Paul Bowles: Collected Stories and Later Writings (Library of America) [Hardcover]

Paul Bowles (Author)

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From Library Journal

Though mostly associated with Tangiers, Bowles was born in Queens, NY, so his works qualify for inclusion in the Library of America. The publisher claims these are the first annotated editions of Bowles's works available. Along with the novels volume, Stories includes "The Delicate Prey," "A Hundred Camels in the Courtyard," "The Time of Friendship," "Things Gone and Things Still Here," "Their Heads Are Green and Their Hands Are Blue," among many others.
Copyright 2002 Reed Business Information, Inc.

Product Details

• Hardcover: 1050 pages
• Publisher: Library of America (August 22, 2002)
• Language: English
• ISBN-10: 1931082200
• ISBN-13: 978-1931082204
• Product Dimensions: 8.1 x 5.3 x 1.3 inches
• Shipping Weight: 1.5 pounds (View shipping rates and policies)
• Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
• Amazon Best Sellers Rank: #308,733 in Books (See Top 100 in Books)

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30 of 32 people found the following review helpful:

5.0 out of 5 stars The Master of Lucid Insanity and Polished Miscommunication, March 3, 2005

By 

David Kleist - See all my reviews
(REAL NAME)   

This review is from: Paul Bowles: Collected Stories and Later Writings (Library of America) (Hardcover)

Like H.P. Lovecraft, Paul Bowles was an early admirer of Edgar Allen Poe's work. His collected short works (67 stories and essays, and one stunning short novel) is a treasurehouse of polished gems of a most peculiar variety. Bowles' specialty is in leaving the reader disconcerted, uncomfortable--even annoyed and sometimes horrified. His prose is lapidary--effortless, clear, and dangerous in the extreme. His psychological realism focuses on the darker sides of humanity--the ignorant, the misguided, the superstitious, the incomprehending, and the insane. His stories often seem to end without resolution. However, "seem" is the key word: Bowles clearly revels in the creation of states of ill ease in his readers. One might deem him H.P. Lovecraft on Prozak: restrained, controlled, but nevertheless a master of horror. Bowles' horror is all the more powerful for being so eloquent and dispassionate.

By far the best work of this volume, and probably of Bowles' entire corpus, is the concluding short novel UP ABOVE THE WORLD. It's devastating. Nightmarish, even fiendish in its narrative technique, I'm surprised that Hollywood never has attempted a version. Its vision has been called, not inappropriately, nihilistic: the bad guys here quite clearly win. Nevertheless, it bears witness to a darkness that sincerely pervades our modern world, doubtlessly more than we would care to acknowledge.

Bowles specializes in exploring the minds of characters who don't comprehend their environments, whether social or physical. As readers, we ourselves beccome trapped by the limitations of these often pathetic, sometimes horrendous denizens of the global village. He's especially good at entering the minds of non-Western characters. I should think our forces in Iraq would do well to be intimate with Bowles' astute psychological voyages.

Bowles never will be for everyone. He's too intelligent, too polished, and too dark. I view him as a kind of vaccine against complacency in these current times of overwhelming anomie.