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Passover

The Black AngelsAudio CD
4.5 out of 5 stars  See all reviews (40 customer reviews)


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Amazon Price New from Used from
MP3 Download, 10 Songs, 2006 $8.99  
Audio CD, Import, 2008 $46.80  
Audio CD, 2006 --  
Vinyl, 2006 $24.90  

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
listen  1. Young Men Dead 5:32$0.99 Buy Track
listen  2. The First Vietnamese War 3:30$0.99 Buy Track
listen  3. The Sniper At The Gates Of Heaven 4:16$0.99 Buy Track
listen  4. The Prodigal Sun 4:23$0.99 Buy Track
listen  5. Black Grease 4:32$0.99 Buy Track
listen  6. Manipulation 5:49$0.99 Buy Track
listen  7. Empire 5:35$0.99 Buy Track
listen  8. Better Off Alone 3:03$0.99 Buy Track
listen  9. Bloodhounds On My Trail 3:58$0.99 Buy Track
listen10. Call To Arms18:06Album Only


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Biography

The Black Angels third album, and first release on Blue Horizon, was the highly anticipated Phosphene Dream. Phosphene Dream marks a giant leap forward for the band. Produced and mixed by Dave Sardy (Oasis, Wolfmother, Black Mountain) over a period of six months in Los Angeles, the album shows off both sonically and musically a bold new direction for The Black Angels, a fresh take on the… Read more in Amazon's The Black Angels Store

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Product Details

  • Audio CD (April 11, 2006)
  • Original Release Date: 2006
  • Number of Discs: 1
  • Label: Light In The Attic
  • ASIN: B000EPF76S
  • In-Print Editions: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (40 customer reviews)
  • Amazon Best Sellers Rank: #11,833 in Music (See Top 100 in Music)

Editorial Reviews

Amazon.com

Every now and again a band capable of not just capturing the spirit of a bygone era but portraying it with uncanny authenticity and accuracy arrives, and in an era where music lovers seem increasingly ravenous for psychedelic-inflected rock, Austin's the Black Angels are precisely that act. Following on the heels of their recent Turn On, Tune In, Drone Out EP, the quintet transports listeners to a land of napalm-bright LSD flashbacks with an elegantly unholy sound that proves both eerie and ethereal. "Young Men Dead" and "The Sniper at the Gates of Heaven" walk the line between celebratory dance and grief-filled dirge. These tracks unnerve the conscious mind with unsettling drones and vocals that seem to have emerged from some parallel universe where the struggle, strife, promise, and even the seedy underbelly of the Love Generation lives on in each primal drum beat and louder-than-loud bent note from a guitar that could not have been built anywhere on Earth, but has been drenched with the sweat and blood of a generation on the verge of either victory or collapse. If there is an act in American popular music with a future brighter and vaster than the cosmos, the Black Angels are it. --Jedd Beaudoin

Product Description

Japanese pressing of their 2006 album includes three bonus tracks. Formed in 2004 and hailing from the mescaline-infused outskirts of Austin, Texas, this gang of misfits has been on the road non-stop since their birth, performing at such venues as Sin-e, The Empty Bottle, and Spaceland. This debut full-length from The Black Angels comes down as strong as the 'Day of Judgment' drone of organist Jennifer Raines. 3D. 2008. --This text refers to an alternate Audio CD edition.

 

Customer Reviews

40 Reviews
5 star:
 (25)
4 star:
 (11)
3 star:
 (2)
2 star:
 (1)
1 star:
 (1)
 
 
 
 
 
Average Customer Review
4.5 out of 5 stars (40 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

14 of 15 people found the following review helpful:
5.0 out of 5 stars Mesmerizing, August 21, 2007
Amazon Verified Purchase(What's this?)
This review is from: Passover (Audio CD)
Passover is just a phenomenal debut (full length) record for The Black Angels. I have not heard any contemporary record that so strongly fits the 60's psychedelic rock vibe. That said, I do not intend it as a compliment or complaint, just a statement of fact. I am neither a product of the 60's, nor do I care a great deal for its music. That said, this recording sounds to me like it was transplanted from that era - in tone at least. Something must set it apart, however, because if it were straight up 60's, as I said, I probably would not like it.

The rhythms are "hard" (not fast); driving and pulsing. The sound is mesmerizing, hypnotic. There is a drone to the music and an equally effective drone to the vocals in many instances. The lead vocalist is a great compliment to the music. Great guitar licks that supplement the rhythm are sprinkled throughout. There is occasional dissonance and distortion.

The music is blues-infected; the lyrics are plaintive, politically informed, and socially conscious. Perhaps they sound like a throwback to the 60's in part because a common subject is war (they obviously reference Vietnam and Iraq). There is a depth of symbolism in some songs and a more overt meaning in others. And despite the fact they can best be categorized as psychedelic, there is a lot more going on. The final listed track hints at U2's Bad and the hidden track is mostly folksy acoustic. This is a very talented group.

It's just a very solid recording. Dim the lights, turn it up, and let the music wash over you. This group and particularly this recording are tremendous finds.
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14 of 16 people found the following review helpful:
5.0 out of 5 stars perhaps the greatest debut album since pearl jam's ten or nirvana's bleach, April 17, 2006
By 
This review is from: Passover (Audio CD)
i know, a bold statement. but this album is amazing. the black angels call their music "native american drone 'n' roll." it's actually a pretty fitting description. as some newspaper columnists have noted, their music seems to be creedence clearwater revival meets the doors meets the texas chainsaw massacre. the music is dark, brooding, and deceptively monotonous. their sound is quite original and brings together a lot of different instruments, including the mysterious drone machine, harmonica, slide guitar, and even a bit of violin on the final track.

another thing of note about this album is the relevancy of the lyrics. while most of their songs deal with death, destruction and other apocalyptic themes, they also apply these images to contemporary problems, most specifically the iraq war. in fact, there is a hidden track (and i am usually opposed to this type of hijinks) at the end of the album, which is an acoustic song about a guy who goes to fight in iraq and never comes home. along the same lines, the first vietnamese war is a powerful song (although about the vietnam war, i believe the band is asserting the connection between the two, futile war efforts) and empire addresses some of the issues behind the iraq war.

overall, the music is a trip. fusing together the darker moments of the velvet underground (think heroin, femme fatale, etc.), the satanic themes of early blues music (ie. the myth that robert johnson sold his soul to the devil for his guitar skills) and their own sense of apocalyptic urgency, the black angels have crafted a modern masterpiece.
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10 of 11 people found the following review helpful:
5.0 out of 5 stars Pale blue was the color of the skin, January 25, 2007
This review is from: Passover (Audio CD)
If Jim Morrison had ever gotten depressed and started a pyschedelic hard-rock/blues band, then the result might sound something like Black Angels.

And this fledgling Austin band introduced their fuzzy-rock, blues-toned rock in their first full-length album, "Passover." It takes a little while to fully sink in, like the effects of a good wine -- but when it does, this haunting rock music is intoxicating.

It opens with a bluesy guitar playing, only to burst into a hypnotically fuzzy melody, full of drums and bass. "We'll fly for the hills/pick up your feet, let's go/we'll head for the hills/pick up steel on your way," Alex Maas intones in his rough, compelling voice. "Fire for the hills, pick up speed, and lets go..."

It continues with the slow-burning, mellotron-edged "The First Vietnamese War," a dark rocker that slowly pulls listeners deeper into its orbit. With the songs that follow, the Black Angels plunge into taut blues-rock, ghostly hard-rock, fuzzy bass melodies, cycling electric guitars, supernatural dirges, and even a plaintive song about "he's fighting in the Iraq war/what for?"

The Black Angels aren't really typical psychedelica, hard rock or blues. Instead, they pursue a ghostly, shamanic sound that is sort of a mad, sizzly mishmash of all of the above. It's like the Velvet Underground, Clinic, the Doors and Syd Barrett all returned to jam together in the desert.

Droning and cycling guitars and the fuzzy bass are the most prominent instruments here, locked into kinetic riffs and Ouroborous loops, and twisted up in some very solid drums. The effect is hypnotic. The psychedelic, slightly softer edge comes from some very subtle organ and keyboard, but not in a terribly prominent way.

Maas has the perfect voice for this hard, complex music -- he wails, growls, and murmurs seductively. He sounds like a weathebeaten, rough-voiced shaman who is telling us his visions. And grim visions they are -- war, love, anguish and pain. "You're just so kind/The eagle with red wine/You made me see that bright eye/Between me and time..."

The Black Angels are one of those bands that aren't as well-known as they deserve to be -- brilliant fusion of rock, blues and psychedelic anguish. Absolutely stunning.
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SoundUnwound - the personal music encyclopedia

The Black Angels' album Passover was engineered by Dave Cooley.
Stephanie Bailey, Christian Bland, Kyle Hunt, Alex Maas, Jennifer Raines and one other artist have been a member of The Black Angels.

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