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Pearl Import


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Audio CD, Import, August 4, 2009
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$17.74
$6.92 $5.94

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Frequently Bought Together

Pearl + Apollo: Atmosphere & Soundtracks + Ambient 2: Plateaux of Mirror
Price for all three: $40.10

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Product Details

  • Audio CD (August 4, 2009)
  • Number of Discs: 1
  • Format: Import
  • Label: 101 DISTRIBUTION
  • ASIN: B002FWYKZC
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (54 customer reviews)
  • Amazon Best Sellers Rank: #115,918 in Music (See Top 100 in Music)

1. Late October
2. A Stream With Bright Fish
3. The Silver Ball
4. Against The Sky
5. Lost In The Humming Air
6. Dark Eyed Sister
7. Their Memories
8. The Pearl
9. Foreshadowed
10. An Echo Of Night
11. Still Return

Editorial Reviews

UK reissue of this digitally remastered edition of Harold Budd's 1984 collaboration with Brian Eno. 11 tracks. Virgin. 2009.

Customer Reviews

4.8 out of 5 stars
5 star
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4 star
7
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See all 54 customer reviews
This album avoids all of the cliches of cheap New Age music.
Ingalls
Even more than "Music for Airports" and "Plateaux of Mirror", this album is the definitive collaboration album from the Budd & Eno archives.
Brad Torgersen
It's great for meditation, yoga, chi gung, or just relaxing with my cat.
GREG WALLACE

Most Helpful Customer Reviews

49 of 50 people found the following review helpful By Ingalls on March 21, 2000
Format: Audio CD Verified Purchase
I love this album. It consists of minimalist pieces (some being no more than a few notes making up a lovely, sometimes quietly dramatic phrase) on an altered piano with some subtle tonal colorings added. The effect is contemplative, zenlike, trancelike, spiritual, calming, profoundly restful, like a musical still life-take your pick. This album serves many purposes for me. It helps me to sleep, read, think, or just construct a quiet space in my home when I want to relax. It is beautiful and endlessly repeatable. I must have listened to this album hundreds of times-and I am still not tired of it. There is New Age music and THEN there is "The Pearl". This album avoids all of the cliches of cheap New Age music. It set the standard years ago and I only wish that there was more music in this vein available.
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15 of 15 people found the following review helpful By C. Gardner on January 18, 2002
Format: Audio CD
I've been listening to this CD for 15 years, and am still stunned by it. Each one of these soft pieces is a world unto itself. The closer one listens, the more one discovers there. The wonderfully precise programmatic song titles long ago led me into "visualizations" of the "mental places" the music conjures (this is one aspect of Eno's "ambient" ethic--these pieces of music are set in imaginary PLACES. The other part of the ethic is that these are meant to become a part of your space, like your furniture or paintings). Like "The Plateaux of Mirror," their previous collaboration, Budd seems to be the primary keyboard player, with Eno's chosen task being the setting of those aloof and cyclical compositions into very wide sonic environments. There are a few experiments, too--the last two tracks are re-recordings of tracks 4 & 1, slowed down and reprocessed into new forms. Simply wonderful!
This album completes a trio--the others being "Thursday Afternoon" and "Ambient 4: On Land"--of the most masterful use of electronic equipment ever recorded.
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12 of 12 people found the following review helpful By rubidium84 on September 3, 2002
Format: Audio CD
This album and the preceding one, "Ambient 2: The Plateaux of Mirror", really have to be taken together in the same listen. They both feature the same sparse piano melodies over a treated Eno-scape. These two albums are my favorites for relaxation, reading, painting - you name it, they're great for it. That's why it's called "Ambient" music - it is made to fit in with almost any atmosphere, blending with, as Erik Satie once said, "The sounds of the knives and forks at dinner".
My favorite time to listen to these records is in a rainstorm, especially with distant thunder in the background. The rain sounds seem to bring out subtleties in the music that can't be heard otherwise.
So if you like Eno's "Ambient 1" or "Discreet Music" or Steve Roach's "Structures from Silence", this is the album for you.
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6 of 6 people found the following review helpful By spiral_mind on February 8, 2002
Format: Audio CD
As with Eno and Budd's best ambient work (together and apart), The Pearl is a wash of atmospheres and colors that blends with its surroundings. Music for talking, reading, sleeping, working, meditating or just about anything else, it's as simple and minimalist as it can get yet never sounds weak or disposable.
This time, the basis is simply piano with some "treated" effects. That's it. The Pearl doesn't have quite the variety of sounds & positive tone of Apollo, the relaxing haziness of Ambient 1, or the pure soundscapes of Ambient 4. The mood is occasionally sad, but mostly just.. peaceful. The song titles give the impression of the melodies themselves; ethereal, barely there, as fleeting and beautiful as a sunbeam or a bright fish in a stream. Lovely and subdued. If you enjoy music that fills the room and wraps you in a quiet ambience, well.. you should probably have this album already. If you're only curious to start, I'll just suggest that The Pearl and Eno's Music for Airports are two of the finest to begin with.
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5 of 5 people found the following review helpful By Gordon Danis on September 19, 2005
Format: Audio CD
In his time, jazz pianist Bill Evans was a master of understated elegance, and one of his famous compositions, a eulogy for his Father, was titled "Turn Out The Stars." Not only can those stars be added to the five alloted above, but the imagery is quite fitting to this album. "The Pearl" drifts in and out of one's consciousness, alighting and then slowing burning down like a candle. A remastered version should clarify this even further.

Enough with the metaphors; "The Pearl" has achieved the same exalted status in ambient music that Miles Davis' "Kind Of Blue" has rightly earned in jazz. "The Pearl" fits the defintion of ambient music perfectly; it is beautiful on careful listen, as sonic wallpaper, an accompaniment to work, or a mood setter for intimacy. The CD has just the right type of reverb, just the right amount of nature sounds, the perfect number and length of songs, and the tracks begin, end, and are sequenced to perfection.

This is not a rhythmic record, but melodically and harmonically it is stunning. From the opening piano figure played by Harold Budd on "Late October," and layered in sonic velvet by Brian Eno to the bookend "Still Return," "The Pearl" stands as one of the finest collaborations between two musically synergistic pioneers, and as an enduring testament to the power of restraint.
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