Paul Cezanne (Library of Great Painters) (Hardcover)

~ (Author)

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Product Description

Beautiful color reproductions and their analysis trace the evolving style of this creative French painter. --This text refers to an out of print or unavailable edition of this title.

Product Details

• Hardcover: 132 pages
• Publisher: Harry N Abrams; 2nd edition (June 1952)
• Language: English
• ISBN-10: 0810900521
• ISBN-13: 978-0810900523
• Product Dimensions: 12.6 x 10.5 x 0.6 inches
• Shipping Weight: 1.8 pounds
• Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
• Amazon.com Sales Rank: #2,412,335 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

91 of 95 people found the following review helpful:

5.0 out of 5 stars Learning to Look, December 7, 1999

By	Lionel J Plummer "plumlion" (Houston, Texas) - See all my reviews

This review is from: Cezanne (Masters of Art Series) (Hardcover)

As an art student Paul Cezanne became the paragon upon which I measured all other subsequent painters. The writer that taught me to see him as the North Star in that vast, swirling sky of artists was Meyer Schapiro. Having read the above book literally a dozen or more times I have found that it is an inexhaustible treasure. Mr. Schapiro's insights are both scholarly and poetic. He above all seems to understand that Cezanne, while instrumental as a precursor to cubism, was first and foremost a great individual artist. Going to the Cezanne retrospective in Philadelphia several years ago I remember the first thing that came to my mind was how right Mr. Schapiro had been to avoid all the fussy and downright foolish connections that other critics are constantly making between Cezanne and modern art. What Mr. Schapiro concentrates on rather is Cézannes paintings and not his influence - this is most refreshing. He above all others I have read seems to have an uncanny understanding of Cezanne as both a man and an artist. He writes that Cézanne's; "...detached contemplation of his subjects arises from a passionate aspiring nature that seeks to master its own impulses through an objective attitude to things." I can only think that this must be true of Mr. Schapiro also. Each sentence is laid down with the care that Cezanne put into laying down each stroke of paint and as such his writing possesses a gravity that I have never found in another critic's work with the exception of Roger Fry. The beginning of the book provides a comprehensive overview of Cézanne's work and a brief outline of his life but the final 3/4 quarters of the book is structured as follows: superb color reproduction on the right hand page and a few paragraphs of commentary on the left page. These enables one to simply open it at any given time, find a desirable painting and read the commentary directly next to it. Structure in this way, the book became for me a source to meditate upon the good in art when I was surrounded by the confusion of trying to find myself among other young artists. Not being a scholar I found this book to be accessible and enriching. Mr. Schapiro writes with such sincere warmth and wisdom that when I heard of his death a few years ago I was saddened as if I had lost a friend and mentor. I hope this wonderful book brings as much joy and inspiration to you as it has for me.