The New Penguin Opera Guide (Penguin Reference Books) [Paperback]

Amanda Holden (Editor)

Book Description

ISBN-10: 0140514759 | ISBN-13: 978-0140514759 | Publication Date: August 27, 2002

Here is the fully revised and updated edition of the most comprehensive single-volume opera encyclopedia ever published in paperback. Through hundreds of meticulously researched articles, The New Penguin Opera Guide brings to life nearly 2,000 operatic works by some 850 composers. From perennial favorites like Mozart and Wagner to contemporary composers like Adès and Reich, each article-written by a leading expert in the field-outlines the composer's operatic career and assesses his contribution to the genre. Every significant work has its own entry, with information about the libretto, duration, cast and orchestra, background, plot, and musical highlights. In addition to up-to-date bibliographic material on notable editions and publishers, selected recordings are featured to guide readers toward the best available versions.

Editorial Reviews

From Library Journal

In this update of her compact but thorough guide, first published in 1993, opera translator Holden casts her net to include operetta and musical theater. Ranging from opera's beginnings in the 16th century to ventures that premiered as late as the end of 2000, she offers about 850 articles arranged alphabetically by composer. A tenth of these articles are new, representing previously unexplored territory or operas that have appeared since the earlier title. Familiar operas are addressed, as are those on the fringes of the repertoire and contributions by composers probably recognized only in their homelands (e.g., C.L. Dieter, P. Hadjiev, and J. Ruzitska). Performers are, however, excluded. After giving biographical information and background on musical training, the book presents major operas individually in chronological order, offering text sources, premiere dates, character names with voice types, synopses, and some critical remarks. Following are discographical recommendations, sources for scores and occasionally libretti, and bibliographic citations. Other operas and related works are listed at the end of each article. The operas of key figures like Mozart, Verdi, Wagner, Richard Strauss, and Puccini receive separate treatment, while those of lesser-known creators or where opera was not necessarily a main focus are mentioned within the bio-musical sketch. Each entry is initialed by a leading music scholar or practitioner, often among the most highly regarded in their respective areas-chiefly British with a sprinkling of American and Canadian names. The scattered illustrations add interest, presenting either portraits of composers or scenes/costumes from operas, evoking a period or genre. There are useful indexes of librettists and titles, as well as a glossary and contributor biographies. This comprehensive title is highly recommended as an update to relevant portions of The New Grove Dictionary of Opera at a bargain price.
Barry Zaslow, Miami Univ. Libs., Oxford, OH
Copyright 2002 Reed Business Information, Inc.

About the Author

Amanda Holden has written more than fifty translations and texts for the opera, theater, and concert hall. She wrote the libretto for Mark Turnage's opera The Silver Tassie for which, with the composer, she received the Olivier Award for "outstanding achievement in opera" in 2001.

Product Details

• Paperback: 1168 pages
• Publisher: Penguin (Non-Classics) (August 27, 2002)
• Language: English
• ISBN-10: 0140514759
• ISBN-13: 978-0140514759
• Product Dimensions: 9.1 x 6.8 x 1.8 inches
• Shipping Weight: 4.2 pounds
• Average Customer Review: 4.2 out of 5 stars  See all reviews (4 customer reviews)
• Amazon Best Sellers Rank: #752,800 in Books (See Top 100 in Books)

Customer Reviews

Most Helpful Customer Reviews

43 of 44 people found the following review helpful:

5.0 out of 5 stars Wonderful, October 11, 2002

By 

Frank Paris (Beaverton, OR USA) - See all my reviews
(REAL NAME)   

This review is from: The New Penguin Opera Guide (Penguin Reference Books) (Paperback)

Years ago, I found a copy of "The Viking Opera Guide" on the shelves of a large bookstore. I was astonished by how superior it was to every other opera book I'd ever seen. I looked at the back and was discouraged by the price: .... But the book was so great I would have bought it anyhow, except the book was not in very good condition and I'm a stickler on that point. So I investigated a little further, and quickly discovered that the book was out of print! Why on earth, I wondered, since it was so obviously superior to any other book its size in print?

At any rate, I decided not to buy it, thinking that it was so good that another edition must be forthcoming. I waited a couple months to no avail. I broke down and decided to buy the soiled copy in the bookstore if it was still there. No such luck!

Now this "New Penguin Opera Guide" comes out, which is an abridgement of the original. I looked it over in a bookstore and saw immediately that it was just wonderful, albeit missing at least a third of the entries in the original Viking book. Nevertheless, at the level of my interest (complete works of Handel and Janacek, for example, but not some of the more obscure opera composers), it seemed to fulfil my craving for the original Viking book. So I bought it and I am greatly satisfied with it.

Still, my curiosity about the original Viking book remains. I searched Amazon for used copies. Imagine my dismay when I saw that the cheapest used example now goes for [price]! It is a collector's item priced considerably higher than its original price! So you can still get the original Viking in the used book market, but if the cost exceeds your means, this "New Penguin Opera Guide" is a worthy paperback substitute. It is a heavy volume printed on high quality paper and loaded with B&W photographs. It far exceeds its predecessor, "The Penguin Opera Guide" published in 1995. That also is an abridgement of the Viking, but it only contains about 25% of the original text and is printed on light-weight, poor quality paper. Nevertheless, what there is of the text of that edition is worthy, and it is light and small enough to stick it away on a trip to the opera. Not so this New edition, which is way too heavy and big to hide away in your coat pocket. For just browsing at home, I reiterate: it is wonderful -- until and if the original Viking is reprinted in its entirety.

21 of 23 people found the following review helpful:

4.0 out of 5 stars It IS the best, but..., May 12, 2003

By 

Eric D. Anderson (South Bend, IN United States) - See all my reviews
(REAL NAME)   

This review is from: The New Penguin Opera Guide (Penguin Reference Books) (Paperback)

On the back of "The New Penguin Opera Guide", it quotes an endorsement from the Boston Globe--"...The best one-volume opera guide...". This is absolutely the truth! I haven't seen another one volume opera guide that doesn't shamefacedly pale before this one! It covers composers and operas the others don't even get close to. It also includes information that is really valuable to a dedicated opera nut like me, such as premier places and dates, the name of the publishers and whether a full score or only a vocal score has been published, and a list of recordings.

Does all this praise mean I don't have any gripes? Far from it! Some of my complaints may reflect my own operatic interests, but others really are flaws. My thing is late romantic opera, so I can only comment on areas that I know.

First of all, while they've wisely chosen a wide range of experts to write the descriptions of the composers and operas in question, some composers are treated with much greater sympathy than others of a similar historical importance. For instance, most of the German expressionists make out quite well. Zemlinsky (who's one of my favorite composers)is reviewed by Antony Beaumont, who not only knows about Zemlinsky (he's written an excellent biography), but completed the orchestration of his final opera! You could hardly expect Beaumont to say "'Konig Kandaules' sucks!" On the other hand, it's hard to find a single verismo composer, Puccini excepted, for whom the guide has much sympathy...Giordano "lacks resoursefulness and inventiveness". Mascagni's creative impetus was "short-breathed and lacked continuity". Zandonai showed "dangerous signs of repeating himself". Montemezzi was a "relatively minor, conservative composer", who's later works are "disappointing...unassuming, and unadverterous". You get the idea. The guide also gives far more weight to modernist and recent works than their performance histories seem to justify, while neglecting important works by expressionist, verismo, and American romantic composers. Alfano's "Cyrano de Bergerac", which has two available recordings, and upcoming productions starring Roberto Alagna and Placido Domingo, doesn't have an entry. Neither do the operas of American composers Victor Herbert or Deems Taylor, though they were of some historical importance, and Taylor's works were popular successes. Henry K. Hadley, who's "Cleopatra's Night" was successful at the Met, isn't even included in the book. It also lacks a meaningful table of contents.

These things aside, this is a must have title for the serious opera fan. The CD-rom version of this book has even more information as well as some sound samples and more pictures.

16 of 23 people found the following review helpful:

3.0 out of 5 stars An also-ran in a competitive and rich market, January 16, 2004

By 

Judge Knott "judge_knott" (Upper West Side, NY, NY) - See all my reviews

This review is from: The New Penguin Opera Guide (Penguin Reference Books) (Paperback)

This work, like a pro athlete on an off-day, turns out to be less than its glorious pedigree would suggest. It's okay, but nothing great. It's stuck in the in the no-man's land of opera guides for beginners and opera guides for long-time opera lovers, and as a consequence it will satisfy neither.

If you are new to opera, this book is a little bit too much, I feel. And if you've done a lot of reading about opera and/or listening to opera, this book won't have much new for you. To be honest, I was really disappointed.

Enough complaining. It's a perfectly sound, perfectly correct, perfectly sturdy guide. But too many other products are better. For beginning opera fan, read the Amazon.com reviews of Phil Goulding's "A Ticket to the Opera," the "Opera for Dummies" book, and Fred Plotkin's "Opera 101." For more advanced buffs, check out the reviews for Denis Forman's "A Night at the Opera." The multiple reviews will give you a good idea if one of those books would work for you.