From School Library Journal
YA Peking from 1946 to 1950 becomes a remarkable experience when viewed through the eyes of a young exchange student. Kidd arrived there just after his graduation from college and 2 months before his 20th birthday. There are fascinating descriptions of an ancient society on the verge of ending and the drastic changes that the communists bring when they take over the government. Kidd's position was unique. In his four years in Peking he taught English at a local university, became a part of the European circle of people who had settled in Peking, and married a spirited daughter of a high Chinese official. His stories about his wife's family are particularly touching and revealing because they went from positions of high esteem and privilege to having to learn to survive under the communists. Their palatial ancestral home had to be sold, and Elder Sister was given the ignoble task of house mother in a closed brothel. Increasing restrictions and David's detainment and arrest on two occasions added to the fear and uncertainty of their lives. Today Kidd retains his ties with the Far East. His marriage did not survive, but it is clear that the family retains a relationship with him of respect and affection. The story of their lives is strong and full of human interest. Barbara Weathers, Duchesne Academy, Houston
Copyright 1988 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
Review
Kidd’s pieces have been a double illumination. Their intimate domestic lanterns shed light on the dark side of the moon and, exotic and informational interest aside, glow in their own skins, as art. They are simple, graceful, comic, mournful miniatures of an ominous catastrophe, the unprecedently swift death of a uniquely ancient civilization.
— John Updike
In the reader’s eye, Kidd’s story wavers between fact and fiction. It seems too good to be true, like the perfectly woven family sagas common to the great Chinese novels and Victorian fiction. But the climax, the unwritten final chapter of
Peking Story, is firmly written in fact: the crumbling of an empire 4000 years old. To achieve this effect in less than 200 pages is astounding.
— Alberto Manguel