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  • The Passion of the Christ (Definitive Edition) [Blu-ray]
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The Passion of the Christ (Definitive Edition) [Blu-ray]


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The Passion of the Christ (Definitive Edition) [Blu-ray] + The Bible: The Epic Miniseries [Blu-ray] + Son of God [Blu-ray]
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Product Details

  • Actors: Jim Caviezel, Monica Bellucci, Maia Morgenstern, Christo Jivkov, Francesco De Vito
  • Directors: Mel Gibson
  • Writers: Mel Gibson, Benedict Fitzgerald
  • Producers: Mel Gibson, Bruce Davey, Enzo Sisti, Stephen McEveety
  • Format: Multiple Formats, Blu-ray, Anamorphic, Color, DTS Surround Sound, Subtitled, Widescreen
  • Language: Hebrew, Aramaic, Latin
  • Subtitles: English, Spanish, Portuguese, Cantonese, Korean, Mandarin Chinese, Tagalog, Thai
  • Dubbed: English
  • Region: Region A/1 (Read more about DVD/Blu-ray formats.)
  • Aspect Ratio: 2.35:1
  • Number of discs: 2
  • Rated: R (Restricted)
  • Studio: 20th Century Fox Home Entertainment
  • DVD Release Date: February 17, 2009
  • Run Time: 126 minutes
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (2,638 customer reviews)
  • ASIN: B001JNNDGA
  • Amazon Best Sellers Rank: #11,409 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "The Passion of the Christ (Definitive Edition) [Blu-ray]" on IMDb

Special Features

Disc 1:
**Menus - Drissi
**Feature Video
**Passion Re-Cut (seamlessly branched)
**Filmmaker Commentary with Mel Gibson, Caleb Deschanel, and John Wright (original cut only)
**Production Commentary withStephen McEveety, Ted Rae and Keith Vanderlaan (original cut only)
**Theologian Commentary with MelGibson, Father William J. Fulco, Gerry Matatics, and Father John Bartunek (original cut only)
**Music Commentary with John Debney (Selected scenes)

Disc 2:
**Menus - Drissi

**BY HIS WOUNDS WE ARE HEALED: MAKING THE PASSION OF THE CHRIST
*Intro & Script Evolution
*Language Barriers
*Finding Jerusalem
*Artistic Inspiration
*The Right Role
*Evil Personified
*Tailoring a perfect fit
*The Director
*Grace in Photography
*Make up and Visual Effects
*The Earthquake
*The Crucifixion
*Jim Surrerning
*Breaking the Tension
*Wrapping Production
*The Cutting Room
*The Score
*Designing the Sound Effects
*Guerilla Marketing
*Spiritual Journey
*"Below the Line" Panel

**THE LEGACY
*Paths of the Journey
*On Language
*Anno Domini
*Crucifixion: Punishment in the Ancient World
*Through the Ages

**DELETED SCENES
*Pilate
*Don't Cry
*Theatrical Trailer

**GALLERIES
*Production Art
*Historical Texts
*Art Images


Editorial Reviews

The Passion of the Christ focuses on the last twelve hours of Jesus of Nazareth's life. The film begins in the Garden of Olives where Jesus has gone to pray after the Last Supper. Jesus must resist the temptations of Satan. Betrayed by Judas Iscariot, Jesus is then arrested and taken within the city walls of Jerusalem where leaders of the Pharisees confront him with accusations of blasphemy and his trial results in a condemnation to death.

Customer Reviews

4.1 out of 5 stars
5 star
1,736
4 star
250
3 star
168
2 star
156
1 star
328
See all 2,638 customer reviews
Jesus is life christ the lovely lord god bless.
Christian soldier
I for one will be honest and say I dont like to go to church, and im really not into anything spirtual, but I HAD to see this movie.
Ryan OC
The experience of this film was a very personal one for me as the viewer.
Carmen

Most Helpful Customer Reviews

412 of 467 people found the following review helpful By John F. Frederick on December 26, 2006
Format: DVD
One of the most talked about films in decades; thought I would add my 2 cents as a late entry.

I think the root controversy about the film has to do with the question of whether or not it has artistic merit for a viewer without faith. I think this is a fair question, as I never really understood the idea that religion offers, so to speak, an excuse for ugly artwork. Arguably there is no such excuse, unless one of the points of religious art is to repel people who don't already share the faith.

The film has been labeled violent, which it is; but unfair here has been the label that it is in some noteworthy sense exceptionally violent. It is not. There are hundreds of films that are far more violent--and graphic. Perhaps this film is even less violent than average, at least of more recent decades. It is perhaps even less violent than the blockbuster version of Gandhi of some years back, billing Candice Bergen and Ben Kingsley, of which the Passion has reminded me somewhat; at any rate they are at least in the same ball park. Rather, the distinctive mark of the Passion is that it invites us to keep the humanity of the victim of violence in full view; not to distance ourselves by, say, feeling contempt or anger towards the victim as a bump-off-able bad guy, or seeing the victim as a replaceable curiosity, a dispensable nitwit. In the Gandhi movie, for example, the majority of the acts of violence are against victims who are more or less, cinematically speaking, dispensable nitwits. All we see Gandhi suffer is being shot at the end--and even that, at the beginning also, setting up a flashback--and a few blows to the head (from which he recovers). In any event, it is easy to name films that are more violent, just not ones that, at the same time, are as personal.
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311 of 361 people found the following review helpful By Chuck Gray on February 24, 2004
When you start the movie you have the hype that has surrounded it. At the end you have the feeling that this individual loved, believed, and gave everything for his beliefs. You understand that the Jews of that society show they were like us today where a few acted as if they were the voice of the many. It is a movie that pulls at the fabric of your understanding of this horrible and painful death allowing you to understand it and what it must have been like.
In summary it is a movie that made me reflect. It made me sad, and based on my beliefs made me proud that this individual cared for me and gave his life to set me free. It was a well done and flowed well from beginning to end. It built on itself the way a great movie should. The editing and story through the lens was exceptional. It was a great technical movie regardless of beliefs.
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209 of 244 people found the following review helpful By Lyndall S. Smith on February 23, 2007
Format: DVD
I purchased this version after I saw it in the store the week it came out. I already owned the original DVD release, but I heard this had lots of special features and the re-cut version. Therefore I purchased this edition. However, I was a bit disappointed.

I really enjoyed the movie in the theater. It tells the story of the last 12 hours of the life of christ. It was very gory and I wouldn't want to show it to children. However, for older people (12 yrs. and up)this does a good job of depicting the trials and tribulations of Christ's crucifiction.

My biggest complaint about this movie was the subtitles. However, if you are familiar with the Biblical story, you can pretty much ignore the dialogue and focus on the picture.

Now for this "Definitive Edition" Special feature wise this is a great edition to have. It has loads of extra features.

My biggest complaint about this edition was that if you are a person like me who sometimes has to take several different times (starting and stopping) to watch a movie in it's entirety, the chapter selections are a wonderful thing. You can stop where you need to and start back just by selecting the scene you were on. However, with the definitive edition the scene selection is done with approximately 10 chapters. The chapters are set up to coincide with the "stations of the cross." Although a good idea if you are Catholic and want to see those stages but for a normal viewer of this movie it was terribly frustrating. The first chapter runs for over an hour. I usually don't have that long to watch so I have to start all over each time and use fast forward to get to where I was. It was just very irritating.
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177 of 207 people found the following review helpful By Barron Laycock HALL OF FAME on February 25, 2004
First of all, let me start this effort by saying how amazed I was by the movie, and by its sheer emotional power. It is superbly shot, the cinematography literally breath-taking in its intensity and ability to add muscular heft to the familiar story of how Jesus came to fulfill the prophecy through his divine sacrifice on behalf of all mankind. The movie-goer is sure to be transformed by the magnitude of the oft-told and retold tale of how the events of the final twelve hours focused on the ways in which Jesus deliberately serves himself up as the sacrificial lamb for the manifest sins of the world, offering all humans the opportunity to re-establish their contact with the divine from whom they had been estranged.
Indeed, I found myself almost speechless after viewing the film, and was not quite sure to what extent it was a result of the power of the film's message as opposed to the graphically violent context in which the tale is told. Herein lies the single criticism one can level against the film, which despite many worries from bystanders that it was laced with virulent anti-Semitism, seems to clearly blame all sinners (ergo, all of us) for the sacrifice of God's son on the cross. Yet Mel Gibson's sure hand is both able and accurate, and the violence shows how carnal man greets the divine, and how we react to the message of hope and salvation; through unspeakable cruelty and gratuitous violence. So, while this is indeed a very violent movie, the murderous acts depicted quite graphically have to be taken in the context of the supernatural events transpiring, as a kind of carnal counterpoint to the ethereal repose with which Jesus bears all of the acts visited upon him.
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