From Publishers Weekly
Starred Review. Family-fracturing secrets are at the heart of Lent's luminous third novel, a transcendent story about the healing power of love and art. Two decades after an intense romance curdles, hermetic Hewitt Pearce is living in his family's rural Vermont home, firing up his tractor for the occasional two-mile trip to the village, sometimes hiding in his hay barn, and producing prized custom ironwork when the spirit moves him. Upheaval arrives in the form of Jessica, a psychologically troubled waif with mysterious connections to Hewitt's late artist father. Then Hewitt learns that Emily, the girl he loved years earlier and whose life he has tracked from afar, is now a widow. Evocative flashbacks reveal his family's turbulent history, including Hewitt's days of sex, drugs, and rock and roll on a commune and his dark period of "death-by-whisky drinking" after breaking up with Emily. This sympathetic depiction of a decent man wrestling with his demons while deciding whether to revive an old love or open himself to a new lover is less visceral than Lent's astonishing debut,
In the Fall, and less gritty than his second novel,
Lost Nation, but it's no less magisterial and every bit as beautifully written.
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*Starred Review* Hewitt Pearce has sequestered himself on land in Vermont cherished by his family for generations. There his late father, a renowned painter, found sanctuary after suffering a horrific loss before his son was born. Now Hewitt, a fine-arts blacksmith, is brooding and ornery in his solitude as he, too, mourns love lost not in tragedy but in folly. Consequently, he is leery of getting drawn into the chaos surrounding the mysterious, feral young woman who appears out of the blue. After two highly praised historical novels, Lent presents a commanding present-day drama of rootedness and disconnection, desire and fear, inheritance and freedom. Drawing on his astute perceptions of family, the "stone of memory," the weight of secrets, the toll of love, and the solace of art (his depictions of Hewitt crafting his exquisitely designed ironwork are profound in their implications), Lent has forged a many-faceted plot, vital characters, convincing psychology, and finely articulated spiritual musings. Although the melodramatic complications can be ponderous, Lent's prose is lustrousrich in supple dialogue and finely patterned imagery. Echoing the rhapsodic specificity and gravitas of Steinbeck and Kent Haruf, Lent has constructed a resolute tale of paradise lost and found. Seaman, Donna
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