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Partial List of People to Bleach Pamphlet – June 19, 2007

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Pamphlet, June 19, 2007
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Editorial Reviews


One would call these lives adrift except that would suggest they once were safely moored and docked... In each of these stories, the lonely anonymity of a narrator's misfit existence vies with the glorious singularity of his or her discourse to offer a marvelous, raw tension. --Brian Evenson

Gary Lutz is the best writer you've never heard of. To certain stylists, he's a kind of prose god. Lutz … belongs to a category of sentence geniuses that includes Ben Marcus, Aleksandar Hemon, and David Foster Wallace. --Christopher Frizzelle, The Stranger

Searing realism . . . terribly exact . . . a matter for rejoicing --Lucy Daniel, in The [London] Telegraph

About the Author

Gary Lutz has been published in The Quarterly, Soft Targets, Noon, Columbia, Fence, Post Road, Mid-American Review, Denver Quarterly, and elsewhere. He lives and works in Pennsylvania.

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Product Details

  • Pamphlet: 56 pages
  • Publisher: Future Tense Books (June 19, 2007)
  • Language: English
  • ISBN-10: 1892061317
  • ISBN-13: 978-1892061317
  • Product Dimensions: 6.8 x 5.3 x 1 inches
  • Shipping Weight: 0.8 ounces
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Best Sellers Rank: #2,332,746 in Books (See Top 100 in Books)

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Most Helpful Customer Reviews

10 of 10 people found the following review helpful By Roy Clark on October 4, 2008
Format: Pamphlet Verified Purchase
I can't remember how I came to Gary Lutz's work. Maybe via Barthelme or Wallace or Barth or Nicholson Baker searches. First I read his STORIES IN THE WORST WAY. Several times, actually. Always in awe and envy, the way he makes each sentence amazing and surprising. I think I know some of his writing tricks, but I'm not telling you or anybody. I'm just saying this is another of his envy-inspiring reads.

It's never about what he's writing about, it's always about how. It's never about the binding either. This little PLOPTB pamphlet of off-set 6.5x11" stapled stories can't be flaunted in your bookcase; it tucks between big fat books and gets lost.

As Amazing Amazon isn't offering their Look Inside feature here, here are some sentences which I just skimmed to toss in: Days were not so much finished as effaced/I once had a husband, an unsoaring, incompact man of forty, but I often felt carried away from the marriage/When you are no good at what you do, it does you no good to triumph at whatever you might come home to, either... Lines like that you could sing are everywhere in his work. The make their own tunes. You could even hum them.

Really, I didn't pick out those lines, I just twirled and dropped a finger on random pages. Wish I could write like that. I know that when I return to reread his words they're still fresh, familiar but unrecognizable until actually read. And then only maybe.

If you like how something is written as much or more than what is written, G.Lutz is your writer. (I know I wrote something like that earlier, but he enthuses me.) If only he wrote more. I'd preorder everything. Loan his books to friends or strangers and when they inevitably failed to return them, buy more.

Buy one, you'll buy them all.
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3 of 3 people found the following review helpful By buyer on November 11, 2011
Format: Pamphlet
Although known primarily as a vehicle for poetry, there has been a substantial rise in the number of chapbooks featuring fiction. Foremost among them is Gary Lutz's 56-page collection of seven stories Partial List of People to Bleach (Future Tense Books, $6). Ominous, creepy, and mind-bendingly alert, Lutz lays out each of his perfectly crafted sentences with the sinister exactitude and obsessive care of Beckett's Molloy shuffling stones between his pockets. These musically-torqued, masterful sentences, bedecked with elegant syntax and the glint of a razor-sharp locution, accrue into an equally surprising and angular narrative, creating an explosively original combination--stories as muddy and dark in their exploration of domesticity as they are crystalline and celebratory in their structure and language. If Doctor Benjamin Spock in Baby and Child Care had advocated for something resembling the relationship between Edith and Edie Beale, made famous in the documentary Grey Gardens, one might be close to the familial reality of a Lutz story. Although both implicit and explicit polyamory, cruising, incest, and other situations lacking even nomenclature often form the backdrop for the emotional void and melancholy countenance of Lutz's downtrodden narrators, it is not so much that they explore what some might label deviance as it is that their narrations belie a world where normality is exposed for the exception that it is. Lutz never uses these situations for cheap shock value, since is often unclear if he's writing about sex, some larger metaphysical situation, or both: "There was relief in how quickly we could find the hardness in each other."
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5 of 6 people found the following review helpful By Jim Slanski on November 25, 2007
Format: Pamphlet
Lutz's sentence structures are always surprising and that style drives this brief collection. There's substance here too, but it's really the manner of telling that wins out. At times, it almost doesn't matter what the tales are about, you keep reading to see what unusual (but always precise) construction is coming up next.
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1 of 1 people found the following review helpful By Robert Beveridge HALL OF FAMEVINE VOICE on December 10, 2009
Format: Pamphlet Verified Purchase
Gary Lutz, Partial List of People to Bleach (Future Tense, 2007)

I picked up Lutz's chap Partial List of People to Bleach at, seemingly, exactly the right time; Stories in the Worst Way, his first collection (from all the way back in 1996), just got itself a paperback release from Calamari Press and has been getting mentions in every rag around the globe, it seems. People are rediscovering Gary Lutz, and paging through this slim volume, it's obvious why.

"Another night of roundabout apologizing, and she reached for a shoulder bag, not one of her regular daytime totles. She tipped it all out, fingered everything preservingly where it fell.
The whole business was already looking a little too votive to me.
First the smoot, the flaked razures and other collects, she had abstracted from the gutter between blades of an overemployed disposable shaver. (It had taken, she said, the edge of in index card to reclaim it.)
Then, in a mouth-rinse bottle, a few fluidal ounces of sea-blue slosh from a compress that had been used whenever there were immaculate agonies behind a knee.
And a smutched inch or so of adhesive tape from a homemade bandage, into which pores had confided their oily fluences."
("I Was in Kilter with Him a Little")

It's like Lydia Davis and Tao Lin had some sort of twisted, deformed offspring, except that Lutz is more talented than either of them. My only problem with it is that there's not more of this; I'll be picking up his other collections posthaste. This is well worth checking out, and for the price, how can you go wrong? *** ½
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