An exhaustive examination of the history, form, and meaning of Jewish musical traditions, with enough general historical background to place the music in solid context. The author has effectively marshalled her vast subject matter with a topical and chronological approach. This book will be appreciated and useful to laymen as well as students, academicians, and professional musicians. 6 inch. x 9 inch..
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“...all of the essays are concise and well written and, highly accessible. A broad spectrum of readers will find this work useful.”–Choice
“This work fulfills overwhelmingly the promise of its title, being an exhaustive examination of the history, form and meaning of Jewish musical traditions. Passport to Jewish Music takes the reader beyond the potentially pedantic historical delineation to a wealth of information on "tradition and history, liturgy, and folklore, custom and artistry." For that reason it stands as a potential reference work not only in music, but in ethnography, religion, and biography as well. Highly recommended for academic libraries, for collections of music, religion and Jewish studies.”–Notes
“Irene Heskes, the seemingly indefatigable bibliographer and promoter of Jewish music study, provides a sampling of the fruits of "several decades of dedicated study and scholarly labors in the field of Jewish music,"(p.ix). The volume contains a collection of newly compiled essays and preexistent lectures, chapters, journal articles, book reviews, and prefaces, arranged systematically to cover the diverse terrain of Jewish music. .../For the newcomer to Jewish music scholarship(to whom these writings seem mainly directed),the volume is particularly useful for its brief biographies and assessments of those who are fundamental to the field.”– Music Reference Services Quarterly
--This text refers to the
Hardcover
edition.
“This work fulfills overwhelmingly the promise of its title, being an exhaustive examination of the history, form and meaning of Jewish musical traditions. Passport to Jewish Music takes the reader beyond the potentially pedantic historical delineation to a wealth of information on "tradition and history, liturgy, and folklore, custom and artistry." For that reason it stands as a potential reference work not only in music, but in ethnography, religion, and biography as well. Highly recommended for academic libraries, for collections of music, religion and Jewish studies.”–
“Irene Heskes, the seemingly indefatigable bibliographer and promoter of Jewish music study, provides a sampling of the fruits of "several decades of dedicated study and scholarly labors in the field of Jewish music,"(p.ix). The volume contains a collection of newly compiled essays and preexistent lectures, chapters, journal articles, book reviews, and prefaces, arranged systematically to cover the diverse terrain of Jewish music. .../For the newcomer to Jewish music scholarship(to whom these writings seem mainly directed),the volume is particularly useful for its brief biographies and assessments of those who are fundamental to the field.”–
About the Author
IRENE HESKES is a music historian who specializes in Jewish music.
--This text refers to the
Hardcover
edition.
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8 of 10 people found the following review helpful:
4.0 out of 5 stars
Interesting but ...,
By Wild Rose (in front of the computer) - See all my reviews
This review is from: Passport to Jewish Music (Ethnic and Immigration History Series) (Paperback)
The title Passport to Jewish Music is, in my opinion, a misnomer. Or perhaps I didn't understand the author's meaning when I ordered the book. As well as historical material, most of which shows how American cantorial music was affected, there is quite a lot that is bibliographic such as sections devoted to Abraham Z. Idelsohn & Gershon Ephros (cantors and researchers), Leonard Bernstein, Berlin, Gershwin, Ernest Bloch and Offenbach to name a few. The writing is often interesting but the main reason I have not given more stars is because this is the only book I have read on music without a single written note. For example statements such as: "The cultural legacy of Judeo-Spanish folk song has best preserved the history of Iberian-Judaism. That music was created and appreciated during the old "golden" times, where it has been preserved and cherished. Those distinctive melodies and Ladino poetics echo with old Castilian, Aragonese, Catalonian, and Andalusian tunes and folklore. Scholars of Spanish history study them for information about the culture of Old Spain." While there is a reference to a possible source to see the actual music, I would very much have liked to have seen at least a small sample.
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Inside This Book
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First Sentence:
The Book of Koheleth (Ecclesiastes) concludes with the admonition: "Of making many books there is no end, and much study is a weariness of the flesh." Read the first page Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, United States, Arnold Schoenberg, World War, Tel Aviv, Eric Werner, Ernest Bloch, Hebrew Union College, Gershon Ephros, Leonard Bernstein, Hebrew University, Darius Milhaud, Abraham Goldfaden, Bloch Publishing, State of Israel, American Jewish, Eduard Birnbaum, High Holy Days, Sephardic Jews, Temple Emanu-El, Kurt Weill, Abraham Zvi Idelsohn, Irene Heskes, Los Angeles, Salomone Rossi New!
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Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
The Book of Koheleth (Ecclesiastes) concludes with the admonition: "Of making many books there is no end, and much study is a weariness of the flesh." Read the first page Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, United States, Arnold Schoenberg, World War, Tel Aviv, Eric Werner, Ernest Bloch, Hebrew Union College, Gershon Ephros, Leonard Bernstein, Hebrew University, Darius Milhaud, Abraham Goldfaden, Bloch Publishing, State of Israel, American Jewish, Eduard Birnbaum, High Holy Days, Sephardic Jews, Temple Emanu-El, Kurt Weill, Abraham Zvi Idelsohn, Irene Heskes, Los Angeles, Salomone Rossi New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
Citations (learn more)
This book cites 100
books:
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11
books
cite this book:
See all 11 books citing this book
- Jewish Music by Abraham Z. Idelsohn on 25 pages
- Sacred Bridge: Interdependence of Liturgy and Music in Synagogue and Church During the First Millennium by Eric Werner on 5 pages
- A Voice Still Heard: The Sacred Songs of the Ashkenazic Jews by Eric Werner on 4 pages
- Jews in the Renaissance by Cecil Roth on page 86, page 263, and page 333
- Studies in Jewish Music: Collected Writings of A.W. Binder by Abraham Wolf Binder on page 23, page 224, and Back Matter
See all 100 books this book cites
- Passport to Jewish Music: Its History, Traditions, and Culture (Contributions to the Study of Music and Dance) by Irene Heskes in Front Matter, and page 334
- Jazz Age Jews by Michael Alexander in Back Matter (1), and Back Matter (2)
- Discovering Jewish Music with CD (Audio) by Marsha Bryan Edelman in Back Matter (1), and Back Matter (2)
- Music of the Repressed Russian Avant-Garde, 1900-1929: (Contributions to the Study of Music and Dance) by Larry Sitsky in Back Matter
- Come, Let Us Be Joyful!: The Story of Hava Nagila by Rosalind C. Kaye (Illustrator) Fran Manushkin in Back Matter
See all 11 books citing this book
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