

"Transparent Day" Lead vocal pans back and forth from left to right (phrase by phrase). But it's mixed rather poorly to the point of being annoying--at times one of the phrases is just too soft compared with the rest of the mix. This is regrettable as, otherwise, this is one of the strongest compositions on the album. The singer is not at fault . . . it's really an engineering problem. [5 stars nevertheless]

"Leiyla" The boys revert to a somewhat more blasé genre, but pull if off with typical youthful verve. Smack in the middle, the song seems to be fading out as a new song begins, which is an acoustic guitar solo in the style of Elizabethan (early 17th century English) lute music. But, that in turn fades out [was it an episodic music lesson, part of the story?] and Leiyla fades back up and continues for several more minutes. [4 stars]

"Here's Where You Belong" This one is folk rock á la Byrds, and as good or better than anything McGuinn and company did during the period prior to 'The Notorious Byrd Brothers'. This would have been a monster seller had it been recorded/released as a single, a year or so before. [5 stars]

"If You Want This Love of Mine" Continuing in a similar vein, though much closer to the Charlatans, or even a soft version of the Chocolate Watchband, than to the Byrds. Terrific country rock solo at the bridge. [5 stars]

""Scuse Me, Miss Rose" More rather blasé stuff, this time unredeemed. [2½ stars]

"High Coin" Electrified (though barely) country folk blues instrumental. Gorgeous little number; great closing piece!
[5 stars]

6 of 6 people found the following review helpful:

4.0 out of 5 stars Strange Mix of Guitar Pop and Zappa-Inspired Weirdness, June 26, 2001

By 

Withnail "smokehat" (Brooklyn, NY United States) - See all my reviews

This review is from: Part One (Audio CD)

This band was made up of a bunch of kids, one of whom, Michael Lloyd went on to produce records for The Osmonds and Shaun Cassidy(and put together the Dirty Dancing soundtrack) and one Bob Markley, a tone-deaf millionare in his 30s who thought being in a rock band would help him get chicks. There are some instant classics on this album like "Transparent Day", "I Won't Hurt You" that make the album a must-buy for anyone interested in 60s music, as well as a cover of The Mother's "Help I'm a Rock."

4 of 4 people found the following review helpful:

4.0 out of 5 stars West Coast Pop Art Experimental Band - 'Part One' (Sundazed) 4 1/2 stars, January 19, 2007

By 

Mike Reed (USA) - See all my reviews
(VINE VOICE)   

This review is from: Part One (Audio CD)

Originally released in 1967, this was the 'zany psychedelic' band's first out of five albums. This 'Part One' by WCPAEB is better than what I had expected. Tracks that make this CD reissue a true keeper are "I Won't Hurt You", their Frank Zappa cover "Help,I'm A Rock", the REALLY strange "Leiyla", the innocent-sounding "Here's Where You Belong", "Scuse Me,Miss Rose" and the instrumental "High Coin". What a great trip! Line-up: Kenny Bobo-vocals, Michael Lloyd-guitar, Shawn Harris-bass&vocals, Dan Harris and Ron Morgan-guitars and Hal Blaine-drums. Should appeal to fans of Moby Grape, Skip Spence, early Zappa, Bow Street Runners and maybe H.P.Lovecraft. Recommended.