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Penthouse Serenade/The Piano Style of Nat King Cole
 
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Penthouse Serenade/The Piano Style of Nat King Cole [Single]

Nat King ColeAudio CD
3.5 out of 5 stars  See all reviews (2 customer reviews)

Price: $10.15 & eligible for FREE Super Saver Shipping on orders over $25. Details
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Audio CD, Single, 2007 $10.15  

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Biography

The smoky, smooth pop vocals of Nat "King" Cole make us tend to forget that, at heart, he was essentially a jazz performer. His piano proficiency, vocal phrasings, and utter coolness all hark back to his jazz roots, even in his decidedly pop repertoire or arrangements. Whether singing "Nature Boy", jamming with guitarist Oscar Moore, or performing posthumous duets with his daughter Natalie Cole,… Read more in Amazon's Nat King Cole Store

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Frequently Bought Together

Penthouse Serenade/The Piano Style of Nat King Cole + Welcome to the Club/Tell Me All About Yourself + Nat King Cole Sings for Two in Love/Sings Ballads of the Day
Price For All Three: $29.51

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  • Welcome to the Club/Tell Me All About Yourself $6.99

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  • Nat King Cole Sings for Two in Love/Sings Ballads of the Day $12.37

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Product Details

  • Audio CD (November 6, 2007)
  • Number of Discs: 1
  • Format: Single
  • Label: Collector's Choice
  • ASIN: B000TIO4SC
  • Also Available in: Audio CD
  • Average Customer Review: 3.5 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #244,531 in Music (See Top 100 in Music)

1. Penthouse Serenade (When We're Alone)
2. Somebody Loves Me
3. Laura
4. Once In a Blue Moon
5. Don't Blame Me
6. Little Girl
7. Polka Dots And Moonbeams
8. Down By the Old Mill Stream
9. If I Should Lose You
10. Rose Room
11. I Surrender, Dear
12. It Could Happen To You
13. Love Walked In
14. My Heart Stood Still
15. Imagination
16. I Never Knew
17. Stella By Starlight
18. What Can I Say After I Say I'm Sorry?
19. I Didn't Know What Time It Was
20. Takin' a Chance On Love
See all 28 tracks on this disc

 

Customer Reviews

2 Reviews
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Average Customer Review
3.5 out of 5 stars (2 customer reviews)
 
 
 
 
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4 of 6 people found the following review helpful:
5.0 out of 5 stars The "Nat" You Remember, December 14, 2007
This review is from: Penthouse Serenade/The Piano Style of Nat King Cole (Audio CD)
The Nat King Cole you remember, when you first heard his

smooth as silk styling at the keyboard.

You will want to play it over and over because it brings

back fond memories. Worthy of your selection.
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5 of 8 people found the following review helpful:
2.0 out of 5 stars Nostalgia only, June 22, 2008
By 
Read-Only (New York City) - See all my reviews
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This review is from: Penthouse Serenade/The Piano Style of Nat King Cole (Audio CD)
Nat King Cole was simultaneously an internationally known singer and a little-known, but excellent, jazz pianist. He started singing with his trio and then gradually developed into a pop vocalist. The present album represents a focus on the piano, after Cole had become very popular.

This disc contains two records (on a single disc). The first, Penthouse Serenade, is a trio recording, but it is not "jazzy" in his original style. The liner notes refer to this as a "more straight-ahead" style, with little improvisation. If you want to hear the melody of these songs played on piano, with little elaboration, this is the disc for you, but I found it to be simply uninteresting. It's as if the producer was afraid that people would turn the record off if Cole stopped playing the melody or used an interesting chord. Overall, it was listenable, but not compelling.

The second record, The Piano Style of Nat King Cole, features the piano in Nelson Riddle arrangements for strings or big band. The arrangements are fine, but Cole was apparently limited to playing a single line with the right hand, keeping close to the melody. As a result, it seems to have sucked his personality completely out of the music. In some cases, the melody is embellished with a kind of hippity-hoppity phrasing that made my skin crawl. Whereas Penthouse Serenade was simply dull, I'm afraid that I had to force myself to listen to the whole of the second record. Cole could in fact use both hands to play, and he had great phrasing and sense of harmony. None of that was permitted here, and the result is simply annoying. Had he sung these arrangements, I'm sure the result would have been much better.

Fans of Cole's real jazz recordings should stay far away from this disc and seek out his earlier trio work. It may work as background music or as nostalgia for Cole fans, but I'm afraid that it was designed for a commercial audience of many years ago, and now that that audience has changed, the music seems simply dated.
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