From Publishers Weekly
Isaacs's 11th novel has fewer sparks flying than nets dragging, but most fans won't mind a bit, given the amount of outside-the-bedroom adventure. Despite reinventing herself as the author of the novel
Spy Guys and the creator of the resultant TV show, Katie Schottland remains wounded by her still-unexplained firing from the CIA, where she wrote intelligence briefs as the Cold War ended, 13 years earlier. When she gets a distress call from an old co-worker, Lisa Golding, who subsequently disappears, Katie plunges back into the notes she smuggled out of the office. She seeks help from an old flame and another ex-agent (now a log-cabin recluse) who helps her trace three of Lisa's former charges at the CIA, East German asylum seekers transported to America and given new names. When two of them turn up dead within weeks of each other, Katie decides to give chase to locate the third before the woman becomes the next casualty. And she still hopes she'll coerce her ex-employer to give up the truth about her termination. The operations stuff is well-done throughout. Katie's relationship with her sweet vet husband adds little, but TV show–based scenes are diverting, and her fixation on her last job is sharply funny and true-to-life.
(Feb.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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From Booklist
By turns sassy and serious, Isaacs's best-selling novels (including
Any Place I Hang My Hat, 2004) offer variations on a theme: "What's a nice Jewish girl doing in a predicament like this?" In the opening pages of her latest offering, former CIA analyst Katie Schottland receives a call from Lisa Golding, an old colleague who desperately needs her help. Katie, who was inexplicably fired from the agency some 15 years before, has since turned her experiences to profit, penning a successful cable-TV show based on her novel,
Spy Games. But she remains clueless about the circumstances surrounding her termination. Lisa, it seems, knows all the devastating details and offers to offer them up in exchange for Katie's assistance. But can Katie, now ensconced in upper Manhattan, with a nice (if somewhat milquetoasty) husband and a 10-year-old son, leave behind her safe, comfortable life long enough to learn the truth?
Past Perfect has cliched prose and a plot that pushes the limits of believability (skeptical readers may wonder how the scattered Katie ever got a CIA post in the first place). But Isaacs, veteran novelist and screenwriter with a sterling track record, can be counted on to ring cash registers, and if this isn't her best effort, it does offer a cast of reasonably engaging characters headed by Katie, a woman determined--once and for all--to make peace with her past.
Allison BlockCopyright © American Library Association. All rights reserved
--This text refers to the
Hardcover
edition.
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