Passover

The Black Angels | Format: MP3 Download

Product Details

• Original Release Date: April 11, 2006
• Label: Light In The Attic
• Copyright: 2006 Light In The Attic Records & Productions
• Total Length: 58:43
• Genres: Alternative Rock/Indie & Lo-Fi, Classic Rock/Psychedelic Rock
• ASIN: B000QQTVGM
• Average Customer Review: 4.5 out of 5 stars  See all reviews (40 customer reviews)
• Amazon Best Sellers Rank: #4,355 Paid in MP3 Albums (See Top 100 Paid in MP3 Albums)
  • #6 in MP3 Downloads > MP3 Albums > Classic Rock > Psychedelic Rock
  • #69 in MP3 Downloads > MP3 Albums > Alternative Rock > Indie & Lo-Fi

Customer Reviews

Most Helpful Customer Reviews

14 of 15 people found the following review helpful:

5.0 out of 5 stars Mesmerizing, August 21, 2007

By 

K. Sullivan "No accounting for taste..." (Virginia - United States) - See all my reviews
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This review is from: Passover (Audio CD)

Passover is just a phenomenal debut (full length) record for The Black Angels. I have not heard any contemporary record that so strongly fits the 60's psychedelic rock vibe. That said, I do not intend it as a compliment or complaint, just a statement of fact. I am neither a product of the 60's, nor do I care a great deal for its music. That said, this recording sounds to me like it was transplanted from that era - in tone at least. Something must set it apart, however, because if it were straight up 60's, as I said, I probably would not like it.

The rhythms are "hard" (not fast); driving and pulsing. The sound is mesmerizing, hypnotic. There is a drone to the music and an equally effective drone to the vocals in many instances. The lead vocalist is a great compliment to the music. Great guitar licks that supplement the rhythm are sprinkled throughout. There is occasional dissonance and distortion.

The music is blues-infected; the lyrics are plaintive, politically informed, and socially conscious. Perhaps they sound like a throwback to the 60's in part because a common subject is war (they obviously reference Vietnam and Iraq). There is a depth of symbolism in some songs and a more overt meaning in others. And despite the fact they can best be categorized as psychedelic, there is a lot more going on. The final listed track hints at U2's Bad and the hidden track is mostly folksy acoustic. This is a very talented group.

It's just a very solid recording. Dim the lights, turn it up, and let the music wash over you. This group and particularly this recording are tremendous finds.

15 of 17 people found the following review helpful:

5.0 out of 5 stars perhaps the greatest debut album since pearl jam's ten or nirvana's bleach, April 17, 2006

By 

music obsessor (Seattle, WA USA) - See all my reviews

This review is from: Passover (Audio CD)

i know, a bold statement. but this album is amazing. the black angels call their music "native american drone 'n' roll." it's actually a pretty fitting description. as some newspaper columnists have noted, their music seems to be creedence clearwater revival meets the doors meets the texas chainsaw massacre. the music is dark, brooding, and deceptively monotonous. their sound is quite original and brings together a lot of different instruments, including the mysterious drone machine, harmonica, slide guitar, and even a bit of violin on the final track.

another thing of note about this album is the relevancy of the lyrics. while most of their songs deal with death, destruction and other apocalyptic themes, they also apply these images to contemporary problems, most specifically the iraq war. in fact, there is a hidden track (and i am usually opposed to this type of hijinks) at the end of the album, which is an acoustic song about a guy who goes to fight in iraq and never comes home. along the same lines, the first vietnamese war is a powerful song (although about the vietnam war, i believe the band is asserting the connection between the two, futile war efforts) and empire addresses some of the issues behind the iraq war.

overall, the music is a trip. fusing together the darker moments of the velvet underground (think heroin, femme fatale, etc.), the satanic themes of early blues music (ie. the myth that robert johnson sold his soul to the devil for his guitar skills) and their own sense of apocalyptic urgency, the black angels have crafted a modern masterpiece.

11 of 12 people found the following review helpful:

5.0 out of 5 stars Pale blue was the color of the skin, January 25, 2007

By 

E. A Solinas "ea_solinas" (MD USA) - See all my reviews
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This review is from: Passover (Audio CD)

If Jim Morrison had ever gotten depressed and started a pyschedelic hard-rock/blues band, then the result might sound something like Black Angels.

And this fledgling Austin band introduced their fuzzy-rock, blues-toned rock in their first full-length album, "Passover." It takes a little while to fully sink in, like the effects of a good wine -- but when it does, this haunting rock music is intoxicating.

It opens with a bluesy guitar playing, only to burst into a hypnotically fuzzy melody, full of drums and bass. "We'll fly for the hills/pick up your feet, let's go/we'll head for the hills/pick up steel on your way," Alex Maas intones in his rough, compelling voice. "Fire for the hills, pick up speed, and lets go..."

It continues with the slow-burning, mellotron-edged "The First Vietnamese War," a dark rocker that slowly pulls listeners deeper into its orbit. With the songs that follow, the Black Angels plunge into taut blues-rock, ghostly hard-rock, fuzzy bass melodies, cycling electric guitars, supernatural dirges, and even a plaintive song about "he's fighting in the Iraq war/what for?"

The Black Angels aren't really typical psychedelica, hard rock or blues. Instead, they pursue a ghostly, shamanic sound that is sort of a mad, sizzly mishmash of all of the above. It's like the Velvet Underground, Clinic, the Doors and Syd Barrett all returned to jam together in the desert.

Droning and cycling guitars and the fuzzy bass are the most prominent instruments here, locked into kinetic riffs and Ouroborous loops, and twisted up in some very solid drums. The effect is hypnotic. The psychedelic, slightly softer edge comes from some very subtle organ and keyboard, but not in a terribly prominent way.

Maas has the perfect voice for this hard, complex music -- he wails, growls, and murmurs seductively. He sounds like a weathebeaten, rough-voiced shaman who is telling us his visions. And grim visions they are -- war, love, anguish and pain. "You're just so kind/The eagle with red wine/You made me see that bright eye/Between me and time..."

The Black Angels are one of those bands that aren't as well-known as they deserve to be -- brilliant fusion of rock, blues and psychedelic anguish. Absolutely stunning.