The Perfect House: A Journey with Renaissance Master Andrea Palladio [Hardcover]

Witold Rybczynski (Author)

Book Description

Publication Date: September 3, 2002

The bestselling author of ONE GOOD TURN pursues his most appropriate subject yet: Andrea Palladio, the Shakespeare of Renaissance architects, who gave us the word 'Palladian' but about whom little is known. A journey along the Brenta River in northeastern Italy, just a short distance from Venice, reveals the origin of the architecture of the private house, an art first practiced by Andrea Palladio. Until Palladio began designing simple, gorgeous, perfectly proportioned villas, architectural genius was reserved for temples and palaces. Palladio not only designed and built, he wrote. His 1570 architectural treatise was read and studied by great thinkers as diverse as Thomas Jeffferson and Inigo Jones, and it proved to be critical to the design of Monticello and the White House. More than just a study of one of history's seminal architectural figures, THE PERFECT HOUSE reflects Rybczynski's intimacy with and enthusiasm for his subject. He not only reveals why the villas were so architecurally and culturally influential, he also imparts his enormous affection and admiration for the man who designed them. Embracing the elements of Rybczynski's most successful books on domestic architecture, HOME and THE MOST BEAUTIFUL HOUSE IN THE WORLD this charming, revelatory meditation explores the dawn of domestic architecture, and provides a new way of looking at every building we inhabit or visit today.

Editorial Reviews

From Publishers Weekly

Italian Renaissance architect and architectural theorist Palladio (1508-1580), whose superb and influential buildings helped define the renaissance, has been lucky in his commentators. Palladio's unique way of relating art to nature and architecture to surrounding natural forms in order to reinvent ancient classicism has been well described in such previous books as Vincent Scully's The Villas of Palladio. Now Rybczynski (The Look of Architecture, etc.), the University of Pennsylvania professor of urbanism and Wharton Business School professor of real estate, offers a confident look at his own touristic visits to the surviving Palladian villas: 17 out of around 30 remain, such as the Villa Rotunda in Vicenza and the Villa Foscari at Malcontenta. In 10 concise chapters devoted to these and other villas, Rybczynski proves a deeply able and aptly enchanted guide. Actually renting Villa Saraceno at Finale di Agugliaro, he describes in detail how careful proportions foster a sense of "well-being" and make the small villa seem "palatial" "almost like being outside." While Rybczynski doesn't quite generate the personal interest that normally drives a travel diary, his careful observations of everything from climatic conditions to fender benders will have readers eagerly following in his footsteps and finding traces of Palladio everywhere. Illus. not seen by PW.
Copyright 2002 Cahners Business Information, Inc.

From Library Journal

One of our most original, accessible, and stimulating writers on architecture builds on some of his earlier, and more personal, publications (e.g., Home: A Short History of an Idea) to offer an appreciation of the residential work of Andrea Palladio (1508-80). Pointing out in the preface that much of the most persistent architectural symbolism associated with houses derives from Palladio's villas, the author provides a detailed analysis, both historical and architectural, of ten of the 30 villas attributed to the architect. With its intriguing biographical detail, precise descriptions of design elements, and engaging insights into daily life in the 16th century, Rybczynski's book is a small but lasting gift to the reader. Despite the sparse illustrations, which consist of plans and elevations from Palladio's own publications and of fine freehand drawings by the author, this volume is an excellent companion to James S. Ackerman's Palladio. For more illustrated material, Manfred Wundram's Andrea Palladio, 1508-1580: Architect Between the Renaissance and the Baroque and Andrea Palladio: The Complete Illustrated Works are essential. Nevertheless, any collection with titles on Palladio or residential architecture should acquire this. Paul Glassman, New York Sch. of Interior Design Lib.
Copyright 2002 Cahners Business Information, Inc.

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Product Details

• Hardcover: 288 pages
• Publisher: Scribner; First Edition edition (September 3, 2002)
• Language: English
• ISBN-10: 0743205863
• ISBN-13: 978-0743205863
• Product Dimensions: 8.7 x 5.7 x 1 inches
• Shipping Weight: 15.5 ounces
• Average Customer Review: 4.2 out of 5 stars  See all reviews (8 customer reviews)
• Amazon Best Sellers Rank: #818,534 in Books (See Top 100 in Books)

More About the Author

Witold Rybczynski has written about architecture and urbanism for The New York Times, Time, The Atlantic, and The New Yorker. He is the author of the critically-acclaimed book Home and the award-winning A Clearing in the Distance. His latest book is The Biography of a Building. The recipient of the National Building Museum's 2007 Vincent Scully Prize, he lives with his wife in Philadelphia, where he teaches at the University of Pennsylvania School of Design.
Read his blog at http://www.witoldrybczynski.com.

Customer Reviews

Most Helpful Customer Reviews

26 of 29 people found the following review helpful:

5.0 out of 5 stars The Most Influential Architect, October 7, 2002

By 

R. Hardy "Rob Hardy" (Columbus, Mississippi USA) - See all my reviews
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This review is from: The Perfect House: A Journey with Renaissance Master Andrea Palladio (Hardcover)

Who is the greatest architect who ever lived? It's an impossible question, of course. Perhaps one that might get closer to a real answer is, Who is the most influential architect who ever lived? Witold Rybczynski has an answer, and it is a convincing one: Palladio. In _The Perfect House: A Journey with the Renaissance Master Andrea Palladio_ (Scribner), Rybczynski looks at the villas Palladio produced around the mainland of Venice in the sixteenth century, not as historic monuments but as useful and beautifully architectured homes. He places Palladio firmly within his times, but drawing on the classical architecture of Rome and drawn on by Inigo Jones, Thomas Jefferson, and countless others. It is hard to disagree with Rybczynski's conclusion about Palladio's influence, and after this book, a reader is likely to see Palladian themes not only in grand homes, but in diminished form in modern suburban ones as well.

Palladio was merely the son of a miller or maker of millstones; the historical record is not clear. He was trained as a stonemason, and early showed enough talent that Count Giangiorgio Trissino, of an old Vicenza family, noticed his ability. This was his introduction to higher things, especially his ticket to Rome, where the ancient buildings proved a continuing inspiration for his villas. He designed about thirty of them, several of which never were started and if started were not completed; clients of architects then and now faced over-optimism and reversals of fortune. Seventeen survive, some in excellent preservation and some a bit seedy. They are Palladio's main legacy, and remain beautiful and durable; most are still lived in. Rybczynski gives a wonderful introduction to the tools at Palladio's disposal - pediments, porches, entablatures, apses, and more. These were all juggled and adjusted in each specific case. And while there is a unity to the composition of the villas, Rybczynski demonstrates that there is no such thing as a "typical" Palladian villa: "Some of his designs incorporate temple fronts, some do not; some have pedimented windows, some have plain openings; some porticoes are supported by elaborate Corinthian columns, others by unadorned piers. His fertile imagination brimmed with ideas." Architects and artists have been learning from Palladio ever since. The book has the author's line drawings of each of the buildings, and some reproductions of Palladio's sketches or plans, but they are really not sufficient to understand the massings of space Palladio so expertly managed. When I read the book, I checked up on various websites to get fuller pictures.

Rybczynski has lived for a short time in one of the villas, and his words on what make them special are worth reading, although no one will fully be able to explain it. He gives enough examples from all over the world (in America, Monticello, the White House, local courthouses and countless southern mansions are Palladian buildings) to make entirely sufficient his argument about the architect's influence. It is easy to catch Rybczynski's enthusiasm. Those who don't know Palladio will find this book, which is a capsule biography, travelogue, and architectural appreciation, a fine introduction. Those who are already Palladians will rejoice in the clear descriptions and the first hand accounts, coming from an experienced observer and an entertaining storyteller.

7 of 7 people found the following review helpful:

3.0 out of 5 stars Read, Not Seen, May 29, 2006

By 

Valjean (Orcas Island, WA, USA) - See all my reviews
(VINE VOICE)   

This review is from: The Perfect House: A Journey with Renaissance Master Andrea Palladio (Paperback)

I'm sure anything I say about the scholarship of Witold Rybczynski's `The Perfect House' would be superfluous. Mr. Rybczynski has written several books (most of which I've also had the privilege to read) on the history, techniques, and important personages of the architectural trade; he holds a professorship at Penn; he clearly loves his subject matter. I therefore really can't quibble with the fundamental material here; the book is literally stuffed with facts. I did, however, have difficulties with the author's style and structure--which ultimately affected some, though gratefully not all, of his story.

To say that Mr. Rybczynski has an eye for detail would be the grossest of understatements. The book's very format--a visit to nearly every Palladio-designed villa still standing in Italy--seems to encourage the author to discourse on every entablature, frieze, and architrave in sight. If you don't immediately recognize these terms--and would be annoyed by constantly referring to the endnotes--Rybczynski nearly compensates by conveying his clear love for these centuries-old designs. Without sounding defensive, he lets the purpose of his journey (see below) unfold.

As with his other books on architectural history, the author clearly shows in `The Perfect House' how historical, even ancient work remains relevant to 21st century architecture. Palladio's work fits this pattern well: his residential villas - as opposed to, say, royal palaces or working factories -- ooze domesticity and we can attempt to identify with their inhabitant's daily lives. Keeping with this theme, Rybczynski strains to discover by the last chapter what he hints throughout the book as Palladio's "secret"--why his buildings are so *good* (i.e., livable). I'll leave the review-reader in suspense but can assure you the reason is neither overly technical nor actually much of a secret, architecturally-speaking.

If that sounds like a demerit, it's not. This conclusion is actually a great relief from far too many minute spatial descriptions that repeat themselves, villa after portico'd villa. Rybczynski makes every attempt to help the reader *see* what he's seeing in these historic sites, but I ultimately found it a failed exercise. Without the jargon--and the painfully banal personal travel notes ("I munch contentedly, stared outside at the villa ...")--one is left with a well-padded visual journal, full of dimensions and data but far too few images or even straight-ahead descriptive prose.

In a self-defeating note - at least relative to his overarching purpose--Rybczynski even quotes Goethe saying "you have to see these buildings with your own eyes to realize how good they are." In a similar vein, a front jacket perp from The New York Times extols it as "... the perfect traveling companion". Ultimately I have to agree with Goethe and The Times: Palladio's villas should be seen, and this book would be a fine traveling resource. Reading it at home was an informative, inspiring, yet visually frustrating experience.

9 of 10 people found the following review helpful:

5.0 out of 5 stars Very good book. Needs more illustrations., May 16, 2003

By 

Leonard Testa "_len_" (Summerfield, NC United States) - See all my reviews
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This review is from: The Perfect House: A Journey with Renaissance Master Andrea Palladio (Hardcover)

Excellent prose. Fantastic selection of villas. It would be helpful if subsequent editions had more illustrations. I found myself constantly flipping back to try to determine what the author was mentioning. All in all, though, a worthwhile read.