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The Perfect Hour: The Romance of F. Scott Fitzgerald and Ginevra King, His First Love [Hardcover]

James L.W. I West II (Author)
4.2 out of 5 stars  See all reviews (8 customer reviews)


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Book Description

February 1, 2005
F. Scott Fitzgerald was a handsome, ambitious sophomore at Princeton when he fell in love for the first time. Ginevra King, though only sixteen, was beautiful, socially poised, and blessed with the confidence that considerable wealth can bring.

Their romance began instantly, flourished in heartfelt letters, and quickly ran its course–but Scott never forgot it. Now, for the first time, scholar and biographer James L. W. West III tells the story of the youthful passion that shaped Scott Fitzgerald’s life as a writer.

When Scott and Ginevra met in January 1915, the rest of the world was at war, but America remained a haven for young people who could afford to have a good time. Privileged and mildly rebellious, the two were swept together in a whirl of dances, parties, campus weekends, and chaperoned visits to New York.

“For heaven’s sake don’t idealize me!” Ginevra warned in one of the many letters she sent to Scott, but of course that’s just what he did–for the next two decades. Though he fell in love with Zelda Sayre soon after learning of Ginevra’s engagement to a well-to-do midwesterner, Scott drew on memories of Ginevra for his most unforgettable female characters–Isabelle Borgé and Rosalind Connage in This Side of Paradise, Judy Jones in “Winter Dreams,” and above all Daisy Buchanan in The Great Gatsby. Transformed by Scott’s art, Ginevra became a new American heroine who inspired an entire generation.

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Editorial Reviews

From Publishers Weekly

Perhaps because Fitzgerald himself epitomizes the romantic hero whose end was tragic, the writer's first romance, when he was a Princeton sophomore, with 16-year-old Ginevra King, engenders an interest beyond its brief, and mainly epistolary, flowering. Using excerpts from Ginevra's diary, discovered in 2003, West adds depth to what is known about their relationship while demonstrating how characters inspired by Ginevra turn up again and again in Fitzgerald's fiction, most famously as Daisy in The Great Gatsby. It's generally accepted that meeting Ginevra was Fitzgerald's introduction to the world of privilege, inspiring his oft-used theme of the poor boy rejected by a wealthy young woman. General editor of the Cambridge edition of Fitzgerald's work, West is on solid ground when he says, "from an artistic standpoint, Ginevra King was nearly as important to him as Zelda." West's text makes up about half this slim volume; the appendix contains five letters from Ginevra, entries from her diary and two short stories in which Ginevra is the model for the heroine. While the information here confirms rather than startles, aficionados will be glad to find reliable background material that enriches understanding of Fitzgerald's work. Together with the recently published Zelda Sayre Fitzgerald, this book helps illuminate the women in Fitzgerald's life. B&w photos.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist

Fitzgerald's most famous romance was with, of course, his wife, Zelda Sayre; but before Zelda, Fitzgerald fell hard for a charismatic society girl from Lake Forest, Illinois, named Ginevra King. The two met in 1915, when Fitzgerald was an 18-year-old sophomore at Princeton, and Ginevra was 16 and attending an exclusive boarding school. The attraction between the pair was instantaneous, but most of the resulting two-year romance was conducted through letters. West asserts that Ginevra--or, more correctly, Fitzgerald's idea of her--had a big influence on several of his stories and early novels. He asserts that she was the inspiration for the female characters in "Babes in the Woods" and "Winter Dreams," and even Daisy Buchanan in The Great Gatsby; and he backs up his theory with Fitzgerald's text. This charming account, which also includes a story of Ginevra's, several of her letters (Fitzgerald's did not survive), and a look at other historical beauties bearing the name Ginevra, is a must-read for Fitzgerald aficionados and literature lovers in general. Kristine Huntley
Copyright © American Library Association. All rights reserved

Product Details

  • Hardcover: 240 pages
  • Publisher: Random House; 1st edition (February 1, 2005)
  • Language: English
  • ISBN-10: 1400063086
  • ISBN-13: 978-1400063086
  • Product Dimensions: 8.3 x 5.9 x 1.1 inches
  • Shipping Weight: 12 ounces
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Best Sellers Rank: #1,077,743 in Books (See Top 100 in Books)

More About the Author

James L. W. West III, a native of Virginia, is Sparks Professor of English at Pennsylvania State University. West is a book historian, scholarly editor, and biographer. He has written books on F. Scott Fitzgerald and on the history of professional authorship in America and has held fellowships from the J. S. Guggenheim Foundation, the National Humanities Center, and the National Endowment for the Humanities. West has had Fulbright appointments in England (at Cambridge University) and in Belgium (at the Université de Liège). He is the general editor of The Cambridge Edition of the Works of F. Scott Fitzgerald and is at work on a volume of essays.

 

Customer Reviews

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Average Customer Review
4.2 out of 5 stars (8 customer reviews)
 
 
 
 
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1 of 1 people found the following review helpful:
4.0 out of 5 stars Focusing on Fitzgerald BZ - Before Zelda!, May 4, 2007
This very slight little book explores the here-to-fore little known facts regarding Fitzgerald's early infatuation with the upper class Chicago deb Ginerva King. The Kings were a very wealthy family from Lake Forest and their daughter on the surface quite out of Fitzgerald's league. As Fitzgerald wrote about all this in 1916, "Poor boys shouldn't think of marrying rich girls." Ginerva was athletic and very personable - and attractive - in 1918 simultaneously announcing her engagement while appearing on the cover of Town and Country magazine. Yet before this a romance of some sort with the poor Fitzgerald ensued, and the author compiles a remarkable amount of information about this youthful relationship, mostly from unknown letters and diaries saved and put away by Ginerva, and donated in 2003 by her granddaughter to the Fitzgerlad archives at Princeton.
These are full of interesting things, and for any Fitzgerald scholar or even just an ardent fan are a must. As one reads through the book the ghosts of early Fitzgerald heroines float in and out of our consciousness. Reminders of this moment in a particualr story, or how someone spoke or felt about a moment in one story or novel can suddenly quite vividly hit us. And it is not only the earlier material. The Perfect Hour serves to remind us all, again, that Daisy and Zelda are not interchangeable - Daisy is much more of a composite character, and many of her traits, from the voice that sounded like money, as Gatsby put it, to her best friend, the tennis champ, are taken from Ginerva's life.
Moreover, Ginerva's stockbroker father who owned a string of polo ponies is yet another source for the composite that is Tom Buchanan. And that rather subtly incestous concept reminds us that Fitzgerald's next novel after Gatsby was initially planned to be about a boy who killed his mother. There is much more going on in Fitzgerald than is generally thought.
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5 of 7 people found the following review helpful:
3.0 out of 5 stars Why Write the Book?, April 15, 2005
This review is from: The Perfect Hour: The Romance of F. Scott Fitzgerald and Ginevra King, His First Love (Hardcover)
About a year ago I did a research project about F. Scott Fitzgerald. I found a lot of information about his wife Zelda who intrigued me. She inspired many of Scott's works and was a lasting influence on his life.

This book exposes another influence, perhaps an even greater one because of how early Ginevra King met Scott Fitzgerald. Fitzgerald fell in love with the vivacious girl and shared a romance with her that helped shape his ideal woman.

The problem with this book is it's brevity. It details the backgrounds of both participants in the relationship and discusses their lives after the romance ended. For the time they were together, letters that were saved and diary entries are used to explain the relationship. However, although the author says that Ginevra King influenced Fitzgerald's works and gives examples, he never explains why she made such an impact.

I was disappointed that although Ginevra King was shown to be as much an influence on Fitzgerald's work as Zelda, she was shown to be less eloquent, vivacious, beautiful and articulate. Out of the five letters in the appendix of the book and the other many diary, story and letter references, I found one quote from Ginevra that was easy to relate to. The rest was chatter and not worth saving or dwelling over. This only adds to the confusion over why King made such an impact on Fitzgerald's life or why this book was even written.
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2 of 3 people found the following review helpful:
4.0 out of 5 stars The author is an expert on F. Scott Fitzgerald, August 7, 2005
By 
Bruce P. Barten (Saint Paul, Minnesota, U.S.A.) - See all my reviews
(REAL NAME)   
This review is from: The Perfect Hour: The Romance of F. Scott Fitzgerald and Ginevra King, His First Love (Hardcover)
This book illustrates one facet of F. Scott Fitzgerald's writing, which is based on his sensitivity to his family's financial situation, which was not quite what the top social strata in Saint Paul, Minnesota, Chicago, Illinois, New York City, or at Princeton University considered enviable. In August 1916, the summer after Fitzgerald left Princeton, he saw Ginevra King in Lake Forest, Illinois and someone there told him, "Poor boys shouldn't think of marrying rich girls." (p. 61, 62). The subtitle describes Ginevra as his first love, but they rarely saw each other, and the major literary contribution to this book by Ginevra is a story on pages 51-56 in which they can finally get together for a perfect hour after she has already married a Russian count and he remarks, "My wife ought to be home directly!"-- (p. 56). Among the parallels to THE GREAT GATSBY pointed out in this book, I was most impressed that "Fairway Flapper" Edith Cummings, who won the U.S. Women's Amateur tennis title in 1923, was a friend of Ginevra with an identical pinky ring and obviously the original for character Jordan Baker in THE GREAT GATSBY.

Fitzgerald wrote a tremendous number of letters to Ginevra, but we don't have them. Before he destroyed the letters Ginevra sent him, he had a typed transcript made, 227 double-spaced pages, and kept it in a ring binder. After his death, the transcript was returned to Ginevra King Pirie after she had married John T. Pirie, Jr., who would become chairman of the department store, Carson, Pirie, Scott & Co. Surprisingly few original sources are actually quoted in this book, THE PERFECT HOUR, by James L. W. West III.

They knew each other about a year before Ginevra wrote to Scott on January 31, 1916, "Honestly and truly, it would be wonderful to have that perfect hour, sometime, someday and somewhere." (pp. xiii, 50). Ginevra's diary entry for Monday, January 4, 1915, when they met. (p. 21, 22). Place cards from a party, preserved by Scott in his scrapbook. (p. 23). Her diary entries for January 5, 14 and 15. (p. 25). Draft of a telegram written by Scott on a train with a shaky hand. (p. 26). Diary entries for January 23, 28, and February 6 and 12, and letter she wrote him on February 7. (p. 26). Her first letter, written on January 11, and letter of October 13. (p. 27). Her letter of January 11 and 25. (p. 28, 29-30). By January 29 she wrote, "I want you to apologize for calling me a vampire. (p. 31). Letter of January 20 and telegram of February 6. (p. 31). Letters of January 25 and February 8. (p. 33). Letters of January 29 and April 4. (p. 34). Letter of February 8 and diary on February 20. (pp. 35-36). Letter of March 10. (pp. 36-37). Letters of February 25 and March 12. (p. 37). Letters of March 12 and 25 and diary for March 16. (p. 38). Letters of March 25 and 26 and April 26. (p. 39). Diary for June 8 (pp. 40-41) and letter of August 25 stating, "I told you, didn't I, that I figured out that we have seen each other for exactly 15 hours." (p. 40). Letter of May 14 and "She would turn seventeen in November;" (p. 43). All of this has been about a high school girl? So she could go to the Yale-Princeton football game in New Haven in November 1915, so the next letter of January 27 must be 1916. (p. 44). Fitzgerald had written a Princeton University Triange Club show with future literary critic Edmund Wilson, and Ginevra saw two performances in Chicago and sent him a letter on January 17, 1916. (p. 45). She also wrote a letter May 22 about getting kicked out of school for leaning out the windows of the dormitory to talk to boys. (p. 48).

The remainder of the book furnishes details about stories by F. Scott Fitzgerald, after her wedding march to Rolls-Royce to large grand piano story. After Scott sent her a story, she wrote him on May 24. (p. 61). The "Poor boys shouldn't think of marrying rich girls" in Scott's ledger is on page 62, with "It would be slick to have you write a story about me," she told him on November 3rd. The romance was over by the end of January, 1917. (p. 64). She announced an engagement to the son of a bank president who was an ensign in naval aviation on July 16, 1918. They were married September 4, 1918, just a few months before she was twenty. An exciting robbery during a dinner party on the evening of Saturday, November 21, 1931, involving four armed thieves (p. 81) was thwarted and most of her jewelry was recovered inside the pockets of an overcoat that had snagged on a wire fence. (p. 82). She lived until 1980.

There are a few times in the book when privacy issues are raised, but most of the events in the book take place when Ginevra King was too young to be allowed to get into trouble, and the thrill is all about trying to get things down on paper. There are so many people in modern society that few of them ever develop much sense of who they are talking to. Scott had Ginevra's attention long enough to help define who he wanted to address and why. But he could never write for enough money to put him in her class. Scott and Zelda were spending as fast as it came to them and never could have caught up. There is an intellectual problem here, but it looks more emotional than economic.
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Inside This Book (learn more)
First Sentence:
Ginevra King was the eldest of the three daughters of Charles Garfield King, a wealthy Chicago stockbroker, and Ginevra Fuller King, his wife. Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Lake Forest, New York, Ginevra King, Bill Mitchell, Scott Fitzgerald, Miss Hillard, Charles King, The Great Gatsby, Big Four, Edith Cummings, The Evil Eye, Daisy Buchanan, Edward Fitzgerald, Josephine Perry, Rosemary Avenue, Tender Is the Night, Three Hours, Winter Dreams, Charles Garfield King, Emotional Bankruptcy, Jay Gatsby, Judy Jones, Key West, Snobbish Story, The Romantic Egotist
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