The Penguin Book of Romantic Poetry (Penguin Classics) [Paperback]

Jonathan Wordsworth (Contributor), Jessica Wordsworth (Contributor)

Editorial Reviews

Review

"An absolutely fascinating selection—notable for its women poets, its intriguing thematic categories, and its helpful mini-biographies." -- Richard Holmes --This text refers to an out of print or unavailable edition of this title.

Product Description

An acclaimed anthology celebrating the creative flowering of the English Romantic period

The Romanticism that emerged after the American and French revolutions of 1776 and 1789 represented a new flowering of the imagination and the spirit, and a celebration of the soul of humanity with its capacity for love. This extraordinary collection sets the acknowledged genius of poems such as Blake’s "The Tyger," Coleridge’s "Kubla Khan," and Shelley’s "Ozymandias" alongside verse from less well known figures and women poets such as Charlotte Smith and Mary Robinson. We also see familiar poets in an unaccustomed light, as Blake, Wordsworth, and Shelley demonstrate their comic skills, while Coleridge, Keats, and Clare explore the Gothic and surreal.

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Product Details

• Paperback: 1056 pages
• Publisher: Penguin Classics (February 28, 2006)
• Language: English
• ISBN-10: 0140435689
• ISBN-13: 978-0140435689
• Product Dimensions: 7.6 x 5 x 2 inches
• Shipping Weight: 1.6 pounds (View shipping rates and policies)
• Average Customer Review: 3.5 out of 5 stars  See all reviews (6 customer reviews)
• Amazon Bestsellers Rank: #205,982 in Books (See Top 100 in Books)

Customer Reviews

Most Helpful Customer Reviews

21 of 21 people found the following review helpful:

4.0 out of 5 stars There Is No Perfect Anthology, May 25, 2004

By	Robert Derenthal "bucherwurm" (California United States) - See all my reviews (TOP 500 REVIEWER)    (VINE VOICE)    (REAL NAME)

This review is from: The New Penguin Book of Romantic Poetry (Paperback)

It is very interesting to look through Amazon site reviews of poetry anthologies. The evaluations of such books are often made by people who are pulling their hair and rending their garments over poems that should have been in the books reviewed.

First of all, there are few volumes of poetry from the Romantic period in print (A comment to those who are unfamiliar with the term "Romantic" in reference to an historical period. This is not a book of "love poems"; it is a book of poems written during the period of roughly 1795 to 1830.) The only way that one who is interested in poems from this era can build a collection of them is to buy more than one book. I know of no single book that can meet an expectation of completeness. Therefore it is silly to get into this type of debate.

What this book does provide is 1000 pages representing the major, and many minor poets of the period.

For those who are not serious scholars it also has three important extra features:

1. It provides an informative introduction to the poetry.
2. It provides about 150 pages of notes on the poems. To me this is a most useful aid to reading, and I am disappointed when an anthology of poetry from a long gone era does not provide it. The notes provide interpretations and explanations of obsolete English terms, classical and obscure literary references, and, in the case of this book, some interesting comments on various lines in the poem.
3. It provides brief biographies of the poets.

What is unusual in the book is that it presents the poems according to various themes such as "Man and Nature", The Romantic Sonnet", and "Protest and Politics". You, as I, may prefer the simple technique of having the contents laid out by poets in alphabetical order, but fortunately there is an index of each poet with all of that author's poems listed under his/her name. This method of organizing the book isn't any less screwy than the one found in "The New Oxfod Book of Romantic Period Verse", in which each section is by year, starting with the poems written in 1785. Thus one poet's works my be spread throughout a huge chunk of the book.

There is a lot of poetry in this book, but if you really, really want to encompass the period you have to buy more books.

To the best of my knowledge those in print at reasonable cost are:

1.The New Oxford Book of Romantic Period Verse. It is annotated.
2.English Romantic Poetry An Anthology. This is a Dover Publication. A smaller book of only 240 pages, and typically, for Dover books, it is not annotated. The good news is that it is dirt cheap.
3. The Norton Anthology of Poetry. There are about 250 pages of Romantic Poetry in this massive 2000 page book. The advantage of this volume is that you are getting an annotated book of poems ranging from the beginning of English poetry to the present. The disadvantage is that it is not an inexpensive book.

11 of 11 people found the following review helpful:

5.0 out of 5 stars A comprehensive anthology that is meticulously assembled, February 14, 2006

By	Dean Tan "Rex Oscen" (Singapore) - See all my reviews

This review is from: The Penguin Book of Romantic Poetry (Penguin Classics) (Paperback)

The Penguin Book of Romantic Poetry contains over 800 pages of poetry, and copious amounts of notes. The large and choice selection has been carefully categorised into sub-headings like "Romantic Hallmarks", "Ennobling Interchange: Man and Nature", "Romantic Odes", "Romantic Lyric and Song" and (my favourite) "Poets in Relationship", wherein is collected poetry written for lovers, children, siblings, friends, and sometimes from one poet to another.

The notes provided at the end of the books do not interfere with the interpretation of the poem, and only serve as a way to gloss meaning of archiac words or obscure references made to things that would have been common knowledege then. Thus it leaves the reader free to attach any frame of intepretation or meaning to the poem itself, without ever finding himself forced or compelled to take the view of the editors.

Another useful feature the collection has is the inclusion of short write-ups about the poets' lives. They give a brief, but incisive introduction to the poets, and more importantly, places them within the timeframe of the long Romantic Period.

That said, this anthology is really for the casual reader, one who may have a personal interest in Romantic poetry (and an interest that will prove rewarding, I might add) or simply wish to explore new poets before reading more of their work. As such, you will not find certain poems that other anthologies might choose for the sake of its significance in the corpus of the poets' work. For instance, Blake's "Auguries of Innocence" (To see a World in a Grain of Sand / And a Heaven in a Wild Flower, / Hold Infinity in the palm of your hand / And Eternity in an hour) is strangely missing from this collection.

But otherwise this is a great collection and a portable copy that one can take around and read while on the bus or the train, or even during the lunch break. The poets are never presented in a way that is meant to intimidate the new reader with the history and grandness of the poet, but are instead presented in what I can only call a "friendly" manner.

If one is more interested in an anthology that goes a little further than this, in terms of analysis or textual help, "Romanticism: An Anthology" by Duncan Wu would be an excellent choice. The 3rd edition is now currently available.

4 of 5 people found the following review helpful:

4.0 out of 5 stars Great, espeically with women, but beware the Clare, November 24, 2007

By	E. Richardson - See all my reviews (REAL NAME)

This review is from: The Penguin Book of Romantic Poetry (Penguin Classics) (Paperback)

Although I've never edited an anthology of poetry, I think they should serve two purposes: to include everything that the reader expects, and to encourage the reader to read more deeply. To a large extent, this anthology does just that. All the essential romantic poems are here and many lesser known poets are given a lot of space.

The anthology is divided into sections, some of which are grouped by theme (love narratives, politics) and others by genre (sonnet, ode, etc.) and each section is given an introduction. The numbering of the poems starts over with each section, making it a little clumsy and better suited for personal, not classroom, use. Nevertheless, the section themes are well chosen, some being expected ("Man and Nature") and some a little novel ("Comedy and Satire.")

The most impressive thing about this anthology is its women poets. Women are very well represented (though still not as well as the Big Six) and their poems in this anthology make me want to go out and read more of their works, especially those of Charlotte Smith and Felicia Hemans.

I do feel that a little more room could have been taken away from the members of the Big Six (Blake, Wordsworth, Coleridge, Byron, Shelley, Keats) to make way for the poets whose reputations are beginning to rise at this time. Wordsworth, in particular, is a little over-represented with over seventy selections. Every one of his selections is good, but not all are essential.

My only real gripe with this anthology (in all honesty, I'd give it four-and-a-half stars instead of four) is its representation of John Clare, who has about a dozen selections. Although I'd like to see more selections, my real problem is with which poems were chosen to represent him. Clare is now considered by many poets and scholars to be England's greatest nature poet, which is why I was surprised to see only one Clare poem in the "Man and Nature" section of this anthology. Clare took issue with the way his fellow poets represented nature, especially in poems like Keats' "Ode to a Nightingale," in which real natural scenery is nearly abstracted out of existence. He insisted on accurate descriptions of nature and by the time he hit his stride in the 1830s, even his "plain" descriptive poetry is incredibly powerful and able to evoke emotion in the reader just like any Wordsworth or Keats poem. The one Clare nature poem here is, in fact, that most Wordsworthian Clare poem I've ever read, showing that the editors are still judging Clare by the High Romanticism which he consciously differed from.

All in all, this is a solid anthology. Definitely a companion for the poetry lover to lug around on trips or walks. I'm excited about its representation of women poets, but don't judge Clare based on the selections in this anthology. He is much better, and much more original, than he appears here.