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We first meet Richard, the narrator, at age 8. In the wake of his mother's mental illness--which has caused her abrupt disappearance into a sanatorium--the miserable child has fallen into a state of muteness. "Not talking don't make you special," one young relative cautions him. Happily for the reader, though, Richard's silence leaves him no less observant:
My grandfather kept his floozy in a silver Airstream above the bend in the river where the dead crossed over. He had finagled Miss Minnie a job as lifetime caretaker of a little patch of no-man's-land and a cemetery just across the Haw River. Whenever a black tenant farmer died, we watched from the trailer's picture window as a slipshod barge fashioned of dye-barrel pontoons and salvaged lumber ferried the coffin and mourners across the river to the grave.By the end of "Why I'm Talking," Richard regains his powers of speech. Yet his other wounds--the kind inflicted by the spectator sport of family life--are slower to heal. He grows up, comes to terms with his parents, and has his own trip through the wringer of love and marriage ("On Friday, Lisa points out that I've been drunk since signing the divorce papers"). What never fails him, or the reader, is the voice that Dale Ray Phillips has honed: eloquent, funny, and invariably forgiving. --William Davies --This text refers to an out of print or unavailable edition of this title.
Dale Ray Phillips knows how to construct a story from the ground up: gorgeous sentences, fully human characters, a deep sense of place. Wonderful. Enough said.Published 3 months ago by Heather
Dale's book, from the word go, is astonishing. His control of of craft is clear. By this, I mean that he understands character's nuance, plot's highs and lows, Bill Harrison's... Read morePublished on September 7, 2000 by Michael Gills
I thought this an excellent and very moving collection of shortstories. This collection is full of music. Read morePublished on March 27, 2000
A primer on what's wrong with contemporary American fiction. Okay, you're from the South, but that doesn't make you a good writer. Read morePublished on January 7, 2000 by D. C. Carrad
One of the strongest, best-crafted, and memorable collections of stories I've ever read.Published on October 30, 1999