Patricia Petibon ~ French baroque arias (Rameau, Lully, Charpentier, Grandval) / Les Folies Françoises, Cohen-Akenin [Import]

Jean-Philippe Rameau (Composer), Marc-Antoine Charpentier (Composer), Jean-Baptiste Lully (Composer), Nicolas Racot de Grandval (Composer), Patrick Cohen-Akenine (Conductor), Les Folies Françoises (Orchestra), Patricia Petibon (Performer), Beatrice Martin (Performer), Massimo Moscardo (Performer), Patrick Beaugiraud (Performer) | Format: Audio CD

Product Details

• Performer: Patricia Petibon, Beatrice Martin, Massimo Moscardo, Patrick Beaugiraud
• Orchestra: Les Folies Françoises
• Conductor: Patrick Cohen-Akenine
• Composer: Jean-Philippe Rameau, Marc-Antoine Charpentier, Jean-Baptiste Lully, Nicolas Racot de Grandval
• Audio CD (February 12, 2002)
• SPARS Code: DDD
• Number of Discs: 1
• Format: Import
• Label: Virgin France
• ASIN: B00005IA1U
• In-Print Editions: MP3 Download
• Average Customer Review: 5.0 out of 5 stars  See all reviews (9 customer reviews)
• Amazon Best Sellers Rank: #7,400 in Music (See Top 100 in Music)
  • #8 in Music > Classical > Ballets & Dances > Baroque Dance Suites
  • #16 in Music > Classical > Opera & Vocal > Arias > General AAS
  • #22 in Music > Classical > Ballets & Dances > Ballets

Customer Reviews

Most Helpful Customer Reviews

15 of 15 people found the following review helpful:

5.0 out of 5 stars Delicious singing, gorgeous music... this is a must-have., April 29, 2004

By 

Ingrid Heyn "No man is an Iland, intire of it... (Melbourne, Australia) - See all my reviews

This review is from: Patricia Petibon ~ French baroque arias (Rameau, Lully, Charpentier, Grandval) / Les Folies Françoises, Cohen-Akenin (Audio CD)

Fine champagne fizzing from a French goblet... exquisite use of flirtation's fan behind cocquettish eyes... bitter-sweet laments and sighs over love and life... all with unmistakable French style and elegance. This is how Patricia Petibon has conveyed her performances of these fine baroque French arias.

As a fellow soprano specialising both in early music and other later classical vocal styles, I am extremely fastidious in my likes and dislikes when it comes to singers. When, therefore, I find a singer whose voice, intelligence and musicality produce ravishing quality like this, I am in alt...

In contrast to some of the comments here, I do not find Ms Petibon's voice shrill or white (except when she uses it so deliberately in order to create a particular emotional or stylistic effect). On the contrary, it is of a crystalline purity which she is able to tinge with warmer colours when necessary. I was hugely impressed by this recording, a worthy follow-up to the unbelievably beautiful recording of the Couperin Leçons de tènèbres which was sung by Petibon and Sophie Daneman.

What a sense of fun Patricia Petibon has! It's marvellous to hear baroque music performed with such stylish humour and grace, instead of the tediously uninterpreted choir-boy style which is considered by some to be the "correct" way of singing this type of aria. I listened with particular closeness to the arias from "Armide", which I had just performed myself - and was enchanted by Petibon's singing of them. Even though her voice is light in colour, she is perfectly adept at conveying vengeful hatred, despairing love, and a right royal snarling bad humour!

The accompanying instruments are taut, graceful, and beautifully recorded. The result is a treat to hear.

This CD is most highly recommended by me - and believe me, sopranos are tough critics of each other...!

13 of 13 people found the following review helpful:

5.0 out of 5 stars Perfect!, November 18, 2003

By 

M. Figg (USA) - See all my reviews

This review is from: Patricia Petibon ~ French baroque arias (Rameau, Lully, Charpentier, Grandval) / Les Folies Françoises, Cohen-Akenin (Audio CD)

This was one of the first opera aria recital CD's that I've ever purchased, and it got me hooked on Baroque opera, French or otherwise. I picked up this record originally because I found the singer very attractive; not the deepest reason, but the MUSIC turned out to be immnesely enjoyable, even if they would've put artwork or a photo of an opera-house on the cover.

To begin with, Petibon's voice is beautiful. As the other reviewer(s) put it, it is a cool, vibrato-less voice that might SEEM shrill, but her voice is never unpleasant. In fast or slow pieces, she is always a pleasure to listen to. Besides the sheer beauty of timbre of her voice, her musicanship is incredible: her interpretations are always appropriate, coloring the piece with humor, excitment, sex appeal (especially the Armida piece), anger, you-name-it. Technically she is very impressive, and handles the disc's runs, cascades, top-notes, etc. very well. (This disc is by no means a firweworks display though).

The orchestra plays with the same degree of musicianship, technicality and beauty. In some of the Rameaus pieces (especially the march), the instrumental textures really show off the great harmonies and voicings that Rameau is famous for; this disc is a great introduction to the composer's music, I wish she recorded Rameau more often.

Finally, the music itself is unique, interesting and entertaining all at the same time. The 2 two excerpts from Lully are not conventional arias, but they display how well the composer was able to blend drama into music. His music is both at the same time, and it soudns cliched but you have to hear it to treally understand it. The piece from Charpentier from "David and Jonathan" is stirring, and shows off what a talented singer and skilled orchestra can do with good music: it is musical, stirring, anguished and not something you will (probably) ever hear at the Met.
A wordy review, but this is one of my favorite records, one that I think everyone who has an intrest in the Baroque period should listen to. If you''re looking for an introduction to this very unique corner of classical music, try this CD.

4 of 4 people found the following review helpful:

5.0 out of 5 stars Affect and early music performance, April 23, 2003

By 

R. Duren - See all my reviews
(REAL NAME)   

This review is from: Patricia Petibon ~ French baroque arias (Rameau, Lully, Charpentier, Grandval) / Les Folies Françoises, Cohen-Akenin (Audio CD)

Patricia Petibon's performance on this recording seems wholly appropriate for the Baroque era repertoire she is singing. Early music performance in general stresses that the musician clearly present the affect of the piece. This, Petibon does. She is not afraid to sound thin, shrill or even ever so slightly out of tune. These artistic allowances, I'm sure are all intended and allow for word painting. She has a versatile style, sounding warm and serene, cold and sharp, and even overly-dramatic and funny.
In the small company of early music performers who strive to be authentic as possible, she is welcome.