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Peanuts for Everybody Mass Market Paperback – 1964


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Mass Market Paperback
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Mass Market Paperback, 1964
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Editorial Reviews

From School Library Journal

Gr 5-7-Georges is named after Georges Seurat, the noted impressionist, and that extra "s" in his name is doing him no favors. Nicknamed "gorgeous" and "gorges," life in middle school is less than fun. The seventh grader has a lot on his plate: no real friends at school and his family is moving from their home to an apartment because his dad lost his job. Mom is working extra shifts at the hospital to make ends meet so she and Georges are like ships passing in the night. At least, that's what we are led to believe in the beginning. The new apartment holds promise when he meets the quirky family upstairs whose wacky home-schooled kids include him in their spy club and dog walking concerns. Safer, the spymaster, brings Georges out of himself and gives him confidence. In turn, Georges helps Safer start to face his fears and the boys begin to change in ways they never thought possible. Jesse Bernstein voices the different characters well and provides the tonal ups and downs the story demands. However, there is one mispronunciation that mars the otherwise strong performance. All the "str" blends, like street and struggle, are consistently turned into "shtr," like shtreet and shtruggle, which is very disconcerting. A more meticulous reading would have served the story better. That said, the audio version of Stead's story (Wendy Lamb Bks., 2012) would be a great addition to middle-school libraries.-Joan Kindig, James Madison University, Harrisonburg, VAα(c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. --This text refers to the Audio CD edition.

More About the Author

Charles M. Schulz was born November 25, 1922 in Minneapolis. His destiny was foreshadowed when an uncle gave him, at the age of two days, the nickname Sparky (after the racehorse Spark Plug in the newspaper strip Barney Google).

In his senior year in high school, his mother noticed an ad in a local newspaper for a correspondence school, Federal Schools (later called Art Instruction Schools). Schulz passed the talent test, completed the course and began trying, unsuccessfully, to sell gag cartoons to magazines. (His first published drawing was of his dog, Spike, and appeared in a 1937 Ripley's Believe It Or Not! installment.) Between 1948 and 1950, he succeeded in selling 17 cartoons to the Saturday Evening Post--as well as, to the local St. Paul Pioneer Press, a weekly comic feature called Li'l Folks. It was run in the women's section and paid $10 a week. After writing and drawing the feature for two years, Schulz asked for a better location in the paper or for daily exposure, as well as a raise. When he was turned down on all three counts, he quit.

He started submitting strips to the newspaper syndicates. In the spring of 1950, he received a letter from the United Feature Syndicate, announcing their interest in his submission, Li'l Folks. Schulz boarded a train in June for New York City; more interested in doing a strip than a panel, he also brought along the first installments of what would become Peanuts--and that was what sold. (The title, which Schulz loathed to his dying day, was imposed by the syndicate). The first Peanuts daily appeared October 2, 1950; the first Sunday, January 6, 1952.

Diagnosed with cancer, Schulz retired from Peanuts at the end of 1999. He died on February 13, 2000, the day before Valentine's Day--and the day before his last strip was published--having completed 17,897 daily and Sunday strips, each and every one fully written, drawn, and lettered entirely by his own hand--an unmatched achievement in comics.

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