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Passions and Tempers: A History of the Humours Paperback – July 22, 2008

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Product Details

  • Paperback: 400 pages
  • Publisher: Harper Perennial; Reprint edition (July 22, 2008)
  • Language: English
  • ISBN-10: 0060731176
  • ISBN-13: 978-0060731175
  • Product Dimensions: 5.3 x 0.9 x 8 inches
  • Shipping Weight: 11.2 ounces (View shipping rates and policies)
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Best Sellers Rank: #83,892 in Books (See Top 100 in Books)
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Customer Reviews

Most Helpful Customer Reviews

17 of 18 people found the following review helpful By Mark Stevens on July 24, 2007
Format: Hardcover
This is an illuminating, marvelous, and captivating book. As a work of scholarship it recounts in fascinating detail the history of humours, those mysterious forces that, it was believed for more than 2000 years, govern our bodies and minds. In the last century, of course, scientific research has discredited the theory; today, humours are regarded by many as an embarrassing artifact of ignorance and superstition, the equivalent of "the world is flat" or "the sun revolves around the earth." But humoural theory remains nonetheless one of the great achievements of the human imagination, an often beautiful, subtle and complex effort to understand our nature. Arikha has not only written a rich account of humoural medicine before the modern era (the book contains many extraordinary historical prints of the body) she has also brought to life this deep philosophical music. The many great thinkers who applied themselves to humoural theory sought to transcend the alienation from which we all suffer, to harmonize the warring and discordant elements within us and, in a larger sense, to unite mind to body and man to nature. Western culture too often forgets as it corrects; "Passions and Tempers" recovers something essential: the soulfullness of the body. "Even when wrong," Arikha argues, "a theory can help us understand, if not the world, then perhaps ourselves."
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7 of 7 people found the following review helpful By A Reader on September 8, 2007
Format: Hardcover
Arikha has tackled a rich and challenging subject, nothing less than explaining humoural theory, a medical model that dominated the Western and Arabic worlds for thousands of years. This wonderful book lucidly traces the evolution of this complex thinking over time. And she does a great job of showing how the model and its metaphors still influence our language and thinking today. It's a welcome addition to the long bibliography of studies that show how ancient ideas and beliefs still resonate in our time and is a worthy successor to the many similar projects produced by earlier generations of Warburg Intstitute-trained scholars. Read it if you're interested in medical history or in the many ways humans have tried to make sense of the different ways our bodies and our minds experience and perceive the world around us.
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4 of 5 people found the following review helpful By Barry Oringer on August 7, 2007
Format: Hardcover
I am amazed at the riches in this book, a history of our thinking about our mind/body -- the lively, learned writing, the fascinating detail, the accessible explanations of exotic material. It's therapeutically humbling in its rendition of what the author calls "the fragility of our embodied selves;" provocatively humbling too in its sly teasing of our nwarranted confidence that in this scientific age we, unlike our ancestors, are somehow free of superstition.
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14 of 20 people found the following review helpful By Don Paarlberg Jr. on July 17, 2007
Format: Hardcover
Arikha does a good job with a fascinating subject - an intellectual history of the theory and practice of medicine. As she shows, long-authoritative theories of the four humors profoundly influenced people's lives until only very recently. This makes the book worth buying. With such a good subject, though, it's too bad that Arikha did not take the trouble to do a better job. The book is about twice as long as it should be, and we lose track of the forest in her minute, repetitive descriptions of trees. Moreover, Arikha apparently did not consult very many original sources, and instead mainly presents a re-churning of the secondary literature. Had she better mastered the originals, she might more confidently have been able to tell us what it all means.
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