Amazon.com Review
Perhaps the most peculiar aspect of
The Peculiar Memories of Thomas Penman is the author's fascination with every form of bodily excretion. Feces, sputum, semen, earwax--the list is endless. We discover early on that Thomas "from the age of four ... navigated all lavatories and shat himself everywhere else," and the pages that follow detail the boy's obsession with his own fecal matter in terms that are as imaginative as they are repugnant. Having established from the get-go that young Thomas Penman is not going to be an ordinary hero, Bruce Robinson (who wrote the screenplays for the films
The Killing Fields and
Withnail & I, and also directed the latter) then launches us into his protagonist's life with a vengeance. In short order we discover that Thomas's grandfather, Walter, is riddled with cancer and as obsessed with naked women as his 14-year-old grandson. In addition, Thomas's father, Rob, is involved in an illicit affair and his mother has hired a private detective to prove it. And Thomas himself is madly, truly, deeply in love with the divine Gwen Hackett.
Pornography, masturbation, voyeurism--according to Robinson, these are the main preoccupations of the adolescent boy. This book is being compared to J.D. Salinger's Catcher in the Rye, and who's to say that Holden Caulfield might not have had similar hobbies had he been written 40 years later? If you can get past the raunchiness of the language and the situations, Thomas makes an unexpectedly sympathetic hero, and his relationship with his half-mad grandfather is oddly tender. The Peculiar Memories of Thomas Penman is not for the faint of stomach, but for those who like their fiction raw, this one fits the bill. --Alix Wilber
From Publishers Weekly
A dysfunctional family in an English coastal town of the late 1950s achieves chaotic free-fall in this mordantly comic, rowdy first novel (published last year in England) about an unloved, neglected boy's furious search for identity. English screenwriter Robinson (The Killing Fields; Withnail & I) has created an ambivalent antihero in asthmatic, big-eared, cynical Thomas Penman, age 14 in 1959, a sensitive imp who writes poems to his girlfriend Gwendolin Hackett and savors Dickens and antiques. Caught in a tug of war between parents who loathe each other and sleep at opposite ends of their dilapidated Victorian house, Thomas manifests a hurt, darker side: he tortures crabs, blasting them to hell on homemade rockets, and, under the impression that beloved, comatose Grandpa Walter is dead, riffles through the codger's pornography collection. The narrative, overspiced with four-letter words, swings from broad farce to domestic tragedy, from bathroom humor to self-discovery, with fairly predictable, peculiarly English results. Robinson hews to an idiosyncratic vision, as Thomas stubbornly unearths family secrets?learning that Walter is dying of cancer, and discovering the true identity of his own biological father. The author manages to fuse lyricism, teen angst and raunchy satire of adult hypocrisy into a funny, tender, fiercely beautiful exploration of the humiliations, traumas, sexual awkwardness, first loves and false steps of adolescence. Agent, Ed Victor.
Copyright 1998 Reed Business Information, Inc.