Amazon.com Review
Albert French's two previous novels
Billy and
Holly have both received widespread critical acclaim, and French has been hailed as "one of America's most important new novelists." But French's first literary opus was not originally received with such praise, it was rejected by publishers and never before in print. This first book was a memoir of his experience as a soldier in Vietnam, and while it did not result in literary success, it led up to it. Writing his story proved to be a transformative experience for French, unleashing his creative abilities and resulting in a successful pair of novels that he wrote in short order and to great acclaim. In
Patches of Fire, French has rewritten his original personal narrative, including the interesting story of how he began to write and the redemptive role writing played in overcoming the despair that threatened to overwhelm his life after Vietnam. The book falls into two parts: the first, the unsentimental story of an infantryman in the jungles of Vietnam; the second, a moving description of how this Vietnam veteran pulled his life together and found his voice and creative impulse. The writing is expert and the book, excellent.
--This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
French is the author of two well-received novels (Billy; Holly) concerning the African American experience in the South during the 1930s and '40s. In this equally fine memoir, he traces his own transition from Vietnam marine to publisher of a magazine that failed to successful author. The book follows the pattern established after WWI by Siegfried Sassoon and Robert Graves in seeking to tell "a story of war" as a literary construction. Like his predecessors, French employs a spare, almost understated style?a welcome relief from Vietnam narratives that too often seek to make their points by piling on the adjectives. French joined the Marines before the U.S. deployment began. He was seriously wounded as a corporal commanding a machine-gun squad. His post-traumatic stress was not that of a victim, however, but of a leader who felt he had somehow failed by surviving when his men were killed. It surfaced in a context not of race but of economics; it was the collapse of the magazine, Pittsburgh Premier, that brought French's Vietnam demons to the surface?both in their own right and as a focal point for his life as a black man in white America. His account of coming to terms with the war and of his successful turn to writing, first as therapy and then as profession, suggests Graves's Good-Bye to All That. It also brings new perspective to a war generally depicted as a thing in itself, with no afterword beyond trauma. French may have been defined by Vietnam, but he is not "still in Saigon."
Copyright 1996 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.