The ruined silhouette of the Parthenon on its hill above Athens is one of the world's most famous images. Its 'looted' Elgin Marbles are a global cause celebre. But what actually are they? In the first of an occasional 'series' on wonders of the world - such as the Colosseum, Stonehenge, the Pyramids, the Alhambra, Mary Beard, biographer, reviewer and leading Cambridge classicist, tells the history and explains the significance of the Parthenon, the temple of the virgin goddess Athena, the divine patroness of ancient Athens. "The Wonders of the World" is a series of books that focuses on some of the world's most famous sites or monuments. Their names will be familiar to almost everyone: they have achieved iconic stature and are loaded with a fair amount of mythological baggage. These monuments have been the subject of many books over the centuries, but our aim, through the skill and stature of the writers, is to get something much more enlightening, stimulating, even controversial, than straightforward histories or guides.
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Editorial Reviews
From The New Yorker
This short, lively history by a Cambridge classicist examines not only the building's construction in the fifth century B.C. but also its subsequent life as Byzantine cathedral, Ottoman mosque, and iconic ruin and tourist destination. Beard steps adroitly through such controversial matters as the ownership of the Elgin Marbles, and is happiest when teasing out contradictions in the building's history: the Parthenon as it appears today is largely the result of the depredations of Victorian archeologists bent on stripping away anything that was not from Periclean Athens, and of extensive reconstruction in the nineteen-twenties—the combined results of which would be unrecognizable to any Athenian of classical times. She suggests that the Parthenon is ultimately as much an ideal of classicism as it is an actual building, and she relishes the story of the German scholar who went to Athens early in the twentieth century but couldn't bear to visit the Parthenon, in case it didn't live up to his expectations.
Copyright © 2005 The New Yorker --This text refers to the Hardcover edition.
Copyright © 2005 The New Yorker --This text refers to the Hardcover edition.
Review
'An extremely entertaining read ... a book that is both learned and eloquent' - Erich Segal; 'If you're planning a trip to Athens - or to the British Museum - this ... is a must-read; but armchair travellers will be equally enthralled' - Andrew Crumey, Scotland on Sunday; 'The classical world still rouses fierce passions, and books like this help to make the study of ancient Greece urgent and relevant' - Tom Holland, New Statesman; 'Wry, lively ... entertaining, provocative ... highly readable' - Alexander Masters, Times Literary Supplement; 'A classic in every sense of the word: scholarly, informative, but with a laugh - or at least a broad smile - on every page. I loved it - and so will you' - John Julius Norwich; 'She succeeds brilliantly in bringing back [the ruins of the Parthenon] to imaginative life' - Joan Smith, Financial Times; 'Sophisticated, engaging ... she unravels the intricacies with the light and deft touch which characterises the whole book ... something for classicists and laymen alike' - Gavanndra Hodge, Independent on Sunday
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Most Helpful Customer Reviews
26 of 27 people found the following review helpful:
5.0 out of 5 stars
The History of the Most Famous Building,
By R. Hardy "Rob Hardy" (Columbus, Mississippi USA) - See all my reviews (TOP 100 REVIEWER) (HALL OF FAME REVIEWER) (REAL NAME)
This review is from: The Parthenon (Hardcover)
It is the most famous building in Western history. Yet, in _The Parthenon_ (Harvard University Press), Mary Beard reminds us that there are great voids of mystery about it, that we don't know what large portions of it looked like when it was built, and that much of what we see when we look at the ruin now is a controversial restoration. Beard's serious, academic, but witty monograph makes us look at the ruin again, and realize the role it has played in imagination and in objective Western history. Not only is the Parthenon an amazing and influential building, but it has a few thousand years of history and controversy (starting from before it was built). Beard gives us all the details in a lively account.Beard, a classicist, reminds us that we have to do a lot of guesswork about the Athenian government of the fifth century BCE, even though it looms large in our imagined history of democracy. There were rumors of financial and sexual scandal connected to the project, which was attacked as a colossal waste of money and "dressing up Athens like a whore." The temple was not for worship such as occurs in our churches and mosques (both of which, in time, the Parthenon became). It was a strongbox, a place to keep not only the valuable statue secure, but also plenty of other treasures. The friezes were attacked by Christians when it was turned into a church, and had milder defacement from the Turks when it afterward became a mosque. The temple was more or less intact, though, until 1687, when Christians blew up the gunpowder the Turks were storing there. The ruin we see now on the Acropolis is not the ruin that was left. We now see columns running between the pedimented ends of the building, but this is a reconstruction from the 1920s. To put it mildly, this restoration did not meet the current standards for historic preservation, although it was heartily approved at the time. It is not an accurate reconstruction but "a plausible fiction" made of materials that were to hand, and it inexcusably injured the ancient blocks. Current reconstruction will position them as well as current research methods can direct. Of course the history of the Lord Elgin and his theft or rescue of the sculptures is recounted here in very fair detail. What happened to them in the twentieth century, however, shows how large a role they play in the world's affections and interest. The rich art dealer Joseph Duveen provided the new accommodation for the Elgin Marbles at the British Museum. He somehow had access to the sculptures being prepared for their new accommodation, and in 1938, the director of the museum was horrified to find that copper tools and carborundum were being used to clean the figures at Duveen's direction. Beard reports that "... heads did, discretely, roll, and 'remedial measures' (the phrase alone makes you shudder) were taken on the marbles." There was a flurry of press criticism at the time, but a scholar turned the story up only a few years ago, resulting in an angry and emotional international conference to try to get to the bottom of the events of 1938. Beard says this is only the most recent climax of "the longest-running cultural controversy in the world," the fate of the Elgin Marbles. The Parthenon may be only a ruin, but it plays a role in the world's cares beyond just being a beautiful spot for sightseers. Beard's biography of the building, erudite and vigorous, shows just why the Parthenon looms important among humanity's monuments.
5 of 5 people found the following review helpful:
5.0 out of 5 stars
A book for the ages,
By D. Roberts "Hadrian12" (Battle Creek, Michigan United States) - See all my reviews (TOP 1000 REVIEWER) (VINE VOICE) (REAL NAME)
Amazon Verified Purchase(What's this?)
This review is from: The Parthenon (Hardcover)
This is an exhaustive, fabulous treatise on one of the most venerable monuments to classical history the world has ever known. Beard takes us through the entire history of the Parthenon. She details for us its probable early use as a temple to Athena (as well as some other theories) as well as its less known utility as a Christian church and Mosque in later ages.
Along the way, Beard offers us statements concerning the Parthenon from various historical and modern personages. Some are profound, some are not. Some simply advertise their ignorance (such as the not-so-venerable Shaquille O'Neal). From the vantage points of different epochs we are able to discern how the Parthenon has been seen down through the ages. Of course, no work on the Parthenon would be complete without examining the highly(!) controversial exploits of one Lord Elgin. As hoped, Beard delivers in giving a thorough description of all the forces at play in both England & Greece. She does not take a position on the issue, so her discussion of this sensitive topic is not apt to offend anyone. Then again, since she refrains from taking a position, perhaps that in itself WILL offend some people? I don't know. There is also a background section on the disastrous explosion of 1687. It was caused by the Ottoman Empire using (mis-using!) the Parthenon as an arsenal. Not suprisingly, this made it a target for the Venetians and.....you can guess the rest. What is less known is that 300 people perished when the Parthenon exploded. That's an unfortunate detail that is many times overlooked in history classes. As usual, Beard does an excellent job of giving the whole story of what took place. If you possess an interest in the Parthenon and / or ancient Greece in general, this book is a can't miss. For anyone who wishes to tour Greece (or the British museum in London), this book is highly recommended as well. Even if you only have a passing interest in history per-se, this book will give you an avenue to enjoy the Parthenon & all of its frieze and sculptoral splendor.
1 of 1 people found the following review helpful:
5.0 out of 5 stars
well written book (follows elements of style by strunk white),
By A_2007_reader (Vladivostok, Russia) - See all my reviews
Amazon Verified Purchase(What's this?)
This review is from: Parthenon (Wonders of the World) (Paperback)
Simply commenting on the writing style: very well done. Follows Strunk & White's Elements of Style. Factual too. Every point is rebutted by a counter point, giving a nuianced view. I don't usually give a book five stars (see my other reviews) but this one merits it.
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