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Perfect: A Novel Hardcover – January 14, 2014


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Product Details

  • Hardcover: 400 pages
  • Publisher: Random House (January 14, 2014)
  • Language: English
  • ISBN-10: 0812993306
  • ISBN-13: 978-0812993301
  • Product Dimensions: 8.3 x 5.4 x 1.4 inches
  • Shipping Weight: 1.2 pounds (View shipping rates and policies)
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (157 customer reviews)
  • Amazon Best Sellers Rank: #42,827 in Books (See Top 100 in Books)

Editorial Reviews

Amazon.com Review

Q&A with Rachel Joyce

Rachel Joyce

The Unlikely Pilgrimage of Harold Fry began as a radio play and then developed into the novel it is today after many years of writing and revising. But Perfect was written within a shorter space of time. How did your process differ in writing the two novels?

The truth is, I have been thinking about Perfect for even longer than The Unlikely Pilgrimage of Harold Fry. The idea about the cost of perfection and an accident that changes everything, as well as the central characters, have all been loitering in my head for many years. I could always see Byron and Diana and I knew I needed to find out more about who they were and what happened to them. Sometimes I have even tried fitting them into other stories, but it never felt right because this is where they belong.

As with most things, the story has grown over time. New characters have stepped in. Things I couldn’t understand have become clearer. I have played with different versions until I found this one. It was only as I began to write it this time around, for instance, that it dawned on me that it wasn’t a contemporary story and neither was it an urban one. It was only this time, too, that I thought about splitting the story between two tenses and two periods in time.

Otherwise, the writing process was very similar with both books. I sat here every day and I wrote and rewrote and rewrote.

How much of the novel is based on real places and people?

The moor setting is fictitious. But – as with Harold Fry’s story – I stepped out of our house and drew on what I saw. I am lucky enough to live on the brow of a valley. I write about the things I see when I look out of my writing shed or walk through the fields. It’s the same with characters. I write about people I glimpse and then I imagine the rest. I think I tend to find people in my head that I want to explore and maybe all of them have an element or two of me in them. I don’t know. In researching the character of Jim, for instance, I spoke to a number of people about OCD and whilst it is not a condition I’ve experienced, it reminded me of other things I’ve felt that had similar beginnings or resonances. For me, writing is about finding the links between myself and the outside world. It’s a way of better understanding.

You have written that Harold Fry was inspired in part by your father. Was there someone or something specific that compelled you to write Perfect?

It is difficult for me to know why I choose to write certain stories. Often I don’t understand until many years later. But I do remember vividly when the first nugget of this story came to me. It was just over twelve years ago, after the birth of my third child, and I was driving my oldest daughter to school. My second daughter was telling me she was hungry, the baby was crying, and on the passenger seat beside me was the plate of cakes I had got up at dawn to make for the very competitive children’s bake stall. I was driving slowly. Traffic was heavy. I had barely slept for days. And then I had one of those moments when you lift out of yourself, when you see your life from a new perspective, and it occurred to me that if I made a mistake, if someone ran into the road, if anything unexpected happened, I did not have the energy, the space, the wherewithal, the presence of mind even, to deal with it. I was stretched as far as I could go. I began writing the story as soon as I got home.

Review

“Touching, eccentric . . . Joyce does an inviting job of setting up these mysterious circumstances, and of drawing Byron’s magical closeness with Diana.”—Janet Maslin, The New York Tiimes
 
“Haunting . . . compelling.”—Minneapolis Star Tribune
 
“[Joyce] triumphantly returns with Perfect. . . . As Joyce probes the souls of Diana, Byron and Jim, she reveals—slowly and deliberately, as if peeling back a delicate onion skin—the connection between the two stories, creating a poignant, searching tale.”O: The Oprah Magazine
 
Perfect touches on class, mental illness, and the ways a psyche is formed or broken. It has the tenor of a horror film, and yet at the end, in some kind of contortionist trick, the narrative unfolds into an unexpected burst of redemption. [Verdict:] Buy It.”New York
 
“Joyce’s dark, quiet follow-up to her successful debut, The Unlikely Pilgrimage of Harold Fry, could easily become a book club favorite. . . . Perfect is the kind of book that blossoms under thoughtful examination, its slow tendencies redeemed by moments of loveliness and insight. However sad, Joyce’s messages—about the limitations of time and control, the failures of adults and the fears of children, and our responsibility for our own imprisonment and freedom—have a gentle ring of truth to them.”The Washington Post
 
“There is a poignancy to Joyce’s narrative that makes for her most memorable writing.”—NPR’s All Things Considered
 
“Beautifully written . . . Joyce showed an incredible sensitivity and understanding when she wrote about the impact of mental illness in Harold Fry, and that talent shines even brighter now that she’s devoting more space to the subject. . . . Joyce is great at building tension, with her prose managing to give huge weight to a menacing comment or a small mistake.”The A.V. Club

Perfect is a poignant and powerful book, rich with empathy and charged with beautiful, atmospheric writing.”—Tana French,  author of In the Woods and Broken Harbor
 
“[Rachel] Joyce, showing the same talent for adroit plot development seen in the bestselling The Unlikely Pilgrimage of Harold Fry, brings both narrative strands together in a shocking, redemptive denouement.”—Publishers Weekly
 
“[Perfect’s] unputdownable factor . . . lies in its exploration of so many multilayered emotions. There is the unbreakable bond between mother and son, the fear of not belonging . . . and how love can offer redemption.”—London Evening Standard

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Customer Reviews

It was a great read and a satisfying ending.
tex norman
I felt the book was about 100 pages too long, and some plot elements and characters seemed unoriginal to me.
consumer s
This novel is well written....Joyce develops interesting characters, likeable and not; all complex.
just mary

Most Helpful Customer Reviews

Format: Hardcover
1970's England. Fancy jaguars parked in the garages of upperclass suburban homes. Mothers in dainty white gloves wiping the sugar off their children's mouths. Fathers returning on the weekends with their briefcases in one hand, while expecting a shot of scotch from the bottle in the cabinet, in the other. This is the scene in which the primary portion of Perfect is set.

Upon witnessing a terrible lapse of time and in awareness, Byron Hemmings is caught in between the worlds of childhood and adulthood, as he is reluctantly forced to make a choice: reveal this secret about his precious, faultless mother, Diana, or keep quiet in his own mind forever. When his genius friend, James, excitedly concocts a plan to fix this intangible error, Operation Perfect is born; as the judgment of two adolescent boys goes, the procedure will either go according to plan, just as imagined in their hands... or it will end it utter disaster.

Byron's balmy, yet increasingly paranoiac summer days, are interspersed with Jim's portion of the story, set in a bitter present-day winter. Jim is a middle-aged obsessive-compulsive, who lives in a van, who works as a busboy, and whose condition worsens when reminiscing about his past and his haunting experience at Besley Hill, the sanitarium he was shoved into as a teenager.

The two seemingly unrelated narratives catch up to each other in a collision of time; they swerve together and explode into one another in a fateful, alarming twist that will leave readers breathless. For the majority of the novel, however, the prose is—however flowery and fanciful—languidly, almost sluggishly, set. I found Joyce's writing enjoyable, but very thick and puzzling, especially in the first half.
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39 of 42 people found the following review helpful By A. E. Thomas on July 24, 2013
Format: Kindle Edition
I thoroughly enjoyed Rachel Joyce's first novel, "The Unlikely Pilgrimage of Harold Fry" and eagerly awaited a second book by this talented author. "Perfect" is the title of this second offering and I have to say that I enjoyed it as much as the first.

The story is set in two different time zones; the spring and summer of 1972 and the present, with the some of the characters featuring in both zones. As the story unfolds, it eventually becomes obvious that there will be some merging of the two strands. This is a device that has not always satisfied me in the past, but I felt that Rachel Joyce handled this aspect of her storytelling effortlessly. By using the past tense for the 1972 episodes and the present tense for the more up to date part of the novel, there was never a problem with locating oneself within the story.

There are many layers to "Perfect" and also a range of interesting characters. Byron Hemmings and James Lowe are boys in 1972, interested in the world around them and full of ideas and plans. They are particularly interested in the thought that two seconds will be taken away from time during the year and it is Byron's amazement at seeing the second hand of his watch moving backwards that leads to an event which will ultimately change his life and the lives of those around him.

In my opinion, one of the most endearing characters from the 1972 strand is Byron's mother, Diana. She is trapped in what appears to be a loveless marriage, isolated in the country with her two children, Byron and his little sister, Lucy. She does not really fit in with the other mothers, but is not afraid to voice her opinion. Without a doubt, she is a good mother, who loves her children deeply.
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21 of 23 people found the following review helpful By Stacie Gorkow on January 14, 2014
Format: Kindle Edition
The British author of THE UNLIKELY PILGRIMAGE OF HAROLD FRY has written her newest novel, PERFECT. In PERFECT, we are taken to an English village in 1972, and an 11-year old boy finds out from a friend that the government is adding two seconds to a day, therefore altering time. Byron and his friend James become so wrapped up in the idea and when it is going to happen, that it ends up encompassing their lives. One morning, on the way to school, Byron notices his watch is adding the two seconds. He leans over and shows his mom, who is driving at the time, and she ends up hitting a little girl on a bicycle and then driving off. Even though it is foggy and Byron is sure that he saw the accident, he can't believe his mom would just drive off. Byron and James are so horrified and worried about the girl that "Operation Perfect" is enacted to protect Byron's mother from facing the consequences.

At the same time, another story is being told in alternating chapters. This story is sent in the present time in the same English village. An adult man, Jim, lives a life confined by his daily rituals and past demons. At first we don't know the connection between the two stories, but as the story goes on, you begin to make assumptions about who this adult man is. Then, when you find out the true connection between the two stories, you want to go back and read everything again.

Byron is so caught up in the idea of the "supposed" adding of the two seconds that it consumes his daily thoughts and activities. He can't understand why no one else is upset about it and why there is nothing in the news about it. His father is gone during the week and only home on weekends and when he is, he has no time for his family, except to tell them what they are doing wrong.
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